Medieval Women

Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

In London, journalist Jo Clifford plans to debunk the belief in past lives in a hard-hitting magazine piece. But her scepticism is shaken when a hypnotist forces her to relive the experiences of Matilda, Lady of Hay, a noblewoman during the reign of King John. She learns of Matilda's unhappy marriage, her love for the handsome Richard de Clare and the brutal death threats handed out by King John, before it becomes clear that Jo’s past and present are inevitably entwined.

The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, queen seductresses, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe - these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill.

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized—and largely mythical—notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of Edward I, often known as Longshanks. The lives of these sisters—Eleanora, Joanna, Margaret, Mary, and Elizabeth—ran the gamut of experiences open to royal women in the Middle Ages.

Set against the backdrop of the turbulent 13th century, a time of chivalry and crusades, poetry, knights, and monarchs, comes the story of the four beautiful daughters of the count of Provence, whose brilliant marriages made them the queens of France, England, Germany, and Sicily.

Until Scandinavia converted to Christianity and came under the rule of powerful kings, the Vikings were a dominant force in the medieval world. Outfitted with wind-powered sailing ships, they left their mark, spreading terror across Europe, sacking cities, deposing kings, and ransacking economies. But as much as we know about this culture, there is a large missing piece: its women. In this revisionist portrait, science journalist Heather Pringle turns those assumptions on their head, using the latest archaeological research and historical findings to reveal this group as they actually were.

Set in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know – Eleanor of Aquitaine

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

At the height of the Middle Ages in the 14th century, King Edward III of England is determined to use any means necessary to expand his power and gain control of England's bitter rival, France. His own son, Edward, prince of Wales, is far from immune from his political plans. And when Joan of Kent, now free from exile, sees her chance for revenge, she takes it. A calculated plot to scandalize the royal family for revenge for her father's downfall and execution soon turns into the most surprising thing: love.

In the winter of 1271, death stalks the corridors of Wynethorpe Castle on the Welsh border. When the Grim Reaper touches the beloved grandson of the castle lord, Baron Adam sends for his daughter, Prioress Eleanor of Tyndal, and her subinfirmarian, Sister Anne, to save the child with their prayers and healing talents. Escorting them to the remote fortress is Brother Thomas, an unwilling monk fighting his private demons.

What have a deaf nun, the mother of the first baby born to Europeans in North America, and a condemned heretic to do with one another? They are among the virtuous virgins, marvelous maidens, and fierce feminists of the Middle Ages who trail-blazed paths for women today. Focusing on women from Western Europe between c. 300 and 1500 CE in the medieval period and richly carpeted with detail, A Medieval Woman’s Companion offers a wealth of information about real medieval women who are now considered vital for understanding the Middle Ages in a full and nuanced way.

A thousand years ago in an ancient Scottish landscape, a woman is on the run with her three companions–a healer, a weaver, and a seer. The men hunting her will kill her–because she is the only one who stands between them and their violent ambition. She is no lady: she is the first queen of Scotland, married to a king called Macbeth. As the net closes in, what unfurls is a tale of passion, forced marriage, bloody massacre, and the harsh realities of medieval Scotland. At the heart of it is one strong, charismatic woman.

Lizanne Balmaine has spent years honing her skills at arms, determined she will never again be at the mercy of any man. When she comes face to face with the one who stole her future, she seizes the opportunity to exact revenge. Soon he is her prisoner, at her mercy. But something is different about him, something that makes her question her purpose. Is it possible a man can be so changed? More, can she right the wrong that could lay ruin to her family?

Genevieve Buchanan inherited a castle—and a ghost to go along with it. But Kendrick de Piaget was no typical ghost. He was a handsome and infuriatingly arrogant 13th-century knight. At first, he wanted to frighten Genevieve, though she was more charmed than scared by his ghostly tricks. But when his thoughts turned to wooing her instead, Genevieve had to face her greatest fear: falling in love.

A traveling merchant’s death heralds a series of grim mishaps at Salisbury Castle. Ela suspects a plot to discredit her as sheriff. Can she solve the murder and save her reputation, or will she be the next victim?

In March 1279, Edward I takes a break from hammering the Welsh and bearing down on England's Jews to vacation in Gloucestershire. The royal party breaks the journey at Woodstock Manor. There, one life begins as the queen gives birth to a daughter, and one draws to an end as apoplexy fells Baron Adam Wynethorpe. Hastening to the baron's deathbed is his eldest son, Hugh, a veteran of Edward's Crusades who can't shake off the battle horrors he has witnessed.

It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company. A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

The summer of 1273 is peaceful for most of England, except in the village of Tyndal, where Martin the cooper has been poisoned at the local inn. Martin had plenty of enemies; the killer could be anyone. Prioress Eleanor grieves for her friend, the newly bereaved Crowner Ralf, and offers what help she can. But then her own problems multiply.