Medieval Poetry

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Ovid's sensuous and witty poem brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation, often as a result of love or lust, in which men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best known myths and legends of ancient Greece and Rome.

Argonautika is the story of Jason and the Argonauts and their quest for the Golden Fleece. This epic story of gods and goddesses, mythical beasts, thrilling adventures, and narrow escapes may be the oldest surviving Greek myth, which Homer referred to as something "familiar to all." Listen to this masterpiece of classical literature in an all-new translation that captures the timeless magic and quiet humor of this ancient legend.

Ryokan (1758–1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Dans cette maison où la femme est et n'est qu'une poupée, les hommes sont des pantins, veules et pleutres. Sans doute Nora incarne-t-elle une sorte de moment auroral du féminisme, alors qu'être, c'est sortir, partir. Et Ibsen, grâce à ce chef-d'œuvre, accède au panthéon de la littérature mondiale. Mais si sa poupée se met, sinon à vivre, du moins à le vouloir, au point de bousculer au passage l'alibi de l'instinct maternel, c'est qu'autour d'elle les hommes se meurent.

Acclaimed actress Claire Danes burnishes an epic story of heroes, gods, and monsters in a groundbreaking translation of The Odyssey, the first great adventure story in the Western literary tradition. When the wily warrior-king Odysseus sets off for home after the Trojan War, he doesn’t realize this simple undertaking will become a perilous journey of 10 years. Beset at every turn, he encounters obstacles, detours, and temptations—both supernatural and human—while his wife Penelope fends off would-be suitors desperate to take the throne.

One of the great masterpieces of Western literature, The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars. Though the stormy god of the ocean is determined to keep him off course, Odysseus is clever and has the brilliant goddess Athena on his side.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

Homer's epic poem, written near the end of eighth century BC in Greece, follows the hero Odysseus as he journeys home after the fall of Troy. Many scholars believe that The Odyssey was originally composed as an oral tradition and was more likely meant to be heard than read, making it a great listen.

Full of tragic heroes, intoxicating love stories, and the unstoppable force of fate, there is no conflict more iconic than the Trojan War. Troy is the story of the epic battle retold by Fry with drama, humor, and vivid emotion. Achilles, Hector, Odysseus, Helen, their lovers, and their mortal enemies all burn bright in Fry's compelling prose. This volume invites you to explore a captivating world with a brilliant storyteller as your guide.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

Little is known about the Ancient Greek oral poet Homer, the supposed 8th century BC author of the world-read Iliad and his later masterpiece, The Odyssey. These classic epics provided the basis for Greek education and culture throughout the classical age and formed the backbone of humane education through the birth of the Roman Empire and the spread of Christianity.

The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful, and just as entertaining as it was in the ninth century BC, and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

Dating to the ninth century BC, Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb Introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

Aristotle’s Poetics is the earliest-surviving work of dramatic theory and the first fully intact philosophical treatise to focus on literary theory. The respected Greek sage offers an account of what he calls "poetry" (which the Greeks understood to literally mean "making"), examining its "first principles" and identifying its genres and basic elements, including what he terms drama-comedy, tragedy, and the satyr play - as well as lyric poetry, epic poetry, and iambic pentameter, which he always associates with wit.

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon.