Mental Fiction

On their first date, Mina told Oscar that she was bisexual, vegetarian, and on meds. He married her anyhow. A challenge to be met. She had low days, sure, but manageable. But now, maybe not so much.... Mina is standing on the George Washington Bridge late at night, staring over the edge, when a patrol car drives up. She tries to convince the policeman she's not about to jump, but he doesn't believe her. Oscar is called to pick her up.

Jeff Lyons can’t stand Ellen de Luca, the fat girl in his ceramics class. She’s huge, clumsy, can’t throw a pot to save her life, and stares at Jeff all the time. But he’s a "nice guy" and feels terrible when Ellen overhears his hurtful remarks about her. The "crumbs of kindness" he tosses her way soon turn into advice on weight loss, college, clothes, hair...and, to everyone’s surprise, good-looking Jeff actually dumps his pretty girlfriend to be with the fat girl. But as her pounds melt away, Jeff resents the happy, independent young woman he has unleashed.

Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn. But even Enzo doesn’t know about Gem’s dreams, haunting visions of magic and violence that have always felt too real. So how the hell does Willa Mae Hardy?

Iris Wang is having a bit of a rough start to her summer: Her boyfriend cheated on her, she didn’t get into any colleges, and she has no idea who she is or what she wants to do with her life. She’s always felt torn about being Chinese American, feeling neither Chinese nor American enough to claim either identity. In an attempt to snap her out of her funk, Iris' parents send her away to visit family in Beijing. With this trip, Iris gets swept up in the ridiculous, opulent world of Beijing’s wealthy elite.

It happens every year. A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn't matter. The damage is done the minute it goes up.This is the story of eight girls, freshman to senior, "pretty" and "ugly." And it's also the story of how we see ourselves, and how other people see us, and the tangled connection of the two.

2065: Adri has been handpicked to live on Mars. But weeks before launch, she discovers the journal of a girl who lived in her house more than a hundred years ago and is immediately drawn into the mystery surrounding her fate. 1934: Amid the fear and uncertainty of the Dust Bowl, Catherine’s family’s situation is growing dire. She must find the courage to sacrifice everything she loves in order to save the one person she loves most.

These and many other questions relating to the disorder will be addressed. You'll learn about the symptoms, different treatment methods to minimize those symptoms, and the best ways to teach those with Asperger's syndrome to develop some sense of social skills or adjust to social settings in an acceptable way. You'll also find out the typical strengths of those who have this disorder as well as the best way to get their attention or handle their hyper focus on one particular topic of interest.

Ghostgirl features Charlotte Usher, a high-schooler who can't help but feel no one knows she's alive. Then her nagging fear is confirmed. One day she no longer just feels invisible - she is, in fact, dead and literally haunting the halls.

Let's face it: Life gives you plenty of reasons to get angry, sad, scared, and frustrated - and those feelings are okay. But sometimes it can feel like your emotions are taking over, spinning out of control with a mind of their own. To make matters worse, these overwhelming emotions might be interfering with school, causing trouble in your relationships, and preventing you from living a happier life.

During the hot Saskatchewan summer of 1924, 12-year-old Hugh digs up a cave to discover an escaped patient from the nearby mental hospital hiding inside. In an attempt to shelter the runaway, Hugh and his friends enlist the help of war veteran and rumrunner King Motherwell, who introduces them to an illicit underworld they never knew existed. When the boys find themselves embroiled in a murder, they are forced to leave behind their childhoods or an adult world of sex, violence and deceit.

The setting is Sri Lanka, 1980, and it is the season of monsoons. Fourteen-year-old Amrith is caught up in the life of the cheerful, well-to-do household in which he is being raised by his vibrant Auntie Bundle and kindly Uncle Lucky. He tries not to think of his life “before,” when his doting mother was still alive. Amrith’s holiday plans seem unpromising: he wants to appear in his school’s production of Othello and he is learning to type at Uncle Lucky’s tropical fish business.

Veda, a classical dance prodigy in India, lives and breathes dance - so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers.

What's happening behind the bedroom door? The erotic elements of Twilight, scary sex laws, the future of sex ed, the science behind penis size, a cheating wife's defense of her affair, and much more make it under the covers of Best Sex Writing 2010. From the quest to create the thinnest condom ever to a night with swingers to underage sexting, Best Sex Writing 2010 covers the latest, hottest topics from the wide world of sex.

Critically acclaimed author of We Are the Ants - described as having "hints of Vonnegut's Slaughterhouse-Five" (School Library Journal) - opens up about what led to an attempted suicide in his teens, and his path back from the experience.

It happens to us all: We think we’ve settled into an identity, a self, and then out of nowhere and with great force, the traces of our parents appear to us, in us - in mirrors, in gestures, in reaction and reactivity, at weddings and funerals, and in troubled thoughts that crouch in dark corners of our minds. In this masterful collection of new essays, the apple looks at the tree.

What If This Were Enough? is a mantra and a clarion call. In its chapters--many of them original to the book, others expanded from their initial publication--Havrilesky takes on those cultural forces that shape us. We've convinced ourselves, she says, that salvation can be delivered only in the form of new products, new technologies, new lifestyles.

Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself.

Channeling their own experiences, sixteen exceptional authors subvert mental health stereotypes in a powerful and uplifting collection of fiction.

Isobel's life is small: just her, her mum, and her pet chinchilla, Abigail, in their council flat on the Kentish coast. After mental health troubles in her teens, Issy, now twenty-eight, has kept things that way on purpose, only deviating from routine when her part-time job at a paint-your-own pottery studio demands it, or when she's inspired to create art of Abigail: knitted Abigails, sculptural Abigails, delicately rendered paintings of Abigail. When the Abigails earn the attention of famous artist and reality TV star Elizabeth Staggs, Issy is awestruck and a little alarmed.

Determined to be a better mother than her own, Hannah has devoted her life to her daughters. She ignores her increasing exhaustion and isolation as a widowed mom—until a disastrous mistake lands the girls in foster care. Julie is single and lonely and dreams of being a mother. After infertility issues lead her to foster parenting, she falls head over heels for Hannah’s daughters. The more she bonds with these sweet, precocious girls, the more she worries about their previous home life and becomes intent on finding a way to keep them.