Medieval Women

Three men are trapped in time. One woman could save them all. Historian Lia Carrer has finally returned to southern France, determined to rebuild her life after the death of her husband. But instead of finding solace in the region's quiet hills and medieval ruins, she falls in love with Raoul, a man whose very existence challenges everything she knows about life - and about her husband's death.

Anche nel Medioevo troviamo donne disposte a vendere il proprio corpo "pro pretio, lucro et questu": condannata e ritenuta una vergogna, la prostituzione era però considerata ineliminabile e persino necessaria. Giustificabile, perché salvava da mali peggiori come la corruzione delle vergini e delle spose e "l'abominevole vizio della sodomia". Ma qual era la posizione della Chiesa e dei pubblici poteri nel regolare questo fenomeno divenuto assai rilevante? Nel Trecento, infatti, si assiste ovunque in Europa al proliferare dei postriboli, a volte quasi piccole fortezze del piacere.

Nel Medioevo le donne vivevano in una rigida sottomissione. Non assecondare la volontà della famiglia, non ubbidire agli uomini, padri, mariti o padroni, manifestare indipendenza di giudizio o di comportamento facevano di loro delle ribelli. Ma non sono mancate sante, regine, badesse, semplici monache, umili contadine, serve, schiave, eretiche, streghe, prostitute che hanno scelto di sottrarsi a destini segnati, resistendo, opponendosi, fuggendo. Donne decise a viaggiare, conoscere, insegnare, lavorare, combattere, predicare.

Worms 1414: Sie sind die bekanntesten Medici ihrer Zeit: Madlen und Franz von Beyenburg kümmern sich hingebungsvoll um ihre Patienten und können deren Leid oft lindern, auch wenn gegen viele Krankheiten ihrer Zeit noch kein Kraut gewachsen ist. Nur mit dem Neubau ihres Hospitals geht es zu langsam voran und die beengten Verhältnisse für die Patienten und die Familie kosten Madlen viel Kraft. Da schickt der Erzbischof von Köln nach ihr. Über ein Vierteljahrhundert ist er Madlen ein kluger und warmherziger Freund gewesen, doch der alte Mann spürt, dass seine Zeit gekommen ist.

Paris, 1399. Scribe Christine de Pizan is sent to the Priory of Poissy by the palace to copy a manuscript for the prioress. But the prioress already has many copyists at the priory, and Christine senses that something is amiss. Her suspicions are confirmed when the prioress reveals that one of the sisters has been found murdered in the cloister.

This is the story of Joan de Geneville, wife to one of England's most infamous traitors: Roger Mortimer. After the death of her father in 1292, Joan becomes one of the greatest English heiresses of her generation. In a time when women are subservient, she is raised by her mother to command. Educated by her tutors, she becomes a formidable woman in her own right. When Joan is married her husband's lust for power knows no bounds. She is forced to choose between her duty to her King and her loyalty to her husband.

"Sa robe caresse le sol. À cet instant, nous sommes comme les pierres des voûtes, immobiles et sans souffle. Mais ce qui raidit mes frères, ce n'est pas l'indifférence, car ils sont habitués à ne pas être regardés ; ni non plus la solennité de l'entretien - tout ce qui touche à Aliénor est solennel. Non, ce qui nous fige, à cet instant-là, c'est sa voix. Car c'est d'une voix douce, pleine de menaces, que ma mère ordonne d'aller renverser notre père." Aliénor d'Aquitaine racontée par son fils Richard Cœur de Lion.

Als Nachfahre der mächtigen Söhne des MacAlpin weigert sich Iain MacKinnon, sich der englischen Krone zu beugen. Doch als sein kleiner Sohn entführt wird, schwört der standhafte schottische Clanführer, nicht eher zu ruhen, bis er die Rückkehr seines Sohnes sichergestellt hat. Im Gegenzug raubt er die Tochter seines Feindes, um sich auf einen Handel mit dem Teufel einzulassen.

