Medieval Women

A traveling merchant’s death heralds a series of grim mishaps at Salisbury Castle. Ela suspects a plot to discredit her as sheriff. Can she solve the murder and save her reputation, or will she be the next victim?

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

The giant Highlander is a self-proclaimed bachelor who has sworn for years that there isn't a woman in all of Scotland worth shaving his beard for, and for good reason. Years ago, after a bonny young lass broke his heart and left his dignity in shreds, he swore never again to put it in such peril. As a testament to his sincerity, he vowed never again to shave his beard. Then he met her.

Ireland. AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests’ hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the King of Franks. Sister Fidelma is asked by Abbot Cuán to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started.

After enduring years of her nobleman father's cruelty and abuse, Celestina Lunde is ready to take her own life rather than enter into an arranged marriage with an equally brutal man. But just when she is about to leap through the window of her tower bedroom, a brawny Highland warrior arrives at her home and changes everything.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

Edyth, wife of King Harold of England, disappeared forever on the day of the great Battle of Hastings in 1066, taking with her the legitimate heirs to the thrones of England and Wales. This is the story of that amazing woman, who loved and married the King of Wales and then the man who would be King of England, only to witness his historic defeat by the light of Halley's Comet.

Lizanne Balmaine has spent years honing her skills at arms, determined she will never again be at the mercy of any man. When she comes face to face with the one who stole her future, she seizes the opportunity to exact revenge. Soon he is her prisoner, at her mercy. But something is different about him, something that makes her question her purpose. Is it possible a man can be so changed? More, can she right the wrong that could lay ruin to her family?

Ireland AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests' hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the king of Franks. Sister Fidelma is asked by Abbot Cuán to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started. Thrown into a world of treachery and jealousy, where religious beliefs are vehemently disputed, Fidelma and her companions, Eadulf and Enda, face a barrier of deceit.

Salisbury 1226. When a child of village outcasts disappears from Salisbury, the odious new sheriff doesn’t seem to care. Ela Longespée is determined to help the girl’s desperate parents and her investigation leads her into the thick of a human-trafficking ring in London. There, she vows to find the lost child, arrest the perpetrators, and convince the king to make her high sheriff of Wiltshire.

Bishop’s Lynn, England, 1413. At the age of forty, Margery Kempe has nearly died giving birth to her fourteenth child. Fearing that another pregnancy might kill her, she makes a vow of celibacy, but she can’t trust her husband to keep his end of the bargain. Desperate for counsel, she visits the famous anchoress Dame Julian of Norwich. Pouring out her heart, Margery confesses that she has been haunted by visceral religious visions. Julian then offers up a confession of her own: she has written a secret, radical book about her own visions, Revelations of Divine Love.

En una edad de tinieblas, donde la vida cotidiana discurre a menudo entre hechizos y ensalmos, cualquiera puede pasar por brujo. La sabia ironía de Ángeles de Irisarri conduce estas seis historias de brujas medievales, uniendo a su proverbial sentido del humor la construcción de un universo propio en el que las mal llamadas brujas aparecen sin artificios ni prejuicios ajenos, como lo que son: mujeres de carne y hueso.

An elderly nun is accused of witchcraft after a priest dies under mysterious circumstances. When the nun tells Ela something that could turn the king against her nemesis, justiciar Hubert de Burgh, she knows she must whisper it in the king’s ear. Ela finds herself in a race to save the nun’s life as de Burgh tumbles from his lofty pedestal and chaos rattles the halls of power.

In the early 1800s, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects.

Joan of Arc was born in a small French village during the worst period of the Hundred Years' War. For generations, France had been besieged by the British. At age 11, Joan began to see religious visions telling her to join forces with the King of France. By the time she was a teenager, she was leading troops into battle in the name of her country. Though she was captured and executed for her beliefs, Joan of Arc became a Catholic saint and has since captured the world's imagination.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

Medieval history is often written as a series of battles and territorial shifts. But the essential contributions of women during this period have been too often relegated to the dustbin of history. In Women in the Middle Ages, Frances and Joseph Gies reclaim this lost history, in a lively historical survey that charts the evolution of women’s roles throughout the period and profiles eight individual women in depth.

In 1384, a poor and illiterate peasant woman named Ermine moved to the city of Reims with her elderly husband. Her era was troubled by war, plague, and schism within the Catholic Church, and Ermine could easily have slipped unobserved through the cracks of history. After the loss of her husband, however, things took a remarkable but frightening turn. For the last 10 months of her life, Ermine was tormented by nightly visions of angels and demons.

Losing her mother to the witch’s noose and her father to those who placed her there, Lady Edyth DeVries flees for her life into the wilds of Scotland. With all her hopes pinned upon reuniting with the only family left to her, Edyth is tormented as a keeper of a dangerous secret, one that she is only just beginning to unravel.

Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows, and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war - to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings.