Memoir Dysfunctional

After a tumor bursts in Mike Scalise's brain, leaving him with a hole in the head and malfunctioning hormones, he must navigate a new alien world of illness maintenance. His mother, who has a chronic heart condition and a flair for drama, becomes a complicated model as she competes with him for the status of "best sick person". The Brand New Catastrophe is a moving, funny exploration of how we define ourselves by the stories we choose to tell.

The family is uncommonly close: Michael's childless Auntie Hankie and Uncle Irving, glamorous Hollywood screenwriters, are doubly related— Hankie is his father's sister, and Irving is his mother's brother. The two families live near each other in Laurel Canyon. In this strangely intertwined world, even the author's grandmothers—who dislike each other—share a nearby apartment.

In this brave and shocking memoir, the author masterfully guides us through the pivotal points of her life, from an abusive upbringing that destroys her self-confidence, to the wreckage of an ill-conceived marriage, and on to a defining moment, full of grace and mercy, which gave her the wings to become the conquering and triumphant phoenix she is today.

Robert Ragland toiled every day on his family’s Appalachian tobacco farm as a young boy. His father, an impoverished and illiterate sharecropper, spent his earnings on alcohol and beat his children and wife constantly. And Robert couldn’t take one more strike. Meanwhile, Mennonite families had moved to town, providing food and comfort when Robert’s mother broke her leg. Witnessing compassion from these people, Robert wondered: What would it feel like to belong to a group where I was wanted, loved, and appreciated?

Weaving between preparations for his father’s funeral and memories of life on both sides of the U.S.-Mexico border, Obed Silva chronicles his father’s alcoholism—a lifelong love that ended only at his death at the age of forty-eight, having poisoned himself one Carta Blanca at a time. Addiction respects no borders; the havoc Silva’s father wreaked on his family not only followed them north, where mother and son moved to escape his violent drunken rages, but would make itself felt even from the grave.

Leaving home was not easy for Irene Sardanis. Born into a Greek family in the Bronx in the 1940s, she was the youngest child of an unhappy mother and a father who drank, gambled, and enjoyed other women—and then, when Irene was 11, abandoned the family altogether. Irene's older siblings found a way out, but Irene was trapped, held hostage to her mother's rage and despair. When she finally escaped her mother as a young adult, she married a Greek man who controlled and dominated her just like her mother always had. But Irene wasn't ready to let her story end there.

Bowing to Elephants is a travel memoir with a twist—the story of an unloved rich girl from San Francisco who becomes a travel junkie, searching for herself in the world to avoid the tragic fate of her narcissistic, alcoholic mother. Haunted by images of childhood loneliness and the need to learn about her world, Dimond journeys to far-flung places—into the perfumed chaos of India; the nostalgic, damp streets of Paris; the gray, watery world of Venice in the winter; the reverent and silent mountains of Bhutan; and the gold temples of Burma.

Layla spent the first eight years of her life in a loving home with her grandparents. That comfort all ended once welfare caught up with her mother, who was still receiving food benefits for her. After moving to her mother's home, the dysfunctional relationships continued for years. Layla was abused emotionally, physically, and sexually. She looked to her mother for love and protection, but never found it. Layla sought to take her power back from all those that had taken advantage of her. This story will inspire you to look within for the strength to push forward.

As a happily married, 55-year-old professional woman, Susan had it all-or thought she did - until the day of her shocking diagnosis with stage IV Mantle Cell Lymphoma, a rare and aggressive disease. Ninety-eight percent of her bone marrow was cancerous, and a heart attack or brain aneurism was imminent. Within minutes of being admitted to the hospital, her beautifully ordinary life disappeared.

Constance was always a California dreamer, though her circumstances gave her no right to be. She grew up in 1980s San Diego as the fourth of nine children. The crowded two-bedroom apartment where she spent her childhood was far from a safe cocoon that could nurture her dreams into reality. Constance began caring for her siblings while she was still a child herself, stepping in for her overwhelmed mother and her often absent, unpredictable father.

No one can accuse Diane Danvers Simmons of telling a familiar story. Instead she offers a wickedly witty, candid, irreverent British coming-of-age story with a fresh take on maternal abandonment. In My Mother Next Door she shares the life lessons learned growing up in the revolutionary 1970s while her narcissistic mother charted her own unfathomable course to independence and freedom.

Don’t Let Me Down is about a brave girl trying to navigate family secrets and tragedies and escape from small-town small-mindedness. It is a searing and often funny exploration of how women first see themselves through the lens of a parent’s love and of the ties that bind us to our childhood heroes, who ultimately lead us to ask that most profound of questions: Is love really all you need?

The fifth of eight children, Chris Forhan was born into a family of silence. He and his siblings learned, without being told, that certain thoughts and feelings were not to be shared. On the evenings his father didn't come home, the rest of the family would eat dinner without him, his whereabouts unknown, his absence pronounced but not mentioned. And on a cold night in 1973, just before Christmas, Forhan's father killed himself in the carport. Forty years later Forhan "bravely considers the way he is and is not his father's son" (Larry Watson).

Two families assemble for a wedding at a family mansion on the beach in East Hampton. But as the festivities are readied, the father of the bride suffers a massive stroke from alcohol withdrawal and lies in a coma in the hospital. So begins Jeanne McCulloch’s vivid memoir of her wedding weekend in 1983 and its aftereffects on her family and the family of the groom. As McCulloch reveals, the repercussions from that weekend will ripple throughout her own family and that of her in-law as they grapple with questions of loyalty, tradition, marital honor, hope, and loss.

Her Last Death begins as the phone rings early one morning in the Montana house where Susanna Sonnenberg lives with her husband and two young sons. Her aunt is calling to tell Susanna her mother is in a coma after a car accident. She might not live. Any daughter would rush the thousands of miles to her mother's bedside. But Susanna cannot bring herself to go. Her courageous memoir explains why.

Farming has been in John Connell's family for generations, but he never intended to follow in his father's footsteps. Until, one winter, after more than a decade away, he finds himself back on the farm. Connell records the hypnotic rhythm of the farming day - cleaning the barns, caring for the herd, tending to sickly lambs, helping the cows give birth. Alongside the routine events, there are the unforeseen moments when things go wrong: when a calf fails to thrive, when a sheep goes missing, when an argument between father and son erupts and things are said that cannot be unsaid.

Throughout her childhood in Detroit, Damian Rogers was never given a satisfactory account of the circumstances that led to her own birth. The "truth" behind the stories she was told by her mother - the free-spirited, beautiful, and troubled Joanna - constantly shifted, and Damian was left only with fragments: her mom's trip to California in 1969 after finishing high school, a mysterious trauma and psychotic break, then a return to Detroit, pregnant.

Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her - until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.

Perhaps, you are one of three girls, or one of five boys that was sexually abused by the time you were 18 years old. Unfortunately, I fell into that nasty category. In preparing to write my first memoir, Identifying and Healing Childhood Sexual Abuse, I came upon a list of approximately 99 different after-effects that come as a result of sexual abuse. Finally, I held in my hands, a list of words that totally and completely described myself! I pray that this audiobook will give you the information that you need for a total and complete healing in your life!

On November 29, 1909, police were called to a ramshackle home in East Orange, New Jersey, where they found the emaciated body of 24-year-old Oceana "Ocey" Snead facedown in the bathtub - dead of an apparent suicide by drowning. There was even a note left behind. But it would not take authorities long to discover that Ocey's death was no suicide. And Ocey's own mother and two aunts were far from the sorrowful caretakers they appeared to be.