Memoir Essays

「今の日本社会には、明らかに問題がある。どんな問題があるか。私はものの考え方、見方だと思っている。そこがなんだか、変なのである」――フリーター、ニート、「自分探し」、

When her husband asked for a divorce after 25 years of marriage, Rebecca Winn felt untethered physically, spiritually, and emotionally. The security she'd had in her marriage was suddenly replaced by an overwhelming sense of fear, hopelessness, and dread. She felt invisible and alone and was horrified to consider that her deepest longing - to know and be known by another person - might never be realized. But from this fear emerged a powerful desire to answer one of life's most profound questions: How can we ever know another person if we do not truly know ourselves?

Craig Carlson set out to do the impossible: open the first American diner in Paris. Despite never having owned his own business before - let alone a restaurant, the riskiest business of all - Craig chose to open his diner in a foreign country, with a foreign language that also happens to be the culinary capital of the world. While facing enormous obstacles, Craig and his diner, Breakfast in America, went on to be a great success - especially with the French.

A is for Aronia, berry member of the apple family, clothes-stainer, super-fruit with reputed healing power. D is for Durian, endowed with a dramatic rind and a shifting odor - peaches, old garlic. M is for Medlar, name-checked by Shakespeare for its crude shape, beloved by gardeners for its flowers. In this work of unique invention, these and other difficult fruits serve as the central ingredients of 26 lyrical essays that range from deeply personal to botanical, from culinary to medical, from humorous to philosophical.

A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today.

今日という日は、人生の残された日々の、そもそも初日だ――。 『シクラメンのかほり』、『愛燦燦』をはじめとする数々のヒット曲を世に生み出してきたシンガー・ソングライター、小椋佳。

We treat the body as an afterthought, until it no longer can be. Until the pain or the pleasure is too great. Sinéad Gleeson's life has been marked by terrible illness, including leukemia and debilitating arthritis. As a child, she bathed in the springs of Lourdes, ever hopeful that her body would cooperate, ever looking forward to the day when she could take her body for granted. But just as she turns inward to explore her own pain, and then the marvel of recovery, and then the arrival of her greatest joys—falling in love, becoming a mother—she turns her gaze outward.

Honduras no es Irak, pero en algún momento, Alberto Arce - único corresponsal extranjero en Tegucigalpa de 2012 a 2014 - lo vivió así. Honduras no es Irak, pero cada año mueren asesinadas 85 personas por cada 100.000 habitantes, una cifra que supera a la de Irak. Honduras vive una de las guerras no declaradas menos contadas del mundo. Una guerra laberíntica de todos contra todos.

In 1845 Henry David Thoreau, one of the principal New England Transcendentalists, left the town for the country. Beside the lake of Walden, he built himself a log cabin and returned to nature, to observe and reflect, while surviving on $8 a year. From this experience emerged one of the great classics of American literature, a deeply personal reaction against the commercialism and materialism that he saw as the main impulses of mid-19th century America.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

【スーパーボランティア 尾畠さんがすべて語った!】日本を元気にする82歳の人生とことば 2018年、行方不明だった2歳児を発見し、一躍時の人となった尾畠さん。

This book helps you see, think, and feel back together those parts of yourself the Western mind reduced to rubble. If you feel integration to be unnatural, that’s your problem at a glance. I apologize that the day is dawning and there’s work we need to do, but hello. It’s time to wake up.

On the Water is a gorgeously written collection of essays that all take place on or near the water and pay tribute to the flora and fauna associated with those ecosystems. There are essays about the finer points of tickling rainbow trout in the streams of Normandy, and of eagles and ospreys fishing for bass while barely breaking the surface of the water. There are stories of droughts and floods, of dogs and boats, of worms and rattlesnakes, and even of catching and cooking soft-shell turtles that taste like osso-bucco.

すごい人ほどダメだった！
読めば勇気がわいてくる、新しい心の教科書

朝日新聞の「ボンマルシェ」の大人気連載、待望の書籍化。カリスマ美容エッセイストが提案する、女性が美しくあり続けるための＂108の気づき＂を収める。また著者が実践する「アンチエイジングの習慣」も特別大公開！

大人が、自分自身に満足するための25篇

巨万の富や名誉を手に入れたあと、次に人が欲しくなるのは、この夕焼け空なのかもしれない。(本文より)


『悪人』『横道世之介』『さよなら渓谷』『怒り』などの ベストセラーで知られる芥川賞作家・吉田修一が、 日々を懸命に生きている大人たちに贈る、 どこまでも前向きで心に沁みる50篇のエッセイです。

大人たちを縛る「記憶」との上手な付き合い方がしみじみ伝わってくる 『泣きたくなるような青空』の25篇、自分自身がいかに唯一無二でユニークなのかをあらためて自覚できる『最後に手にしたいもの』の25篇の、2冊同時発売。

また、出版業界としては異例の
・紙書籍
・電子書籍
・audible(本を耳で楽しむオーディオブック)

の3媒体同時発売!
audibleは『泣きたくなるような青空』を高良健吾さん、『最後に手にしたいもの』を眞島秀和さんに朗読いただきます。

Intimate and honest essays on motherhood, marriage, love, and acceptance. Brown White Black is a portrait of Nishta J. Mehra's family: her wife, who is White; her adopted child, Shiv, who is Black; and their experiences dealing with America's rigid ideas of race, gender, and sexuality. Her clear-eyed and incisive writing on her family's daily struggle to make space for themselves amid racial intolerance and stereotypes personalizes some of America's most fraught issues.

カナダのカフェで食べたふわふわのワッフル。モンゴルの青空の下、遊牧民と調理した羊のドラム缶蒸し。旅の最終日にバーテンダーが作ってくれたコーヒー味のオリジナルカクテル。

私の毎日はいたって平凡だ。仕事をして、料理を作る。市場で買った旬の苺でサラダを作ったり、暖房が壊れた寒い日には、キムチ鍋を囲んだり。眠れない夜には、茹でただけの栗を食べながら窓辺で夜空を見上

取材で訪れたラトビアに、恋してしまいました。手作りの黒パンや採れたての苺が並ぶ素朴だけれど洗練された食卓、代々受け継がれる色鮮やかなミトン、森と湖に囲まれて暮らす人々の底抜けに明るい笑顔。