Auf Kibitzstein hat Marie Adler sich mit dem Würzburger Fürstbischof Gottfried Schenk zu Limburg arrangiert. Ihre Kinder sind mittlerweile erwachsen und Trudi und Lisa bereits verheiratet. Außerdem hat der Fürstbischof angedeutet, für FalkoAdler eine passende Ehe stiften zu wollen. Das Leben könnte im Grunde für Marie nicht schöner sein, doch da geschehen zwei Dinge, die das Schicksal aller auf Kibitzstein verändern werden.

An original recording of one of Oscar Wilde's comedic classics and a precise satire of Britain's upper classes. At a gathering at Hunstanton Chase, the young Gerald Arbuthnot has been given a rare opportunity to make something of himself by the cavalier Lord Illingworth, but a chance meeting between his mother Mrs. Arbuthnot and Lord Illingworth reveals that there's more behind the offer than Gerald knows.

A Woman of No Importance takes place in a 24-hour period during a house party hosted by Lady Hunstanton at her country estate. The upper echelons of English society mix, mingle and flirt, including Lady Caroline Pontefract (who is on her fourth husband), the witty and ironic Mrs. Allonby and the dandyish Lord Illingworth. Wilde balances these worldly characters with a visiting young American woman, Hester Worsley.

Paris, 1393. A masquerade ball at the palace ends in tragedy, with four revelers burned to death. Was it an accident...or did someone deliberately hurl a flaming torch at the dancers? Convinced it was an act of murder and that the king himself was the real target, Queen Isabeau has asked Christine de Pizan to spend time at court in an attempt to uncover the identity of the would-be assassin.

Was Joan of Arc accused because she was a woman? Then why did so many fierce and battle-hardened male warriors line up their troops behind her? Yet, not even one of her soldiers, be they longbowmen, cavalry riders, knights, artillerymen, and nobles, ran from the command of a woman. Instead, they marveled at her as she mounted the ladders to a heavily defended castle, right along with the men, shot arrows, thrust spears, and galloped on her great white steed along with the best of them. She was wounded twice and yet did not shirk from battle.

The idea of a powerful woman in the Middle Ages seems like an oxymoron. Females in this time are imagined to be damsels in distress, trapped in a high tower, and waiting for knights to rescue them, all while wearing traffic-cones for a hat. After rescue, their lives improved little. Their career choices were to be either docile queens, housewives, or be burned at the stake for witchcraft. But what if this image of medieval women is a complete fiction? It turns out that it is. Powerful female rulers fill the Middle Ages.

Hildegard von Bingen was never meant to be remembered by history. The 10th child of one of the Graf von Sponheim’s knights, she was given to Disibodenberg monastery partly out of gratitude to God, but also partly because her visions made her too odd to make a suitable wife. When she succeeded Jutta von Sponheim as magistra and prioress of Disibodenberg monastery, she found herself unable to keep her visions secret any longer. What happened next led her to revolutionize not only monastic life for women, but the whole world too.

In The Trachinian Tragedy, better known as the Women of Trachis, the wife of Herakles, Deianeira, finds she has a rival in the house for her husband's affection. The consequences of her counteraction are incredible. In this faithful translation, F. L. Light attempts to write as good a play in English as the original in Greek. F. L. Light has also translated Antigone of Sophocles.

L'audio libro "Voci dal Medioevo" è tratto dal libro di Paola Amadesi "Dieci donne e quattro uomini" (disponibile su Amazon). Figure come Eleonora d'Aquitania, madre di Riccardo I re d'Inghilterra, Eloisa, Egeria la pellegrina, Ildegarda di Bingen e Matilde di Canossa danno grande forza e voce a donne che hanno sofferto, amato, studiato, lottato contro la società del loro tempo. Sono voci che vengono da lontano ma che ci sono vicine, simili a quelle che si sentono gridare nelle strade oggigiorno.

Catherine de Valois, am besten bekannt, als die Braut Henry des V. aus Shakespeares "Henry V.", war eine außergewöhnliche Frau, voller Glauben, Mut und Überzeugung, in einem Zeitalter politisch mächtiger Frauen.