Metaphysical Fiction

Il primo romanzo di Valerio Di Stefano (1964, filologo, iberista e curatore di edizione elettroniche e audiolibri dei grandi classici della letteratura mondiale) ci trasporta nel mondo illusorio di Don Fiorentino, parroco di uno sconosciuto paese e grande appassionato di libri e sigari toscani, e dei suoi tormenti interiori. Tra manie, tic, ricordi e eterni riti quotidiani, il protagonista riceve i suoi fantasmi prima di presentarsi all'appuntamento più importante della propria vita, in un una girandola di eterni ritorni del passato.

More than an engaging story, the 7-book Waldmeer Series is a doorway to personal and spiritual growth. Waldmeer is an idyllic coastal village with stunning natural beauty. It is a place of healing with its quiet, repetitive rhythm and has remained relatively undamaged by the outside world. The simple events of Waldmeer belie the far more complex events of the inter-dimensional worlds. These worlds meet and merge.

Mary and Eddie are meant for each other - but love is no guarantee, not in these suburbs. Like all children, they exist in an eternal present; time is imminent, and the adults of the street live in their assorted houses like numbers on a clock. Meanwhile, ominous rumors circulate, and the increasing agitation of the neighbors points to a future in which all will be lost. Soon a sorcerer's car will speed down Mary's street, and as past and future fold into each other, the resonant parenthesis of her girlhood will close forever. Beyond is adulthood.

Sudden Death begins with a brutal tennis match that could decide the fate of the world. The bawdy Italian painter Caravaggio and the loutish Spanish poet Quevedo battle it out before a crowd that includes Galileo, Mary Magdalene, and a generation of popes who would throw Europe into the flames. In England, Thomas Cromwell and Henry VIII behead Anne Boleyn, and her crafty executioner transforms her legendary locks into the most sought-after tennis balls of the time.

Feminism fuels fantasy in this genre-busting collection by "master of the fantastic" (Roxane Gay) Amber Sparks. Exciting fans of such writers as Kelly Link, Karen Russell, and Carmen Maria Machado with prose that shimmers and stings, Amber Sparks holds a singular role in the canon of the weird. Now, she reaches new, uncanny heights with And I Do Not Forgive You.

This is a story with a spiritual background. Sebastian, a Christian fisherman, sees a Hindu sage repeatedly in his dreams, where the sage seems to be coming to rescue him from the fury of lava flowing from a volcano. He comes to know that the sage indeed lives in a Chennai suburb. Out of curiosity, he goes to meet the sage. He was both confused as well as attracted by the sage's quirky speeches and behavior.

This is a story about how two men from different walks of life learn that neither robes of honor nor the total renunciation of worldly life is required to enjoy the most fundamental human desire—happiness. Happiness is not a philosophical enigma, but an attainable state of the mind and everyone can cherish the greatest joys through the simplest and smallest acts of daily life.

In The Second Rule of Ten, Norbu investigates the unexplained death of his former client, Hollywood mogul Marv Rudolph, and searches for the sister, lost during World War II, of wizened Los Angeles philanthropist Julius Rosen. With two cases and an unforeseen family crisis that sends him back to Tibet, Ten finds himself on the outs with his best buddy and former partner, Bill, who is heading the official police investigation into Marv's death.

When Vicky becomes the target of a serial arsonist plaguing the city, Darien calls on the supernatural community to help. Pulling the creatures of the night together to cooperate on any project is troublesome at the best of times. The fact that the one responsible for the city's woes is a being of fire and magic leads the reluctant groups to a truce that makes Vicky start to think that her job might be a bit more than one normal human can handle.

In searing, beautiful prose, Sam Shepard's extraordinary narrative tells in a brilliant braid of voices the story of an unnamed narrator who traces, before our rapt ears, his memories of work, adventure, and travel as he undergoes medical tests and treatments for a condition that is rendering him more and more dependent on the loved ones who are caring for him. The narrator's memories and preoccupations often echo those of our current moment - for here are stories of immigration and community, inclusion and exclusion, suspicion and trust.

