Memoir Essays

Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, "starter witch kits" of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.

Sound interesting? Listen to Secret Societies and Subversive Movements and learn about the author's views on politics, history, and the occult.

Flailing in jobs, failing at love, getting addicted and un-addicted to people, food, and drugs - I'll Tell You in Person is a disarmingly frank account of attempts at adulthood and all the less than perfect ways we get there. Chloe Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see.

In 1997 Tiger Woods was already among the most-watched and closely examined athletes in history. But it wasn't until the Masters Tournament that his career would definitively change forever. Woods, then only 21, won the Masters by a historic 12 shots, which remains the widest margin of victory in the tournament's history, making it an iconic moment for him and sports.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head & Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.

From the author of the popular newsletter That’s What She Said, Nobody Cares is a frank, funny personal essay collection about work, failure, friendship, and the messy business of being alive in your 20s and 30s. As she shares her hard-won insights from screwing up, growing up, and trying to find her own path, Anne T. Donahue’s debut book offers all the honesty, laughs, and reassurance of a late-night phone call with your best friend.

In To Name the Bigger Lie, Sarah Viren “has pulled off a magic trick of fantastic proportion” (The Washington Post), telling the story of an all-too-real investigation into her personal and professional life that she expands into a profound exploration of the nature of truth. The memoir begins as Viren is researching what she believes will be a book about her high school philosophy teacher, a charismatic instructor who taught her and her classmates to question everything—eventually, even the reality of historical atrocities.

The searing intimacy of Girl, Interrupted combined with the uncomfortable truths of The Empathy Exams in a collection of essays chronicling one woman’s experiences as both patient and caregiver, giving a unique perspective from both sides of the hospital bed.

In the powerful and daring essays in Constellations Sinéad Gleeson does that very thing. All of life is within this audiobook, from birth to first love, pregnancy to motherhood, terrifying sickness, old age and loss to death itself. Throughout this wide-ranging collection she also turns her restless eye outwards delving into work, art and our very ways of seeing. In the tradition of some of our finest life writers, and yet still in her own spirited, generous voice, Sinéad takes us on a journey that is both uniquely personal and yet universal in its resonance.

Rachel Kushner has established herself as “the most vital and interesting American novelist working today” (The Millions) and as a master of the essay form. In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times—and illuminates the themes and real-life experiences that inform her fiction.

Today’s gay youth have dozens of queer peer heroes, both fictional and real, but former gay teenager Grace Perry did not have that luxury. Instead, she had to search for queerness in the (largely straight) teen cultural phenomena the aughts had to offer: in Lindsay Lohan’s fall from grace, Gossip Girl, Katy Perry’s “I Kissed A Girl”, country-era Taylor Swift, and Seth Cohen jumping on a coffee cart. And, for better or worse, these touch points shaped her adult identity. She came out on the other side like many millennials did: in her words, gay as hell.

What does it take to escape the plotlines mapped onto us? Searching for clues in the work of her literary foremothers, Lipson untangles what it means to be a girl, a woman, a lover, a partner, a daughter, and a mother in a world all too ready to reduce us to stock characters. Risky and revealing, nourishing and affirming, rigorous and sexy, Mothers and Other Fictional Characters is a shimmering love letter to our forgotten selves—and the ones we’re still becoming.

ESPN personality ( Get Up and #Greeny) and New York Times bestselling author Mike Greenberg partners with mega-producer Hembo to settle once and for all which legends flat-out own which numbers. In short essays certain to provoke debate between and amongst all generations, Greeny uses his lifetime of sports knowledge to spin yarns of the legends among the legends and tell you why some have claimed their spot in the top 100 of all time.

My name is Betty. I have depression. I have passion. I have tits the size of printers. And also: I have a brain full of women. There’s Blanche VonF--kery, Ingrid St. Rash, and a host of others—some cowering in sweatpants, some howling plans for revolution, and one, oh God, and one . . . slowly vomiting up a crow? Worried for her. These women take turns at the wheel. That’s why I feel like a million selves. With a raised eyebrow and a soul-scalpel, I’d like to tell you how I got this way. Because maybe you feel this way too.

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

Funny, poignant and reflective, The Weight of a Cherry Blossom is a fable of rootlessness and belonging in the modern world. It is equal parts a story of urban loneliness and self-discovery and of the healing powers of kinship and love. Revisiting the awkwardness of adolescence and the chaos of growing up, it looks the foibles of adulthood irreverently in the eye.

One of the most storied college basketball programs in America, the Kansas Jayhawks have produced some of the greatest legends to ever roam the hardwood. In this newly revised edition of Tales from the Kansas Jayhawks Locker Room, fans can sift through a treasure trove of first-hand memories from the players and coaches who made history at the University of Kansas.