Medieval Women

Lizanne Balmaine has spent years honing her skills at arms, determined she will never again be at the mercy of any man. When she comes face to face with the one who stole her future, she seizes the opportunity to exact revenge. Soon he is her prisoner, at her mercy. But something is different about him, something that makes her question her purpose. Is it possible a man can be so changed? More, can she right the wrong that could lay ruin to her family?

Between the 12th and 15th centuries in Europe, not all women fit the stereotype of passive housewife and mother. Many led bold and dynamic lives. In this collection of historical portraits, Maria Teresa Brolis tells the fascinating tales of fashion icons, art clients, businesswomen, saints, healers, lovers, and pilgrims - both famous and little known - who challenge conventional understandings of the medieval female experience. Drawing on evidence from literary works and archival documents, Brolis pieces together an intricate overview of 16 women's lives.

Ireland. AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests’ hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the King of Franks. Sister Fidelma is asked by Abbot Cuán to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started.

Bishop’s Lynn, England, 1413. At the age of forty, Margery Kempe has nearly died giving birth to her fourteenth child. Fearing that another pregnancy might kill her, she makes a vow of celibacy, but she can’t trust her husband to keep his end of the bargain. Desperate for counsel, she visits the famous anchoress Dame Julian of Norwich. Pouring out her heart, Margery confesses that she has been haunted by visceral religious visions. Julian then offers up a confession of her own: she has written a secret, radical book about her own visions, Revelations of Divine Love.

Durante el reinado de Felipe II, dos mujeres —Ana de Mendoza, princesa de Éboli, y santa Teresa de Jesús— sostienen una batalla sin cuartel y se abren paso, cada una a su manera, en un mundo que pretende aplastarlas. La primera, en busca del triunfo mundano, trata de alcanzar la supremacía entre los grandes de España; la segunda, en busca de la unión plena con Dios, planta cara al fariseísmo religioso y burla las asechanzas del poder político.

The summer of 1273 is peaceful for most of England, except in the village of Tyndal, where Martin the cooper has been poisoned at the local inn. Martin had plenty of enemies; the killer could be anyone. Prioress Eleanor grieves for her friend, the newly bereaved Crowner Ralf, and offers what help she can. But then her own problems multiply.

When one of her company falls ill on a return journey to Tyndal, Prioress Eleanor accepts lodging at a nearby manor. There, Master Stevyns's wife is having an affair with the groom, while a local widow acts more like the lady of the manor than the lady herself. The master's eldest son and spouse are obsessed with sin and heaven, while his youngest son, bound for the church, unexpectedly returns with more interest in lute playing than the priesthood.

The summer of 1276 at Tyndal Priory is peaceful - until Kenelm’s corpse is found floating in the millpond. When Brother Thomas concludes that the murder occurred on priory grounds, Prioress Eleanor and Crowner Ralf swiftly agree to help each other solve the crime. The murder victim, a newcomer, was disliked in Tyndal village, and no one there wants one of their own hanged for the deed. Fingers quickly point to a Jewish family, refugees under the relocation provisions of King Edward’s Statute of Jewry. As riots loom and threats mount against the family, Eleanor and Ralf have little time before popular opinion rules the murder solved.

Sei storie esemplari di donne del Medioevo e del loro rapporto con la maternità. C’è l’esperienza di Dhuoda (vissuta nel IX secolo), il cui figlio Guglielmo fu consegnato come ostaggio a Carlo il Calvo; c’è – due secoli dopo – la vicenda di Matilde di Canossa, donna potentissima ma delusa nelle sue aspettative di maternità. C’è l’esempio di Caterina da Siena, che pur non avendo figli agisce e scrive da "grande madre" italiana. C’è Christine de Pizan, impegnata nell’ultimo scorcio di Medioevo a destreggiarsi tra i figli e la carriera.

In the winter of 1271, death stalks the corridors of Wynethorpe Castle on the Welsh border. When the Grim Reaper touches the beloved grandson of the castle lord, Baron Adam sends for his daughter, Prioress Eleanor of Tyndal, and her subinfirmarian, Sister Anne, to save the child with their prayers and healing talents. Escorting them to the remote fortress is Brother Thomas, an unwilling monk fighting his private demons.

It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company. A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous.

