Memoir Essays

Broadcaster, journalist, and entertainer Roy Firestone offers original observations, essays, profiles, storytelling, and revealing interviews in a fast-paced, bite-sized, breezy style. Firestone tells stories with some amazing surprise endings, reflecting on his life, his 40-year career in broadcasting, and the people he's most admired along the way.

“I am fat,” begins Judith Moore’s unflinching account of her life. As she describes her obsessions with food, struggles with self image and troubled relationships, she refuses to become an object of pity. Moore is the recipient of two NEA grants and a Guggenheim fellowship. Her previous book, also a memoir, was a New York Times Notable Book of the Year.

Spanning an extraordinary range of subjects and locations, these ten gripping essays show why Jon Krakauer is considered a standard-bearer of modern journalism.

An extraordinary collection of essays, forewords, articles, and interviews, The Written World and the Unwritten World displays the remarkable intelligence and razor-sharp wit of prolific Italian writer Italo Calvino as he explores the meaning of literature in a rapidly changing world.

Acclaimed essayist and bookseller Mary Laura Philpott presents a charmingly relatable and wise memoir in essays about what happened after she checked off all the boxes on her successful life’s to-do list and realized she might need to reinvent the list - and herself.

Searching for answers everywhere has led you to believe your beloved child might have schizophrenia. You can only find horror stories on the illness, that is when you’re able to understand the lengthy and confusing medical terminology at all.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.

Sound interesting? Listen to Secret Societies and Subversive Movements and learn about the author's views on politics, history, and the occult.

In 1997 Tiger Woods was already among the most-watched and closely examined athletes in history. But it wasn't until the Masters Tournament that his career would definitively change forever. Woods, then only 21, won the Masters by a historic 12 shots, which remains the widest margin of victory in the tournament's history, making it an iconic moment for him and sports.

From drawing a map of a remembered neighborhood to signing a form releasing yourself to take risks in your work, Roorbach offers innovative techniques that will trigger ideas for all writers. Writing Life Stories is a classic text that appears on countless creative nonfiction and composition syllabi the world over. This updated 10th anniversary edition gives you the same friendly instruction and stimulating exercises along with updated information on current memoir writing trends, ethics, internet research, and even marketing ideas.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

Today’s gay youth have dozens of queer peer heroes, both fictional and real, but former gay teenager Grace Perry did not have that luxury. Instead, she had to search for queerness in the (largely straight) teen cultural phenomena the aughts had to offer: in Lindsay Lohan’s fall from grace, Gossip Girl, Katy Perry’s “I Kissed A Girl”, country-era Taylor Swift, and Seth Cohen jumping on a coffee cart. And, for better or worse, these touch points shaped her adult identity. She came out on the other side like many millennials did: in her words, gay as hell.

From the author of the popular newsletter That’s What She Said, Nobody Cares is a frank, funny personal essay collection about work, failure, friendship, and the messy business of being alive in your 20s and 30s. As she shares her hard-won insights from screwing up, growing up, and trying to find her own path, Anne T. Donahue’s debut book offers all the honesty, laughs, and reassurance of a late-night phone call with your best friend.

In To Name the Bigger Lie, Sarah Viren “has pulled off a magic trick of fantastic proportion” (The Washington Post), telling the story of an all-too-real investigation into her personal and professional life that she expands into a profound exploration of the nature of truth. The memoir begins as Viren is researching what she believes will be a book about her high school philosophy teacher, a charismatic instructor who taught her and her classmates to question everything—eventually, even the reality of historical atrocities.

Davy Rothbart is looking for love in all the wrong places. Constantly. He falls helplessly in love with pretty much every girl he meets - and rarely is the feeling reciprocated. Time after time, he hops in a car and tears across half of America with his heart on his sleeve. He’s continually coming up with outrageous schemes, which he always manages to pull off. Well, almost always. But even when things don’t work out, Rothbart finds meaning and humor in every moment.

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head & Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.

What does it take to escape the plotlines mapped onto us? Searching for clues in the work of her literary foremothers, Lipson untangles what it means to be a girl, a woman, a lover, a partner, a daughter, and a mother in a world all too ready to reduce us to stock characters. Risky and revealing, nourishing and affirming, rigorous and sexy, Mothers and Other Fictional Characters is a shimmering love letter to our forgotten selves—and the ones we’re still becoming.

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

Funny, poignant and reflective, The Weight of a Cherry Blossom is a fable of rootlessness and belonging in the modern world. It is equal parts a story of urban loneliness and self-discovery and of the healing powers of kinship and love. Revisiting the awkwardness of adolescence and the chaos of growing up, it looks the foibles of adulthood irreverently in the eye.