Medieval Women

Fourteenth-century Europe. The Black Death has killed half the known world, and in an isolated convent, a small group of nuns spends their days in work, austerity, and devotion, chanting the Liturgy of the Hours. But their community is threatened. Rumors of heresy and a scandalous Book of Ursula, based on the teachings of the charismatic former abbess and founder of the order, have prompted the male church hierarchy to launch an investigation. Disrespect and rebellion infect some novices, and the youngest among them pines for the bishop's chief inquisitor.

Catherine, wife of one-handed Edgar, daughter of a Jewish merchant, and mother of two small children, is a Christian convert. Agnes, her estranged sister, has returned to Paris with the news that she is to marry a German lord. She wants no part of her Jewish family, except the sizable dowry her father can provide.

"Sa robe caresse le sol. À cet instant, nous sommes comme les pierres des voûtes, immobiles et sans souffle. Mais ce qui raidit mes frères, ce n'est pas l'indifférence, car ils sont habitués à ne pas être regardés ; ni non plus la solennité de l'entretien - tout ce qui touche à Aliénor est solennel. Non, ce qui nous fige, à cet instant-là, c'est sa voix. Car c'est d'une voix douce, pleine de menaces, que ma mère ordonne d'aller renverser notre père." Aliénor d'Aquitaine racontée par son fils Richard Cœur de Lion.

Durante el reinado de Felipe II, dos mujeres —Ana de Mendoza, princesa de Éboli, y santa Teresa de Jesús— sostienen una batalla sin cuartel y se abren paso, cada una a su manera, en un mundo que pretende aplastarlas. La primera, en busca del triunfo mundano, trata de alcanzar la supremacía entre los grandes de España; la segunda, en busca de la unión plena con Dios, planta cara al fariseísmo religioso y burla las asechanzas del poder político.

The Renaissance is dawning over Europe. Ideas of freedom and science shake the foundations of medieval society. Demuth, the successful but eccentric apothecary of a small village in the German mountains, knows little about these developments...until she is forced to flee from a witch hunt and must leave her protected life for good.

Between the 12th and 15th centuries in Europe, not all women fit the stereotype of passive housewife and mother. Many led bold and dynamic lives. In this collection of historical portraits, Maria Teresa Brolis tells the fascinating tales of fashion icons, art clients, businesswomen, saints, healers, lovers, and pilgrims - both famous and little known - who challenge conventional understandings of the medieval female experience. Drawing on evidence from literary works and archival documents, Brolis pieces together an intricate overview of 16 women's lives.

Medeltidens historia har ofta blivit männens historia. Hur såg livet ut för Jeanne d’Arc, för »merciernas härskarinna« Ethelfled eller läkaren Trota av Salerno? Hur betraktades de av sina samtida? De senaste decennierna har forskningen gjort många upptäckter kring medeltidens gränsöverskridande kvinnor. I den här boken möter vi dels vanliga bondhustrur, dels ledare och konstnärer, läkare och predikanter, härförare, fotsoldater och andra kvinnor som valde en annorlunda väg.

The summer of 1273 is peaceful for most of England, except in the village of Tyndal, where Martin the cooper has been poisoned at the local inn. Martin had plenty of enemies; the killer could be anyone. Prioress Eleanor grieves for her friend, the newly bereaved Crowner Ralf, and offers what help she can. But then her own problems multiply.

When one of her company falls ill on a return journey to Tyndal, Prioress Eleanor accepts lodging at a nearby manor. There, Master Stevyns's wife is having an affair with the groom, while a local widow acts more like the lady of the manor than the lady herself. The master's eldest son and spouse are obsessed with sin and heaven, while his youngest son, bound for the church, unexpectedly returns with more interest in lute playing than the priesthood.

1173, France. Eleanor of Aquitaine has been arrested for rebelling against her husband, King Henry II of England. Her loyal ladies-in-waiting, Alice and Joanna of Agen, have fled to the nunnery at Fontrevault, where they are anxiously awaiting news of their queen. Alice and Joanna struggle to adapt to their cramped new home at the Abbey. Each is secretly nursing a broken heart—and harboring unholy desires. Joanna left behind a lover, Jean, at Eleanor's court in Poitiers, and Alice has long been in love with the queen's daughter, Marie.

