Metaphysical Fiction

Millions of people are confronting aliens that authorities say do not exist. Now Whitley Strieber, author of the #1 best seller Communion, which detailed his own close encounters, returns with The Grays, a mind-bending journey behind the curtain of secrecy that surrounds the subject of aliens. This audiobook will make you think deeply, not only about the mystery of who the Grays are, but who exactly we are.

Having returned to Herouxville, capital of Vestonia, Max Renard has found himself drawn into the dangerous game of courtly intrigue. King Carl III is ill and weakened by his wounds. This leads to tensions between the various princely parties at court. The struggle for influence inside the country is spilling over onto a whole new level. Carl III's foreign enemies are taking advantage of his weakness and ramping up their pressure.

Fame. Fortune. Your most extravagant wish granted. These are the prizes promised to the team that wins the Faerie Race, the first and only reality television show to venture into the dangerous realm of the fae. But that's not why Jacqueline Cunningham wants in. She's after any sign of her sister - who vanished without a trace into the faerie world two years ago. Jacq thought getting into the race would be the hard part. But she didn't count on the other competitors - who will stop at nothing to finish first.

First we live. Then we die. And then...we get another try? Ten thousand tries, to be exact. Ten thousand lives to "get it right". Answer all the big questions. Achieve wisdom. And become one with everything. Milo has had 9,995 chances so far and has just five more lives to earn a place in the cosmic soul. If he doesn't make the cut, oblivion awaits. But all Milo really wants is to fall forever into the arms of Death. Or Suzie, as he calls her.

Satantango, the novel that inspired Béla Tarr’s classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. “Their world,” in the words of the translator George Szirtes is “rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death.”

Konung Bjørn Sharptooth, ruler of Vintervald, has announced a Great Trial. Whoever emerges victorious shall be wed to the Konung's daughter, Princess Astrid. In accordance with ancient custom, for the duration of the Great Trial, a ceasefire is declared in Northland. Sworn enemies in the midst of bloody war must put down their weapons, and all those worthy of the princess' hand may come to the capital to try their luck.

July, 1940. Blitz-ridden London: Marnie Fern’s life is torn apart when her grandfather is killed in an air raid. But once she discovers that he’d been working undercover as a radio operative – or pianist – for the Dutch resistance, Marnie knows she must complete his mission – no matter the cost. Nazi-occupied Amsterdam: At the other end of the wireless, fellow pianist Corrie Bakker is caught in a dangerous game of cat-and-mouse as she desperately tries to keep her loved ones out of the line of fire – even if it means sacrificing herself.

An American woman is summoned by a remote tribe of nomadic Aboriginals who call themselves the “Real People” to accompany them on a four-month-long walkabout through the Outback. While traveling barefoot with them through 1,400 miles of rugged desert terrain, she learns a new way of life, including their methods of healing, based on the wisdom of their 50,000-year-old culture. Ultimately, she experiences a dramatic personal transformation.

The fourth book in the Celestine Series, this is an adventure tale, both suspensful and contemplative, that builds on the insights introduced in Redfield's previous books. It describes a new wave of religious tolerance and integrity that is now silently arriving, in reaction to watching years of religious warfare and political corruption.

New York City, New Year's weekend, 2001. Jillian Guthrie, a troubled young journalist, stumbles onto a tantalizing mystery: the same man, unaged, stands alongside Ulysses S. Grant, Theodore Roosevelt, and Gandhi in three different photographs spanning eighty-five years of history.

In Hippie, he tells the story of Paulo, a young, skinny Brazilian man with a goatee and long, flowing hair, who dreams of becoming a writer, and Karla, a Dutch woman in her twenties who has been waiting to find a companion to accompany her on the fabled hippie trail to Nepal.

On the heels of Autumn and Winter comes Spring, the continuation of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy, and the color hit of Pop Art, Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.

Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart. In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up.

It is 1483, and Sir Thomas Lemuel Hawke, a Cornish knight, is about to ride into battle. On the eve of his departure, he composes a letter to his four young children, consisting of 20 virtues that provide instruction on how to live a noble life and on all the lessons, large and small, that he might have imparted to them himself were he not expecting to die on the battlefield.

From their first meeting, it was clear that Gwen and Tancred were meant to be together. But, as we know, the course of true love never did run smooth. Gwen’s mother, intuiting that her daughter is in love, gives her a magic ring that has been passed down through endless generations of mothers and daughters. This ring grants its wearer the opportunity to change three things about her beloved. Like all blessings, this may also be a curse.

Always Coming Home is Ursula K. Le Guin’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives.

Borrowing from painting’s fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths, and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life’s givens get given a second chance.

Dans le champ où il vient d’atterrir pour offrir des baptêmes de l’air à trois dollars les dix minutes, Richard aperçoit un autre zinc tout semblable au sien. Adossé à sa carlingue, un personnage sympathique et mystérieux cherche à fuir le rôle de maître à penser à qui les foules demandent toujours plus. Il lui apprendra que chaque être humain peut se libérer des barrières qu’il a lui-même construites comme autant d’illusions sur sa propre existence. Il lui suffit pour cela de suivre une idée simple...

The Dalai Lama’s Cat is confronted by a most unpleasant truth: she is getting old. A routine visit to the vet confirms this. But is a future of decrepitude and senior cat biscuits inevitably a cause for despair? As it happens, she soon finds that a startling reminder of life’s transience is exactly what’s needed to renew our gratitude for life. To lighten up, accept ourselves and value what truly matters.