Memoir Essays

A luminous memoir-in-essays exploring place, identity, and what it means to grow up queer and Asian in the American South.

Aisha Harris has made a name for herself as someone you can turn to for a razor-sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

From graffiti gangs and Grand Theft Auto to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing. Starting with Hodson’s own work experience, which ranges from the mundane to the bizarre - including modeling and working on a NASA Mars mission - Hodson expands outward, looking at the ways in which the human will submits, whether in the marketplace or in a relationship.

Growing up, Jena Friedman didn’t care about being likable. And she never wanted to be a comedian, either. She wouldn’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago. That anthropology paper, written on race, class, and gender in the city’s comedy scene, was, in Jena’s own words, “just as funny as it sounds.” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar-nominated Borat Subsequent Moviefilm.

In this lyrical collection of personal essays, Lynne Golodner shares vivid visits to far-flung locations and insights on human nature, relationships and the journey to the self. Inviting the listener into her ten-year foray into the world of Orthodox Judaism—and her subsequent decision to leave the strictures of religion—Golodner writes about marriage and motherhood, divorce and single parenthood, and finding love again. She writes about the compelling ways nature calms her racing mind and invites listeners to experience and explore the living world as a grounding connection.

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

東大病院救急医療の現場で、人間の生と死を見つめてきた医師が伝えたいこと。
「人生100年時代」と言われても、自分の寿命がいつ尽きるかはわからない。

Searching for answers everywhere has led you to believe your beloved child might have schizophrenia. You can only find horror stories on the illness, that is when you’re able to understand the lengthy and confusing medical terminology at all.

R. Eric Thomas didn’t know he was different until the world told him so. Everywhere he went - whether it was his rich, mostly White, suburban high school, his conservative Black church, or his Ivy League college in a big city - he found himself on the outside looking in. In essays by turns hysterical and heartfelt, Thomas reexamines what it means to be an "other" through the lens of his own life experience.

It happens to us all: We think we’ve settled into an identity, a self, and then out of nowhere and with great force, the traces of our parents appear to us, in us - in mirrors, in gestures, in reaction and reactivity, at weddings and funerals, and in troubled thoughts that crouch in dark corners of our minds. In this masterful collection of new essays, the apple looks at the tree.

Lambda Award and American Library Association’s Stonewall Book Award-winning author Dorothy Allison is known for her bold and insightful writing on issues of class and sexuality. In Skin, she approaches these topics through 23 impassioned essays that explore her identity - from her childhood in a poor family in South Carolina to her adult life as a lesbian in the suburbs of New York - and her sexuality.

Begun in 1797, when William was at the height of his poetic powers, The Grasmere and Alfoxden Journals provide invaluable insight into the daily lives of Dorothy and William Wordsworth, William’s friendship with Samuel Taylor Coleridge and the incidents that inspired some of his greatest poems. Richly immersive and intimately domestic, the Journals transport the listener to life in the Lake District 200 years ago as Dorothy describes the Lake District countryside, her garden and neighbours, keeping house, going on walks, and the people she meets along the way

At a remote little inn not far from the Kansas homestead of Laura Ingalls Wilder lived the Bender family. These pioneers welcomed unwary visitors with jackrabbit stew and a sledgehammer to the skull. In time, their apple orchard gave up its secrets - a burial ground for their mutilated victims, each stripped of their possessions. The devilish enterprise on “Hell’s Half-Acre” would earn the Bloody Benders an undying place in the annals of American infamy. But it was the mysterious fate of eldest daughter, Kate, that would make them the stuff of mythic campfire prairie tales.

Kelly McMasters found herself in her mid-thirties living her fantasy: she'd moved with her husband, a painter, from New York City to rural Pennsylvania. The pastoral landscape and the bookshop they opened were restorative at first, for her and her marriage. But soon, she was quietly plotting her escape. In The Leaving Season, McMasters chronicles the heady rush of falling in love and carving out a life in the city, the slow dissolution of her relationship in an isolated farmhouse, and the complexities of making a new home for herself and her children as a single parent.

オーケストラを指揮したい! 東京藝大で指揮者修行に奮闘するイワキとナオズミ。師と出逢い、ケンカと失恋を越え、ついに演奏会の日がやって来た! 名エッセイストが綴る、涙と笑いの傑作藝大青春記。

An electric essay collection about Blackness, art, and dreaming of new possibilities in a time of constriction.