Middle East Revolution

When Mohamed Bouazizi set himself on fire in Sidi Bouzid, Tunisia, in December 2010, sparking a wave of popular uprisings that would topple dictatorial regimes across North Africa and the Middle East, observers hailed the onset of a great “Arab Awakening.” But this wasn’t the first time people in Tunisia, Egypt, and elsewhere across the region had taken to the streets demanding fundamental change.

Analysis of the Egyptian social and economic conditions during the July era through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue and messages contained in the artistic works, analysis of the artistic production process, how these conditions were presented through cinema at that time, and why.

A well-known novelist and journalist from the coastal city of Jableh, Samar Yazbek witnessed the beginning four months of the Syrian uprising first-hand and actively participated in a variety of public actions and budding social movements. With rare empathy and journalistic prowess Samar Yazbek compiled oral testimonies from ordinary Syrians all over the country. Filled with snapshots of exhilarating hope and horrifying atrocities, she offers us a wholly unique perspective on the Syrian uprising.

Analysis of High Dam cinema during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artworks, analysis of the artistic production process, and how High Dam cinema was presented through cinema at that time, and why.

Analysis of women's cinema during the July period through film production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artworks, analysis of the artistic production process, and how women’s cinema was presented through cinema at that time, and why.

In early 2011, the world’s attention was riveted on Cairo, where after three decades of supremacy, Hosni Mubarak was driven from power. It was a revolution as swift as it was explosive. For 18 days, anger, defiance, and resurgent national pride reigned in the streets - protestors of all ages struck back against police and state security, united toward the common goal of liberation. But the revolution was more than a spontaneous uprising. It was the end result of years of mounting tension, brought on by a state that shamelessly abused its authority, rigging elections, silencing opposition, and violently attacking its citizens.

Analysis of cinema criticizing the Egyptian situation during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artistic works, analysis of the artistic production process, and how cinema criticizing the Egyptian situation was presented through cinema at that time, and why.