“When Lazarus rose from the grave, after three days and nights in the mysterious thraldom of death, and returned alive to his home, it was a long time before anyone noticed the evil peculiarities in him that were later to make his very name terrible.” One of Andreyev’s best-known short stories, Lazarus follows the Eastern Orthodox tradition that Lazarus never smiled again, and it explores what happened to the biblical figure after his resurrection from the dead. The unsettling coldness that exudes from the man who cheated death cannot be denied by anyone who meets him.

Although humankind today can peer far deeper into the universe than ever before, we still find ourselves surrounded by the unknown and perhaps the unknowable. All great science fiction has used the human imagination to explore that realm beyond the known, just as theistic religions have done since long before the genre existed. As Hugo Award-winning author Robert Charles Wilson argues, the genre’s freewheeling speculation and systematic world-building make it a unique lens for understanding, examining, and assessing the truth claims of religions in general and Christianity in particular.

What do you do when Nature has decided the time for justice is now, and you’re the one who must pay the price for humanity’s crimes? That’s precisely what Artemisia, the last human alive on Earth, asks when she finds herself before the judge and jury, already found guilty. All that’s left is her sentence. Can Artemisia convince Nature’s denizens that she’s not to blame? Or will she suffer the consequences for the choices made by generations past?

Yoga teacher Ren Devlin’s life is forever changed after he performs what the world proclaims to be a "miracle" in front of hundreds of shocked onlookers. Lauded as a spiritual healer, Ren is thrust into the limelight, along with his beloved life partner, Sean. Amidst the chaos, Ren seeks answers through deep meditation, during which he encounters his “council”—the gods and goddesses of the zodiac. Led by Saturn and Venus, Ren’s astrological council steers him down a path of spiritual healing to work through the kleshas—the five mental afflictions responsible for suffering.

A baroque work of intimate myth exploring one woman's interdimensional search for beauty and embodiment, through kaleidoscopic renderings of hospital corridors, brutal breakups, and passionate romance.

Niv is God. That doesn't mean he's not human. A twenty-five-year-old computer genius is tormented by an unsolvable bug. Three chance encounters with Smadar and one kiss that saves him from death leave him no choice but to fall desperately in love with her. He gets excited, confused, scared–like a human being, and at the same time begins to understand that he controls reality and manages to direct it as he wishes, time after time. But if he is God, why does Smadar avoid him?

ความรักครั้งหนึ่งประทับแน่น ความรักครั้งนั้นตราตรึงมิลืม

… ด้วยรัก จิตรัก นำสงบ ด้วยรัก จิตพบ ความอ่อนหวาน

ด้วยรัก จิตฉาย แต่ความงาม ด้วยรัก จิตวาง เดโชลง…

'รัก' ทำให้ทุกสรรพสิ่ง กลับกลาย… งดงาม

Die schüchterne Nathalie wünscht sich nichts sehnlicher als Ruhe. Kurzerhand bucht sie einen Meditationsworkshop in einem idyllischen Seminarhaus im Wald. Doch von Entspannung keine Spur. Während der stillen Übungen hört sie plötzlich die Stimmen der anderen, die ihr pikante Geständnisse machen. Außerdem sieht sie Dinge, die der Rest der Gruppe nicht wahrnimmt. Am Anfang glauben alle noch an eine logische Erklärung, bis in Nathalie der Gedanke aufkeimt, dass sie manipuliert wird. Wem kann sie noch trauen? Eine Jagd zwischen Realität und Wahn beginnt, aus der es scheinbar kein Entkommen gibt.

This captivating story combines mysticism, quantum physics, and an exploration into the nature of reality. In the early hours before dawn, a scientist secretly slips into a darkened laboratory and steals a strand from an ancient cloth. This cloth has a special and profound origin, one that some would do anything to possess, while others want it suppressed. How could this small, seemingly insignificant item change the course of the world? Years later, a mysterious man appears in New York City. Who is he, what is his connection with the ancient cloth, and why has he arrived at this time?

Is it possible for books to dream? For books to dream within books? Is there a literary subterranean that would facilitate ingress and exit points through these dreams? These are some of the questions posed by David Keenan's masterly fifth novel, Monument Maker, an epic romance of eternal summer and a descent, into history, into the horrors of the past; a novel with a sweep and range that runs from the siege of Khartoum and the conquest of Africa in the 19th century through the Second World War and up to the present day.