Metaphysical Fiction

C'est l'histoire d'un livre sur le yoga et la dépression. La méditation et le terrorisme. L'aspiration à l'unité et le trouble bipolaire. Des choses qui n'ont pas l'air d'aller ensemble, et pourtant : elles vont ensemble.

A woman in her 30s begins to question the routine and predictability of her days. In everybody's eyes, she has a perfect life: happy marriage, children, and a career. Yet what she feels is an enormous apathy. All that changes when she encounters a successful politician who had, years earlier, been her high school boyfriend. As she rediscovers the passion missing from her life, she will face a life-altering choice.

Sasha Samokhina meets the mysterious Farit Kozhennikov under the most peculiar circumstances. The teenage girl is powerless to refuse when this strange and unusual man with an air of the sinister directs her to perform a task with potentially scandalous consequences. He rewards her effort with a strange golden coin. As the days progress, Sasha carries out other acts for which she receives more coins from Kozhennikov. As summer ends, her domineering mentor directs her to move to a remote village and use her gold to enter the Institute of Special Technologies.

This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.

Satantango, the novel that inspired Béla Tarr’s classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. “Their world,” in the words of the translator George Szirtes is “rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death.”

Deep beneath the mountains of Mexico lies an abandoned underworld: an ancient and enormous archaeological wonder that dwarfs anything ever created by humanity. Trying to flee from its clutches with a stolen artifact, Sarah Morgan holds the key to exposing an extinct species, once capable of extraordinary cultural and scientific advances. But an unknown terror awaits her in the abyss, something distinctly...inhuman.

Aria Abbott has never had a home. Drifting through the foster system for most of her life, she finally finds herself in a situation so unbearable that she has no choice but to run away. Sleeping on the streets pushes Aria beyond any suffering she has felt before; the only thing worse than seeing no escape is the knowledge that no one in the world cares enough to try and find her. Enter Taylor, a homeless young man with a charismatic smile and a dream of fame, fortune, and the sunshine of LA. Swept up in his energy, Aria and Taylor board a greyhound bus and never look back.

With simple yet descriptive prose, this novel gives voice to Nana the cat and his owner, Satoru, as they take to the road on a journey with no other purpose than to visit three of Satoru's longtime friends. Or so Nana is led to believe. With his crooked tail - a sign of good fortune - and adventurous spirit, Nana is the perfect companion for the man who took him in as a stray. And as they travel in a silver van across Japan, with its ever-changing scenery and seasons, they will learn the true meaning of courage and gratitude, of loyalty and love.

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional recreation of an ancient Greek myth and a wholly original coming-of-age story set in the present.

After a soul-crushing Tinder date, a woman returns to her apartment to cook some squid and seethe. Her eye starts to itch; her memory starts to skip, and she starts to spiral. Offense is an auditory explosion and an exploration of the rash of loneliness...and what happens when the voices inside our heads start to warp.

Following the acclaimed Secrets of the Talking Jaguar and Long Life, Honey in the Heart, this is an expansive lyrical novel in the tradition of Indigenous oral storytelling. Based on the author's many years of living in a Guatemalan village, Stealing Benefacio's Roses interweaves dramatic recountings of village life and the political horrors of civil war with lyric retellings of sacred Mayan myths.

A secret government unit is formed under the oversight of Adam Harrison, famed paranormal investigator. The case: In a historic mansion in New Orleans’ French Quarter, a senator’s wife falls to her death from a balcony. Most think she jumped, distraught over the loss of her young son. Some say she was pushed. And yet others believe she was beckoned by the ghostly spirits that inhabit the house - once the site of a serial killer’s grisly work.

An eastern mystic, a western psychic, and a broken man who falls in love with them both at a holy, magnetic mountain. More than an unusual love story, Jonas and the Mountain is a quest for the deepest truth, an excursion into the nature of reality. Jonas has been living a half-life since he lost his marriage, his college teaching position, and his best friend all at once. In his darkest moment, he hears a voice in his head, and strange poems start to come to him.

Henry is a middle-aged, happily married man in the 20th century. After suffering a sudden heart attack, Henry finds himself in the unknown realm of the afterlife. Lost, alone, and confused, he meets Croton. As they embark on their journey together, Croton opens Henry’s eyes to all the beauty of his new reality and all the exploring that awaits him. But not everything is sunshine and rainbows. Henry eventually learns who Croton really is—and that’s when their adventure truly begins.

“At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who goes unnamed. “In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century.

When Olivia Kavanagh finds an old manuscript in her late grandfather's bookshop, she becomes fascinated by the story it tells of two young girls who mystified the world. But it is the discovery of an old photograph that leads her to realize how the fairy girls' lives intertwine with hers, connecting past to present and blurring her understanding of what is real and what is imagined. As she begins to understand why a nation once believed in fairies, can Olivia find a way to believe in herself?

Sick of hearing about vampires? So is Meena Harper. But her bosses are making her write about them anyway, even though Meena doesn't believe in them. Not that Meena isn't familiar with the supernatural. See, Meena Harper knows how you're going to die. (Not that you're going to believe her. No one ever does.)

Author and philosopher Sydney Banks once again brings to life his wise and simple gardener as a voice through which Banks presents more implications of the Three Principles that create human reality, calling on us to realize that to fully understand the Principles is to liberate one's spirit. In this sequel to Sydney Banks’ book The Enlightened Gardener, two colleagues return to England to meet once again with the remarkable gardener whose simple yet profound philosophy made such a difference to their lives.

Borrowing from painting’s fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths, and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life’s givens get given a second chance.

Groom? Check. Dress? Check. Cake? Check. More cake? Double Check. Even more cake? Triple check. (Seriously, who left Lethe alone with Grier's credit card?) Anything that can go wrong has, but all the deposits have been paid, and the menus are set. Mostly. There's always room for more cake, right? All that's left is for Grier and Linus to exchange vows and set off on their honeymoon. Their happily ever after awaits, so close they can taste it.