Memoir Dysfunctional

In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on antipsychotic meds.

This is not your mother's memoir. In The Chronology of Water, Lidia Yuknavitch expertly moves the listener through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman's developing sexuality that some define as untraditional because of her attraction to both men and women.

Kelly Thompson and her older sister, Meghan, are proof that sisterhood doesn’t always equate to friendship. Growing up within a military family, the girls were close despite being temperamental opposites—Kelly, anxious and studious, looked to her big sister for comfort, and Meghan, who battled kidney cancer as a toddler, was gregarious and protective. But as she approached adulthood, Meghan spi­ralled into a cocaine and opioid addiction, and Kelly’s relationship with her sister was torn apart.

Devastating family drama, abandonment, and drugs are balanced with laugh-out-loud humor that will keep you turning pages. You'll laugh, cry, and be left begging for more. The story begins with an episode that occurred in 1974. When Tom Bross (age 12) experiences a sudden move from Davis to San Anselmo to live with their God Family. Just two months later they move back to Davis with no place to live. His brother and sisters are dropped off at their friend's houses.

On the surface, Cameron Douglas had everything: descended from Hollywood royalty (son of Michael Douglas, grandson of Kirk Douglas), he was born into a life of wealth, privilege, and comfort. But by the age of thirty, he had become a drug addict, a thief, and—after a DEA drug bust—a convicted drug dealer sentenced to five years in prison, with another five years added while he was incarcerated.

The Caetanos move into a doomed house in the highway village of Happyland before an inevitable divorce pulls Cody’s parents in separate directions. His mom, Mindimooye, having discovered her Anishinaabe birth family and Sixties Scoop origin story, embarks on a series of fraught relationships and fresh starts. His dad, O Touro, a Portuguese immigrant and drifter, falls back into “big do, little think” behaviour, despite his best intentions.

With ribald humor, wit, and incredible insight, Alan seamlessly moves back and forth in time, integrating stories from his childhood in Scotland and his experiences today as the celebrated actor of film, television, and stage. At times suspenseful, at times deeply moving, but always incredibly brave and honest, Not My Father's Son is a powerful story of embracing the best aspects of the past and triumphantly pushing the darkness aside.

They say you can’t go home again. But when her father is diagnosed with aggressive lung cancer and her mother with atypical Alzheimer’s, New York-based actress Kate Mulgrew returns to her hometown in Iowa to spend time with her parents and care for them in the time they have left. The months Kate spends with her parents in Dubuque - by turns turbulent, tragic, and joyful - lead her to reflect on each of their lives and how they shaped her own.

The story fast forwards to 1996 when a suspicious death in the family leaves the fate of two young boys in the hands of Tom’s dysfunctional family. Tom, the quintessential lifetime bachelor, and geeky Don Draper is thrust headfirst back into the mayhem of his family’s hippie lifestyle.

Shadow Daughter tackles a subject we rarely discuss as a culture: Family estrangements, especially those between parents and adult children. Estrangements - between parents and children, siblings, multiple generations - are surprisingly common, and even families that aren't officially estranged often have some experience of deep conflicts. Estrangement is an issue that touches most people, one way or another, one that's still shrouded in secrecy, stigma, and shame.

Before Alex Marzano-Lesnevich begins a summer job at a law firm in Louisiana, working to help defend men accused of murder, they think their position is clear. The child of two lawyers, Alex is staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as Alex reviews old tapes—the moment they hear him speak of his crimes—they are overcome with the feeling of wanting him to die. Shocked by their reaction, Alex digs deeper and deeper into the case.

After selling her first novel - a dream she'd worked long and hard for - Stephanie Danler knew she should be happy. Instead, she found herself driven to face the difficult past she'd left behind a decade ago: a mother disabled by years of alcoholism, further handicapped by a tragic brain aneurysm; a father who abandoned the family when she was three, now a meth addict in and out of recovery.

A searingly powerful memoir about the impact of addiction on a family. In the summer of 2012, a woman named Eva was found dead in the London townhouse she shared with her husband, Hans K. Rausing. The couple had struggled with drug addiction for years, often under the glare of tabloid headlines. Now, writing with singular clarity and restraint, Hans' sister, the editor and publisher Sigrid Rausing, tries to make sense of what happened.

In this award-winning memoir, two sisters reckon with the convalescence and death of their outlandishly tyrannical mother and the care of their psychologically terrorized father, all relayed with dark humor and brutal honesty.

When Amber Portwood debuted on MTV's hit reality series 16 & Pregnant, no one could have predicted that the teenager from Anderson, Indiana, with the dry sense of humor would go on to become one of the most controversial young celebrities in reality TV history. But soon after Amber stepped into the public eye, her life spiraled into chaos.

Justine had always been told that her mother came from royal blood. The proof could be found in her mother’s elegance, in the upper-crust London accent she had never shed - and in a cryptic letter hinting at her claim to a country estate. But beneath the polished veneer lay a fearsome, unpredictable temper that drove Justine from home the moment she was old enough to escape. Years later, when her mother sent her an envelope filled with secrets from a past that had never been spoken about, Justine buried it in the back of an old filing cabinet.

It's the night before Christmas when Casey and Mike get the call. A 12-year-old girl, stuck between a rock and a hard place. Her father is on a ventilator, fighting for his life, while her mother is currently on remand in prison. Despite claiming she attacked him in self-defence, she's been charged with his attempted murder. The girl is called Bella, and she's refusing to say anything. The trouble is that she is also the only witness....

Joe Trohman cofounded Fall Out Boy with Pete Wentz in the early aughts, and he’s been the sticky element of the metaphorical glue-like substance holding the band together ever since, over the course of a couple decades that have included massive success, occasional backlashes, and one infamous four-year hiatus. From the guitarist’s very first glimpses of their popular ascension, to working with his heroes like Anthrax’s Scott Ian, to writing for television with comedian Brian Posehn, Trohman takes listeners backstage, into the studio, and onto his couch.

While growing up in housing projects in Puerto Rico and Miami Beach, Jaquira Diaz found herself caught between extremes: as her family split apart and her mother battled schizophrenia, she was surrounded by the love of her friends; as she longed for a family and home, she found instead a life upended by violence. From her own struggles with depression and sexual assault to Puerto Rico's history of colonialism, Ordinary Girls vibrates with music and lyricism.

At the young age of three, while I was at school, my mother was murdered by her abusive new boyfriend. What would happen to her five unintentionally abandoned children? The heartbreak of the devastating loss of my mother was just the beginning of a series of tragic events that shaped my childhood. Lost in the chaos of abuse, I was the unseen collateral damage of domestic violence. I was forced to take on the role of the invisible child for self-preservation. I figured you can't hurt what you can't see.