Modern American History

For more than a century, the city of Atlanta has been associated with Black achievement in education, business, politics, media, and music, earning it the nickname "the Black Mecca." Atlanta's long tradition of Black education dates back to Reconstruction, and produced an elite that flourished in spite of Jim Crow, rose to leadership during the civil rights movement, and then took power in the 1970s by building a coalition between White progressives, business interests, and Black Atlantans. But Atlanta's political leadership has consistently mishandled the Black poor.

From Rush Limbaugh and Sean Hannity to Glenn Beck and Matt Drudge, Americans think of right-wing media as integral to contemporary conservatism. But today's well-known personalities make up the second generation of broadcasting and publishing activists. Messengers of the Right tells the story of the little-known first generation. Beginning in the late 1940s, activists working in media not only started an array of enterprises - publishing houses, radio programs, magazines, book clubs, television shows - they also built the American conservative movement.

How did America become the superpower that it is today? If you have ever wondered this, then this book is for you. It presents the main events that shaped the American culture: how it developed from a group of colonists into the most prominent nation in the world. How did everything start? Who were the invaded and the invaders? This book will reveal each step that "constructed" America, aiming at addressing the most common questions concerning the difficulties of this "free land."

Apocalyptic millennialism is one of the most powerful strands in evangelical Christianity. It is not a single belief, but across many powerful evangelical groups there is general adhesion to faith in the physical return of Jesus in the Second Coming, the affirmation of a Rapture heavenward of "saved" believers, a millennium of peace under the rule of Jesus and his saints and, eventually, a final judgement and entry into deep eternity. A key figure in this process was John Nelson Darby.

Mahjong: A Chinese Game and the Making of Modern American Culture illustrates how the spaces between tiles and the moments between games have fostered distinct social cultures in the United States. This mass-produced game crossed the Pacific, creating waves of popularity over the 20th century. Annelise Heinz narrates the history of this game to show how it has created a variety of meanings, among them American modernity, Chinese American heritage, and Jewish American women's culture.

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.

Between 1927 and 1979, more than 8,000 people were involuntarily sterilized in five hospitals across the state of Virginia. From this plain and terrible fact springs Elizabeth Catte's Pure America, a sweeping, unsparing history of eugenics in Virginia, and by extension the United States.

Love, Norm is a multifaceted retelling of inspirational profiles of famous Jewish fighters from across history, and it is also the singular story of how one man dug into his own past and found pieces to preserve his Jewish identity. Together, empathetically channeled through his heartfelt letters and remembrances, Love, Norm shares a collected wisdom with the next generation.

In this reappraisal of racial politics in modern America, Kevin Kruse explains the causes and consequences of "white flight" in Atlanta and elsewhere. Seeking to understand segregationists on their own terms, White Flight moves past simple stereotypes to explore the meaning of white resistance. In the end, Kruse finds that segregationist resistance, which failed to stop the civil rights movement, nevertheless managed to preserve the world of segregation and even perfect it in subtler and stronger forms.

Pioneering historian, sociologist, editor, novelist, poet, and organizer, W. E. B. Du Bois was one of the foremost African American intellectuals of the 20th century. While Du Bois is remembered for his monumental contributions to scholarship and civil rights activism, the spiritual aspects of his work have been misunderstood, even negated. W. E. B. Du Bois, American Prophet, the first religious biography of this leader, illuminates the spirituality that is essential to understanding his achievements.

This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis.

Imagine the impact on world history if Robert E. Lee had listened to General Longstreet at Gettysburg and withdrawn to higher ground instead of sending Pickett uphill against the entrenched Union line. Or if Napolon, at Waterloo, had avoided mistakes he'd never made before. The advice that would have changed the outcome of these crucial battles is found in a book on strategy written centuries before Christ was born.

In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to "do" white southern womanhood, convincingly and on cue, has remained a valued performance. Based on ethnographic research and taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation.

In this groundbreaking book, Aldon D. Morris’ ambition is truly monumental: to help rewrite the history of sociology and to acknowledge the primacy of W. E. B. Du Bois’ work in the founding of the discipline. Calling into question the prevailing narrative of how sociology developed, Morris, a major scholar of social movements, probes the way in which the history of the discipline has traditionally given credit to Robert E. Park at the University of Chicago, who worked with the conservative Black leader Booker T. Washington to render Du Bois invisible.

In the spirit of Devil in the White City comes a true detective tale of the highest standard: the haunting story of Eliot Ness' forgotten final case - his years-long hunt for "The Mad Butcher of Kingsbury Run", a serial killer who terrorized Cleveland through the Great Depression and tormented Ness to his dying breath.

In the long annals of sports and crime, no story compares to the one that engulfed the Luckman family in 1935. As 18-year-old Sid Luckman made headlines across New York City for his high school football exploits at Erasmus Hall High School in Brooklyn, his father, Meyer Luckman, was making headlines in the same papers for a very different reason: the gangland murder of his own brother-in-law. Amazingly, the connection between sports celebrity son and mobster father was studiously ignored by the press and ultimately overlooked for eight decades.

Most people think of snipers as shooters perched in urban hides, dealing out death unseen from a considerable distance. But this description barely scratches the surface. Special operations snipers are men with stacked skill sets who have the ability to turn the tide of battles, even when they aren't pulling the trigger. Snipers have played an outsized role in the War on Terror that has earned them the Medal of Honor, Navy Cross, and countless other honors.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

In today’s modern world, every political regime - even the most authoritarian or repressive - describes itself as democracy or a democratic people’s republic. The concept of rule by the people and on behalf of the people has come to be accepted as the norm. Very few would overtly espouse the cause of dictatorship, absolute monarchy, or oligarchy as the most desirable political system upon which to base the government of any country.

In August 1969, two teenage Ojibwe cousins, Sher and Kris, leave their Northern Minnesota reservation for the lights of Minneapolis. The girls arrive in the city with only $12, their grandfather's WWII pack, two stainless steel cups, some face makeup, gum, and a lighter. But it's the ancestral connections they are also carrying—to the land and trees, to their family and culture, to love and loss—that shape their journey most. As they search for work, they cross paths with a gay Jewish boy, homeless White and Indian women, and men on the prowl for runaways.