Medieval Women

May 1283. The roads near Tyndal Priory are filled with happy pilgrims returning from St. Walstan’s feast day, but not all in Tyndal Priory and village are joyful. Signy, the local innkeeper, is quarrelling with her suddenly rebellious foster son. Gytha, Crowner Ralf’s wife, suffers failing health while her husband hunts smugglers on the remote North Sea coast. Brother Thomas remains moody and aloof. But before Prioress Eleanor can offer help and comfort, disaster strikes. A pilgrim is murdered near the priory walls. 

At the height of the Middle Ages in the 14th century, King Edward III of England is determined to use any means necessary to expand his power and gain control of England's bitter rival, France. His own son, Edward, prince of Wales, is far from immune from his political plans. And when Joan of Kent, now free from exile, sees her chance for revenge, she takes it. A calculated plot to scandalize the royal family for revenge for her father's downfall and execution soon turns into the most surprising thing: love.

A traveling merchant’s death heralds a series of grim mishaps at Salisbury Castle. Ela suspects a plot to discredit her as sheriff. Can she solve the murder and save her reputation, or will she be the next victim?

In 1187 Saladin's armies besieged the holy city of Jerusalem. He had previously annihilated Jerusalem's army at the battle of Hattin, and behind the city's high walls a last-ditch defence was being led by an unlikely trio - including Sibylla, Queen of Jerusalem. They could not resist Saladin, but, if they were lucky, they could negotiate terms that would save the lives of the city's inhabitants.

Set in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know – Eleanor of Aquitaine

The giant Highlander is a self-proclaimed bachelor who has sworn for years that there isn't a woman in all of Scotland worth shaving his beard for, and for good reason. Years ago, after a bonny young lass broke his heart and left his dignity in shreds, he swore never again to put it in such peril. As a testament to his sincerity, he vowed never again to shave his beard. Then he met her.

Brienna desires only two things: to master her passion and to be chosen by a patron. Growing up in Valenia at the renowned Magnalia House should have prepared her. While some are born with a talent for one of the five passions - art, music, dramatics, wit, and knowledge - Brienna struggled to find hers until she chose knowledge. However, Brienna's greatest fear comes true - she is left without a patron. But months later, her life takes an unexpected turn when a disgraced lord offers her patronage.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

Sei storie esemplari di donne del Medioevo e del loro rapporto con la maternità. C’è l’esperienza di Dhuoda (vissuta nel IX secolo), il cui figlio Guglielmo fu consegnato come ostaggio a Carlo il Calvo; c’è – due secoli dopo – la vicenda di Matilde di Canossa, donna potentissima ma delusa nelle sue aspettative di maternità. C’è l’esempio di Caterina da Siena, che pur non avendo figli agisce e scrive da "grande madre" italiana. C’è Christine de Pizan, impegnata nell’ultimo scorcio di Medioevo a destreggiarsi tra i figli e la carriera.

Salisbury 1226. When a child of village outcasts disappears from Salisbury, the odious new sheriff doesn’t seem to care. Ela Longespée is determined to help the girl’s desperate parents and her investigation leads her into the thick of a human-trafficking ring in London. There, she vows to find the lost child, arrest the perpetrators, and convince the king to make her high sheriff of Wiltshire.

Bishop’s Lynn, England, 1413. At the age of forty, Margery Kempe has nearly died giving birth to her fourteenth child. Fearing that another pregnancy might kill her, she makes a vow of celibacy, but she can’t trust her husband to keep his end of the bargain. Desperate for counsel, she visits the famous anchoress Dame Julian of Norwich. Pouring out her heart, Margery confesses that she has been haunted by visceral religious visions. Julian then offers up a confession of her own: she has written a secret, radical book about her own visions, Revelations of Divine Love.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized—and largely mythical—notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of Edward I, often known as Longshanks. The lives of these sisters—Eleanora, Joanna, Margaret, Mary, and Elizabeth—ran the gamut of experiences open to royal women in the Middle Ages.

In 1384, a poor and illiterate peasant woman named Ermine moved to the city of Reims with her elderly husband. Her era was troubled by war, plague, and schism within the Catholic Church, and Ermine could easily have slipped unobserved through the cracks of history. After the loss of her husband, however, things took a remarkable but frightening turn. For the last 10 months of her life, Ermine was tormented by nightly visions of angels and demons.

Paris, 1399. Scribe Christine de Pizan is sent to the Priory of Poissy by the palace to copy a manuscript for the prioress. But the prioress already has many copyists at the priory, and Christine senses that something is amiss. Her suspicions are confirmed when the prioress reveals that one of the sisters has been found murdered in the cloister.

Genevieve Buchanan inherited a castle—and a ghost to go along with it. But Kendrick de Piaget was no typical ghost. He was a handsome and infuriatingly arrogant 13th-century knight. At first, he wanted to frighten Genevieve, though she was more charmed than scared by his ghostly tricks. But when his thoughts turned to wooing her instead, Genevieve had to face her greatest fear: falling in love.

In the early 1800s, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects.

The Renaissance is dawning over Europe. Ideas of freedom and science shake the foundations of medieval society. Demuth, the successful but eccentric apothecary of a small village in the German mountains, knows little about these developments...until she is forced to flee from a witch hunt and must leave her protected life for good.

1173, France. Eleanor of Aquitaine has been arrested for rebelling against her husband, King Henry II of England. Her loyal ladies-in-waiting, Alice and Joanna of Agen, have fled to the nunnery at Fontrevault, where they are anxiously awaiting news of their queen. Alice and Joanna struggle to adapt to their cramped new home at the Abbey. Each is secretly nursing a broken heart—and harboring unholy desires. Joanna left behind a lover, Jean, at Eleanor's court in Poitiers, and Alice has long been in love with the queen's daughter, Marie.

Medieval history is often written as a series of battles and territorial shifts. But the essential contributions of women during this period have been too often relegated to the dustbin of history. In Women in the Middle Ages, Frances and Joseph Gies reclaim this lost history, in a lively historical survey that charts the evolution of women’s roles throughout the period and profiles eight individual women in depth.