Medieval Women

It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company. A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous.

Salisbury 1226. When a child of village outcasts disappears from Salisbury, the odious new sheriff doesn’t seem to care. Ela Longespée is determined to help the girl’s desperate parents and her investigation leads her into the thick of a human-trafficking ring in London. There, she vows to find the lost child, arrest the perpetrators, and convince the king to make her high sheriff of Wiltshire.

May 1283. The roads near Tyndal Priory are filled with happy pilgrims returning from St. Walstan’s feast day, but not all in Tyndal Priory and village are joyful. Signy, the local innkeeper, is quarrelling with her suddenly rebellious foster son. Gytha, Crowner Ralf’s wife, suffers failing health while her husband hunts smugglers on the remote North Sea coast. Brother Thomas remains moody and aloof. But before Prioress Eleanor can offer help and comfort, disaster strikes. A pilgrim is murdered near the priory walls.

When one of her company falls ill on a return journey to Tyndal, Prioress Eleanor accepts lodging at a nearby manor. There, Master Stevyns's wife is having an affair with the groom, while a local widow acts more like the lady of the manor than the lady herself. The master's eldest son and spouse are obsessed with sin and heaven, while his youngest son, bound for the church, unexpectedly returns with more interest in lute playing than the priesthood.

The summer of 1276 at Tyndal Priory is peaceful - until Kenelm’s corpse is found floating in the millpond. When Brother Thomas concludes that the murder occurred on priory grounds, Prioress Eleanor and Crowner Ralf swiftly agree to help each other solve the crime. The murder victim, a newcomer, was disliked in Tyndal village, and no one there wants one of their own hanged for the deed. Fingers quickly point to a Jewish family, refugees under the relocation provisions of King Edward’s Statute of Jewry. As riots loom and threats mount against the family, Eleanor and Ralf have little time before popular opinion rules the murder solved.

The summer of 1273 is peaceful for most of England, except in the village of Tyndal, where Martin the cooper has been poisoned at the local inn. Martin had plenty of enemies; the killer could be anyone. Prioress Eleanor grieves for her friend, the newly bereaved Crowner Ralf, and offers what help she can. But then her own problems multiply.

In 1384, a poor and illiterate peasant woman named Ermine moved to the city of Reims with her elderly husband. Her era was troubled by war, plague, and schism within the Catholic Church, and Ermine could easily have slipped unobserved through the cracks of history. After the loss of her husband, however, things took a remarkable but frightening turn. For the last 10 months of her life, Ermine was tormented by nightly visions of angels and demons.

As the autumn storms of 1271 ravage the East Anglian coast, Crowner Ralf finds the corpse of a brutally murdered soldier in the woods near Tyndal Priory. The dagger in the man’s chest is engraved with a strange cursive design, and the body is wrapped in a crusader’s cloak. Was this the act of a member of the Assassin sect, or was the weapon meant to mislead? Ralf’s decision to take the corpse to the priory for advice may be reasonable, but he is soon caught up in a maelstrom of conflict, both personal and political.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

Medieval history is often written as a series of battles and territorial shifts. But the essential contributions of women during this period have been too often relegated to the dustbin of history. In Women in the Middle Ages, Frances and Joseph Gies reclaim this lost history, in a lively historical survey that charts the evolution of women’s roles throughout the period and profiles eight individual women in depth.

Catherine, wife of one-handed Edgar, daughter of a Jewish merchant, and mother of two small children, is a Christian convert. Agnes, her estranged sister, has returned to Paris with the news that she is to marry a German lord. She wants no part of her Jewish family, except the sizable dowry her father can provide.

En una edad de tinieblas, donde la vida cotidiana discurre a menudo entre hechizos y ensalmos, cualquiera puede pasar por brujo. La sabia ironía de Ángeles de Irisarri conduce estas seis historias de brujas medievales, uniendo a su proverbial sentido del humor la construcción de un universo propio en el que las mal llamadas brujas aparecen sin artificios ni prejuicios ajenos, como lo que son: mujeres de carne y hueso.

Ireland AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests' hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the king of Franks. Sister Fidelma is asked by Abbot Cuán to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started. Thrown into a world of treachery and jealousy, where religious beliefs are vehemently disputed, Fidelma and her companions, Eadulf and Enda, face a barrier of deceit.

Between the 12th and 15th centuries in Europe, not all women fit the stereotype of passive housewife and mother. Many led bold and dynamic lives. In this collection of historical portraits, Maria Teresa Brolis tells the fascinating tales of fashion icons, art clients, businesswomen, saints, healers, lovers, and pilgrims - both famous and little known - who challenge conventional understandings of the medieval female experience. Drawing on evidence from literary works and archival documents, Brolis pieces together an intricate overview of 16 women's lives.

The Book of Margery Kempe is the extraordinary account of a medieval wife, mother, and mystic from Norfolk. Having married in c. 1393, given birth to 14 children, and pursued unsuccessful ventures in brewing and milling, Kempe made a vow of chastity and embarked on a life of prayer, penance, and pilgrimage.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

Joan of Arc was born in a small French village during the worst period of the Hundred Years' War. For generations, France had been besieged by the British. At age 11, Joan began to see religious visions telling her to join forces with the King of France. By the time she was a teenager, she was leading troops into battle in the name of her country. Though she was captured and executed for her beliefs, Joan of Arc became a Catholic saint and has since captured the world's imagination.

Ireland. AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests’ hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the King of Franks. Sister Fidelma is asked by Abbot Cuán to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started.

The names of few medieval monarchs and their queens are better known than Eleanor of Aquitaine, uniquely queen of France and queen of England, and her second husband Henry II. Although academically labeled "medieval," their era was the violent transition from the Dark Ages, when countries' borders were defined with fire and sword. If princes fought for their succession to crowns, the princesses were traded—usually by their mothers—to strangers for political power without the bloodshed.

1135, England: Matilda, daughter of Henry I, knows that there are those who will not accept her as England's queen when her father dies. But the men who support her rival, and cousin, Stephen do not know the iron will that drives her. She will win her inheritance against all odds, and despite all men. Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time. Both women will stand and fight for what they know is right for England's royalty.