Memoir Essays

"Nadie debería escribir después de los setenta y cinco años", había dicho un amigo. A los setenta y siete, bloqueado como escritor, Theodor Kallifatides toma la difícil decisión de vender el estudio de Estocolmo, donde trabajó diligentemente durante décadas, y retirarse. Incapaz de escribir y, sin embargo, incapaz de no escribir, viaja a su Grecia natal con la esperanza de redescubrir la fluidez perdida del lenguaje.En este bellísimo texto, Kallifatides explora la relación entre una vida con sentido y un trabajo con sentido, y cómo reconciliarse con el envejecimiento.

For Damon Young, existing while Black is an extreme sport. The act of possessing Black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant. What Doesn’t Kill You Makes You Blacker chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him.

In the car she’d had since high school—with the boyfriend she’d had just as long riding shotgun—Minda Honey made the cross-country drive to sunny Southern California. By the end of 2008, Obama would be president, she’d be single, and change would be upon us all.

When Richard “Frosty” Hesson was first approached by a young Jay Moriarty in 1990, the skinny kid with a sparkle in his eye only wanted one thing from the icon: His help in becoming a better surfer. Hesson, one of the first to conquer the huge waves off northern California known as Mavericks, recognized that the kid “had a vision.” Jay quickly demonstrated a resolve that reminded Frosty of his younger self, pursuing his goal with a seriousness far beyond his years. His attitude and work ethic earned Frosty’s respect and, eventually, his friendship.

When Abbi Jacobson announced to friends and acquaintances that she planned to drive across the country alone, she was met with lots of questions and opinions: Why wasn't she going with friends? Wouldn't it be incredibly lonely? The North route is better! Was it safe for a woman? The Southern route is the way to go! You should bring mace! And a common one... why? But Abbi had always found comfort in solitude and needed space to step back and hit the reset button. As she spent time in each city on her way to Los Angeles, she mulled over the big questions: What do I really want?

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s.

Jeanna Kadlec knew what it meant to be faithful--in her marriage to a pastor’s son, in the comfortable life ahead of her, in her God--but there was no denying the truth that lived under that conviction: she was queer and, if she wanted to survive, she would need to leave behind the church and every foundational building block she knew. Heretic is a memoir of rebirth. Within, Kadlec reckons with religious trauma and Midwestern values, as a means of unveiling how evangelicalism directly impacts every American--religious or not--and has been a major force in driving our democracy towards fascism.

When you're born with a vagina and a set of boobs, life can be complicated. In this intoxicating collection of essays, writer and college senior Tatiana Pérez explores the complexities of womanhood. From struggling to love her body to putting up with bad sex - Tati writes about it all with shameless candor and a raunchy sense of humor that won't quit. Boys are welcome to listen along, but this one's #forthegirls.

A group of notable writers - including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow - celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past.

“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless.

A stunningly lyrical firsthand account of a life spent hunting, studying, and living alongside caribou, A Thousand Trails Home encompasses the historical past and present day, revealing the fragile intertwined lives of people and animals surviving on an uncertain landscape of cultural and climatic change sweeping the Alaskan Arctic. Author Seth Kantner vividly illuminates this critical story about the interconnectedness of the Iñupiat of Northwest Alaska, the Western Arctic caribou herd, and the larger Arctic region.

A luminous memoir-in-essays exploring place, identity, and what it means to grow up queer and Asian in the American South.

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

From graffiti gangs and Grand Theft Auto to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing. Starting with Hodson’s own work experience, which ranges from the mundane to the bizarre - including modeling and working on a NASA Mars mission - Hodson expands outward, looking at the ways in which the human will submits, whether in the marketplace or in a relationship.

Growing up, Jena Friedman didn’t care about being likable. And she never wanted to be a comedian, either. She wouldn’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago. That anthropology paper, written on race, class, and gender in the city’s comedy scene, was, in Jena’s own words, “just as funny as it sounds.” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar-nominated Borat Subsequent Moviefilm.

In this lyrical collection of personal essays, Lynne Golodner shares vivid visits to far-flung locations and insights on human nature, relationships and the journey to the self. Inviting the listener into her ten-year foray into the world of Orthodox Judaism—and her subsequent decision to leave the strictures of religion—Golodner writes about marriage and motherhood, divorce and single parenthood, and finding love again. She writes about the compelling ways nature calms her racing mind and invites listeners to experience and explore the living world as a grounding connection.

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.