Tradimenti, amori, cospirazioni nell'affascinante epoca Tudor. Due donne, due diversi destini, uniti per sempre sotto l'ombra della torre di Londra. Finché i corvi abiteranno la Torre di Londra, il Regno d’Inghilterra sopravvivrà. Joan Vaux non è come tutte le altre dame di corte. Ha la carnagione olivastra, si veste sempre con abiti scuri e i suoi capelli sono neri come le ali dei corvi che tanto ama. Li considera suoi amici e guardiani della Corona da quando è piccola. E oggi più che mai il Regno sembra in pericolo.

Sei storie esemplari di donne del Medioevo e del loro rapporto con la maternità. C’è l’esperienza di Dhuoda (vissuta nel IX secolo), il cui figlio Guglielmo fu consegnato come ostaggio a Carlo il Calvo; c’è – due secoli dopo – la vicenda di Matilde di Canossa, donna potentissima ma delusa nelle sue aspettative di maternità. C’è l’esempio di Caterina da Siena, che pur non avendo figli agisce e scrive da "grande madre" italiana. C’è Christine de Pizan, impegnata nell’ultimo scorcio di Medioevo a destreggiarsi tra i figli e la carriera.

After the death of his mother, young Alwin of Whittaker leaves the only home he has ever known to seek answers about his unknown father through a pilgrimage to the shrine of Our Lady of Walsingham. On the journey, Alwin falls in with a band of violent and marauding soldiers and is witness to their terrible crimes. When Alwin later joins up with a group of pilgrims, he must hide his identity...but he is not the only one with secrets to keep. Rosamund, a young woman travelling the same path, has much to conceal too.

In the winter of 1271, death stalks the corridors of Wynethorpe Castle on the Welsh border. When the Grim Reaper touches the beloved grandson of the castle lord, Baron Adam sends for his daughter, Prioress Eleanor of Tyndal, and her subinfirmarian, Sister Anne, to save the child with their prayers and healing talents. Escorting them to the remote fortress is Brother Thomas, an unwilling monk fighting his private demons.

It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company. A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous.

In one tragic moment, Celeste Gabriele loses all it has taken a lifetime to create. Surrounded by political upheaval and personal turmoil in 1497 Florence, she feels betrayed and utterly alone. Can she summon the courage and strength to conquer her demons and find the love she so desperately craves? Political tensions are high in Florence under the fanatical rule of Prior Girolamo Savonarola, but Celeste is content. She and her husband, Luciano, share a loving marriage, thriving art careers, and five wonderful children.

Ein mystischer Kriminalroman aus dem Mittelalter. Schiltach im Schwarzwald, 1344. Im Städtle geht der Teufel um. Das glauben zumindest die Bewohner, nachdem an der Kinzig eine junge Magd ermordet aufgefunden wurde. Als im Gasthaus "Hirschen" jede Nacht unheimliche Geräusche zu hören sind und eine weiße Gestalt gesichtet wird, die scheinbar durch Wände gehen kann, bricht Panik aus. Wird sich der Dämon weitere Opfer holen? Kräutersammlerin Johanna und Flößer Lukas versuchen die Wahrheit zu ergründen.

La guerra non è faccenda da donne, eppure nel sanguinoso scacchiere dell’Italia del Quattrocento può accadere di tutto, anche che una fanciulla venga addestrata a combattere come un uomo. Il suo nome è Bona Lombardi, ma fra i mercenari della Banda Rossa agli ordini del generale Francesco Sforza tutti la conoscono con il nome di Gabrio. Cuore puro e occhi verdi come pietre di fiume, nel suo sangue scorre la ribellione: contro il destino che spetta alle donne, contro i soprusi degli uomini, contro chi ti attende nell’ombra per strapparti la vita o la dignità.

It is 1665 and the women of Eyam village keep many secrets. Especially Isabel and Mae. Isabel Frith, the village midwife, walks a dangerous line with her herbs and remedies. There are men in the village who speak of witchcraft, and Isabel has a past to hide. So she tells nobody her fears about the pious, reclusive apothecary, on whom she is keeping a watchful eye. Mae, the apothecary’s youngest daughter, dreads her father’s rage if he discovers what she keeps from him: her feelings for Rafe, Isabel’s ward, or the fact that she studies from her father’s books at night.

Join Celeste Gabriele in this second book of the Master’s Protégé Trilogy as she finds herself torn between desire for fame and fortune in the turbulent Renaissance art world and the call of home and family. Will she have the strength and courage to resist the lure of the siren song and brave churning waters to make her way home?