The idea of a powerful woman in the Middle Ages seems like an oxymoron. Females in this time are imagined to be damsels in distress, trapped in a high tower, and waiting for knights to rescue them, all while wearing traffic-cones for a hat. After rescue, their lives improved little. Their career choices were to be either docile queens, housewives, or be burned at the stake for witchcraft. But what if this image of medieval women is a complete fiction? It turns out that it is. Powerful female rulers fill the Middle Ages.

Three men are trapped in time. One woman could save them all. Historian Lia Carrer has finally returned to southern France, determined to rebuild her life after the death of her husband. But instead of finding solace in the region's quiet hills and medieval ruins, she falls in love with Raoul, a man whose very existence challenges everything she knows about life - and about her husband's death.

In March 1279, Edward I takes a break from hammering the Welsh and bearing down on England's Jews to vacation in Gloucestershire. The royal party breaks the journey at Woodstock Manor. There, one life begins as the queen gives birth to a daughter, and one draws to an end as apoplexy fells Baron Adam Wynethorpe. Hastening to the baron's deathbed is his eldest son, Hugh, a veteran of Edward's Crusades who can't shake off the battle horrors he has witnessed.

1173, France. Eleanor of Aquitaine has been arrested for rebelling against her husband, King Henry II of England. Her loyal ladies-in-waiting, Alice and Joanna of Agen, have fled to the nunnery at Fontrevault, where they are anxiously awaiting news of their queen. Alice and Joanna struggle to adapt to their cramped new home at the Abbey. Each is secretly nursing a broken heart—and harboring unholy desires. Joanna left behind a lover, Jean, at Eleanor's court in Poitiers, and Alice has long been in love with the queen's daughter, Marie.

May 1283. The roads near Tyndal Priory are filled with happy pilgrims returning from St. Walstan’s feast day, but not all in Tyndal Priory and village are joyful. Signy, the local innkeeper, is quarrelling with her suddenly rebellious foster son. Gytha, Crowner Ralf’s wife, suffers failing health while her husband hunts smugglers on the remote North Sea coast. Brother Thomas remains moody and aloof. But before Prioress Eleanor can offer help and comfort, disaster strikes. A pilgrim is murdered near the priory walls.

Losing her mother to the witch’s noose and her father to those who placed her there, Lady Edyth DeVries flees for her life into the wilds of Scotland. With all her hopes pinned upon reuniting with the only family left to her, Edyth is tormented as a keeper of a dangerous secret, one that she is only just beginning to unravel.

Tradimenti, amori, cospirazioni nell'affascinante epoca Tudor. Due donne, due diversi destini, uniti per sempre sotto l'ombra della torre di Londra. Finché i corvi abiteranno la Torre di Londra, il Regno d’Inghilterra sopravvivrà. Joan Vaux non è come tutte le altre dame di corte. Ha la carnagione olivastra, si veste sempre con abiti scuri e i suoi capelli sono neri come le ali dei corvi che tanto ama. Li considera suoi amici e guardiani della Corona da quando è piccola. E oggi più che mai il Regno sembra in pericolo.

Anche nel Medioevo troviamo donne disposte a vendere il proprio corpo "pro pretio, lucro et questu": condannata e ritenuta una vergogna, la prostituzione era però considerata ineliminabile e persino necessaria. Giustificabile, perché salvava da mali peggiori come la corruzione delle vergini e delle spose e "l'abominevole vizio della sodomia". Ma qual era la posizione della Chiesa e dei pubblici poteri nel regolare questo fenomeno divenuto assai rilevante? Nel Trecento, infatti, si assiste ovunque in Europa al proliferare dei postriboli, a volte quasi piccole fortezze del piacere.

Nel Medioevo le donne vivevano in una rigida sottomissione. Non assecondare la volontà della famiglia, non ubbidire agli uomini, padri, mariti o padroni, manifestare indipendenza di giudizio o di comportamento facevano di loro delle ribelli. Ma non sono mancate sante, regine, badesse, semplici monache, umili contadine, serve, schiave, eretiche, streghe, prostitute che hanno scelto di sottrarsi a destini segnati, resistendo, opponendosi, fuggendo. Donne decise a viaggiare, conoscere, insegnare, lavorare, combattere, predicare.