Memoir Essays

This was Alan Clark’s first volume of diaries and the only one that he recorded. As such it is a unique and historical record and reminder of the man and his work. To hear Alan Clark reading the book in his marvelously rich voice adds immeasurably to the pleasure of these informative and entertaining diaries. The recording covers two Parliaments and constitutes the most outspoken and revealing account of British politics ever written.

What made FDR a more successful leader during the Depression crisis than Hoover? Why was Eisenhower more effective as supreme commander during World War II than he was as president? Why was Grant one of the best presidents of his day, if not in all of American history? What drove Bobby Kennedy into the scrum of electoral politics? Find the surprising and revelatory answers to these questions and more in this collection of new essays by great historians.

Amanda ha tenido siempre una mirada aguda e irónica acerca de sí misma y de quienes la rodean: sabe estar sola y acompañada. Sin embargo, en este libro nos revela dos aspectos de su ser menos conocido: su destreza informal para la fabulación: sabe relatar historias breves por medio de un ritmo más seductor que acosador. Y, por otra parte, abandona la guerra cotidiana que libra a cada momento de su vida como artista popular y nos propone a un ser menos glamuroso, pero más humano.

Aisha Harris has made a name for herself as someone you can turn to for a razor-sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.

A funny and heartfelt essay collection about working in Hollywood, starting over, defining your identity, and the relatable messiness that ensues from unforeseen circumstances.

Begun in 1797, when William was at the height of his poetic powers, The Grasmere and Alfoxden Journals provide invaluable insight into the daily lives of Dorothy and William Wordsworth, William’s friendship with Samuel Taylor Coleridge and the incidents that inspired some of his greatest poems. Richly immersive and intimately domestic, the Journals transport the listener to life in the Lake District 200 years ago as Dorothy describes the Lake District countryside, her garden and neighbours, keeping house, going on walks, and the people she meets along the way

Reporting from the potholes midway through life's journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after 25 years, of mothering a teenager, and of living with a serious illness. She also discusses life's everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling.

For Damon Young, existing while Black is an extreme sport. The act of possessing Black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant. What Doesn’t Kill You Makes You Blacker chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

大王製紙社長の長男として、幼少時代は1200坪の屋敷で過ごし、東大法学部に現役合格。27歳で赤字子会社を立て直し、42歳で本社社長就任。順調な経営、華麗なる交遊……すべてを手にしていたはずの

Setting out to create a collection of J. Frank Dobie’s writing that brings him to life and makes him relevant to current generations, Steven L. Davis has combed through the works of this renowned Texas author, gathering together in one volume Dobie’s most vital writings. Dobie’s stories and essays here are meticulously edited to prune away some of the brushy undergrowth and bring Dobie’s folksy, erudite voice bounding back to life.

Over Time: My Life as a Sportswriter is as unconventional and wide-ranging as Frank Deford's remarkable career, in which he has chronicled the heroes and the characters of just about every sport in nearly every medium. Deford joined Sports Illustrated in 1962, fresh, and fresh out of Princeton. In 1990, he was Editor-in-Chief of The National Sports Daily, one of the most ambitious and ill-fated projects in the history of American print journalism.

Lake Ohrid and Lake Prespa. Two ancient lakes joined by underground rivers. Two lakes that seem to hold both the turbulent memories of the region's past and the secret of its enduring allure. Two lakes that have played a central role in Kapka Kassabova's maternal family. As she journeys to her grandmother's place of origin, Kassabova encounters a historic crossroads.

R. Eric Thomas didn’t know he was different until the world told him so. Everywhere he went - whether it was his rich, mostly White, suburban high school, his conservative Black church, or his Ivy League college in a big city - he found himself on the outside looking in. In essays by turns hysterical and heartfelt, Thomas reexamines what it means to be an "other" through the lens of his own life experience.

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

Through a series of beautifully crafted essays, Taylor shares her intimate encounters with the birds that have captured her heart and imagination—from tracking flitting Zorros through oak trees to spotting majestic Blue Jays perched on a Manhattan fire escape; from the exhilaration of chasing a migratory flock up the Empire State Building to the quiet joy of observing a nest of hatchlings in her own backyard. Through simply paying attention to birds, Lili has been shown a parallel world that is wider and deeper, one of constant change and movement, full of life and the will to survive.

The Right Side of History tells the 100-year history of queer activism in a series of revealing close-ups, first-person accounts, and intimate snapshots of LGBT pioneers and radicals. This diverse cast stretches from the Edwardian period to today, including first-person accounts of the key protest that is at the heart of the 2015 movie Stonewall. The book shows how LGBT folk have always been in the forefront of progressive social evolution in the United States.

Celebrated as the "greatest descriptive writer of her time" (Rebecca West), Jan Morris has been dazzling fans since she burst on the scene with her on-the-spot reportage of the first ascent of Everest in 1953. Now, the beloved 92-year-old, author of classics such as Venice and Trieste, embarks on an entirely new literary enterprise - a collection of daily diaries, penned over the course of a single year.

A mouthwatering testament to the healing power of food, My Place at the Table is a moving coming-of-age story of how a gay man emerges from a wounding childhood, discovers himself, and finds love. Published here for the first time is Lobrano’s “little black book,” an insider’s guide to his thirty all-time-favorite Paris restaurants.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.