Memoir Essays

Mark Falanga is a slick urban dweller, at the top of his game professionally, with a gorgeous corporate executive wife and a hip coterie in the coolest neighborhood in the city. But when baby makes three, Mark and his family enter the twilight zone called the suburbs, where public schools are good, many wives stay home, and children ride their tricycles in the driveway.

For more than half a century, Julius M. Reynolds, Jr. has hunted waterfowl, and the Santee lakes of South Carolina have been his sporting paradise. Early mornings, cold duck blinds, and sunrises on the Santee compose some of his most prized memories. He has witnessed both the glory days and the decline of duck hunting in South Carolina. With this heartfelt memoir, Reynolds recalls his best hunting stories, shares his knowledge of waterfowling, and chronicles recent dramatic changes in his beloved sport.

A Christian for All Christians looks at the influence and friendships that helped shape the real Clive Staples Lewis - Christian apologist, moral philosopher, literary critic, poet, and fantasy writer - and examines the reasons for his enduring popularity with virtually all types of Christians by analyzing the true meaning of his teaching and faith.

Waiting in the emergency room at Temple University Hospital in North Philadelphia where his eighteen-year-old nephew, Nasir, lay unconscious after being shot nine times, MK Asante began pouring his heart and soul into a series of letters to a beautiful, dying Black boy so full of life. As Nasir fought for survival, MK realized there was so much—too much—that he had kept from his nephew, starting with the truth about his father, MK’s brother, Uzi, whom Nasir had never met. MK could no longer remain silent because in many ways, his nephew was repeating the mistakes of the past.

Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women.

In Traveling without Moving, Coleman shares intimate essays from her life: her childhood in Chicago—growing up in poverty with four siblings and a single mother—and the empowering decision to leave her first marriage. She writes about being the only Black student in a prestigious and predominantly White creative writing program, about institutional racism and implicit bias in writing instruction, about the violent legacies of racism in the US housing market, about the maternal health disparities seen across the country and their implication in her own miscarriage.

On the Water is a gorgeously written collection of essays that all take place on or near the water and pay tribute to the flora and fauna associated with those ecosystems. There are essays about the finer points of tickling rainbow trout in the streams of Normandy, and of eagles and ospreys fishing for bass while barely breaking the surface of the water. There are stories of droughts and floods, of dogs and boats, of worms and rattlesnakes, and even of catching and cooking soft-shell turtles that taste like osso-bucco.

As the 20th century was ending and the millennium approached, a new ethnic category was invented in the South. The Melungeons were born thrashing and squawling into the American consciousness. They were a tri-racial clan hidden away in the hills and hollers of Lower Appalachia with a genetic predisposition to six fingers and Mediterranean diseases and an unsavory reputation for moonshining, counterfeiting and secret cults.

Trying to crawl inside the television set to get her parents' attention, she got blocked by all the tubes and wires. So, she had to go the long way around to get herself onscreen. In a series of essays and stories, Chartoff explores her ambition, artistry, and love blunders in her hilarious, heartbreaking, and hopeful new memoir Odd Woman Out.

Welcome to essayist Kimberly Harrington’s poetic and funny world of motherhood, womanhood, and humanhood, not necessarily in that order. It’s a place of loud parenting, fierce loving, too much social media, and occasional inner monologues where timeless debates are resolved such as Pro/Con: Caving to PTO Bake Sale Pressure (“Pro: Skim the crappiest brownies for myself. Con: They’re really crappy.”) With accessibility and wit, she captures the emotions around parenthood in artful and earnest ways.

An essay in biography, Rollyson argues, is an effort to comprehend a life that is inherently incomplete and subject to revision. Many of the facts about a biographical subject's life that are blandly presented in reference books have been discovered by biographers at great cost to their reputations. With the history of biography as a censored genre in mind, he encourages consumers of biography to be critical of the biographies they come across - no matter whether those biographies are book-length narratives or short encyclopedia entries.

Back-to-the-land memoir weaves essay, story, nature, magic realism, homesteading, and wilderness survival. My Country expands the containers of essay and story, adventure and lyric, and naturalism and fantasy to overlap and mingle in this collection unified in its spirit of place: the forests and mountains of interior British Columbia.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

From columnist and critic Alana Massey, a collection of essays examining the intersection of the personal with pop culture through the lives of pivotal female figures - from Sylvia Plath to Britney Spears - in the spirit of Chuck Klosterman, with the heart of a true fan.

Dream Pop Origami is a beautiful, ambitious, interactive, and engrossing lyrical memoir about mixed-race identity, love, travel, AAPI masculinities, and personal metamorphosis. This experimental work of creative nonfiction examines, celebrates, and complicates what it means to be Asian & white, Nisei & hapa, Midwestern & Californian, Buddhist & American at the same time.

At nine years old, D. Watkins has three concerns in life: picking his dad’s Lotto numbers, keeping his Nikes free of creases, and being a man. Directly in his periphery is east Baltimore, a poverty-stricken city battling the height of the crack epidemic just hours from the nation’s capital. For 30 years, Watkins is forced to safeguard every moment of joy he experiences or risk losing himself entirely. Now, for the first time, Watkins harnesses these moments to tell the story of how he matured into the D. Watkins we know today.

Rollyson accumulated what's now another book about Rebecca West. This new collection tells the story of how his biography got written, of what it means to think like a biographer, and why West's vision remains relevant. She's one of the great personalities and writers of the modern age, and one that we are just beginning to comprehend.

A much-lauded essayist and poet, Jeff Mann writes of the passion and pain of being a Southern gentleman who happens to be invested in many worlds: the hungers of gay bear culture, the propensities of leather and bondage, the frustrations of academia, and the perspectives of an Appalachian who has traveled the world. In Binding the God, his second collection of essays, Mann offers listeners another tour of his consciousness and experiences.

David Sipress, a dreamer and obsessive drawer living with his Upper West Side family in the age of JFK and Sputnik, goes hazy when it comes to the ceaselessly imparted lessons-on-life from his meticulous father and the angsty expectations of his migraine-prone mother.

Ed Balls was just three weeks old when he tried his first meal: pureed roast beef and Yorkshire pudding. While perhaps ill-advised by modern weaning standards, it worked for him in 1967, and from that moment on, he was hooked on food. Appetite is a memoir with a twist: part autobiography, part cookbook, each chapter is a recipe that tells a story. Ed was taught to cook by his mother, and now he’s passing these recipes on to his own children as they start to fly the nest. Sitting round the table every year, the world around us may change, but great recipes last a lifetime.