Modern Classics Literature

23 stories, all unabridged, from a diverse group of star writers and readers. A truly memorable collection with a wide appeal. Includes "The Years Midnight" by Helen Simpson, read by Harriet Walter; "On Seeing the 100% Perfect Girl One Beautiful Morning" by Haruki Marukami, read by Walter Lewis; "Bablady" by A. S. Byatt, read by Roslaind Eyres; "Hotel des Vaoyaguerus" by William Boyd, read by Martin Jarvis; and "Who?" by Fay Weldon, read by Julie Christie.

Successful lady novelist Laura Morland and her boisterous young son, Tony, set off to spend Christmas at her country home in the sleepy surrounds of High Rising. But Laura's wealthy friend and neighbor, George Knox, has taken on a scheming secretary whose designs on marriage to her employer threaten the delicate social fabric of the village.

Reducing the original text by almost forty pages, this abridged version of Frankenstein also updates the language of the original novel for modern listeners. Sentence by sentence, we have replaced outdated vocabulary and convoluted paragraphs in a way that is true to the original text but easier to follow. This version also provides careful edits of overly long and redundant scenes so that the main story moves along at a faster pace.

Lavinia Brandon is quite the loveliest widow in Barsetshire, blessed with beauty and grace as well as two handsome grown-up children, Delia and Francis. So thinks their cousin, Hilary Grant, when he comes to stay and - like many before him - promptly falls for his fragrant hostess.

Often disguised as something that would help him, evil accompanies Christian on his journey to the Celestial City. As you walk with him, you'll begin to identify today's many religious pitfalls. These are presented by men such as Pliable, who turns back at the Slough of Despond; and Ignorance, who believes he's a true follower of Christ when he's really only trusting in himself.

LES GRANDS TEXTES DU XIXe SIÈCLE. 16 juin 1816. L'orage gronde. Dans une ville cachée au milieu des arbres, sur les bords riants du lac de Genève, une petite société s'ennuie. Il y a deux poètes, Byron et Shelley, leurs compagnes, Claire et Mary, un médecin, Polidori. On se raconte d'horribles histoires, selon la mode du temps. On décide même d'en écrire. Dans la nuit, la jeune Mary – elle n'a pas encore 19 ans – ne peut dormir : elle rêve d'un hideux fantasme d'homme.

Dr. Victor Frankenstein, an ambitious young scientist, is consumed by a fanatic desire to create a living being. He fashions an eight-foot-tall creature and succeeds in animating him, but, horrified by his visage, perceives his creation to be a monster and frightens him away. The monster, wandering in search of human companionship, is spurned and repulsed by all he approaches and learns to hate and to kill.

Bold and lyrical, sensual and highly charged, Cereus Blooms at Night is the beautifully written, sensational first novel by Shani Mootoo, one of Canada’s most exciting literary voices. At the core of this haunting multi-generational novel are the shifting faces of Mala - adventurer and protector, recluse, and madwoman. Told by the engaging voice of Tyler, Mala’s vivacious male caretaker at the Paradise Alms House, Cereus Blooms at Night is layered with unforgettable scenes of a world where love and treachery collide.

Ten years ago only Flynn Carsen, the last of the Librarians, stood against an ancient criminal organization known as The Forty. They stole the oldest known copy of The Arabian Nights by Scheherazade, and Flynn fears they intend to steal Aladdin's fabled lamp. He races to find it first, before they can unleash the trapped malevolent djinn upon the world. Today Flynn is no longer alone. A new team of inexperienced Librarians, led by Eve Baird, their tough-as-nails Guardian, investigates an uncanny mystery in Las Vegas.

A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure, A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule a "kinetic and not static" world state so as to solve "the problem of combining progress with political stability".

John Galsworthy's magnificent trilogy of power and passion chronicles the wealthy Forsyte family. The complete Chronicles are divided into three volumes, containing nine books and four interludes in total. Volume 2, A Modern Comedy, focuses on Soames's vivacious daughter, Fleur. Soames tries constantly to protect her but is baffled by the carefree attitudes in post-war London. Fleur and her husband Michael Mont host society gatherings, but her previous affair with Jon Forsyte leaves embers of a passion that are ready to ignite - with dreadful consequences.

In New Orleans in 1937, a man and woman embark on a headlong flight into the wilderness of illicit passion. In Mississippi ten years earlier, a convict risks his one chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation.

Gerade aus der Haft entlassen, möchte sich Franz Biberkopf eine neue Existenz aufbauen. Doch den Lockungen der Großstadt kann er nicht widerstehen und wird schon bald wieder in kriminelle Machenschaften verwickelt, die ihn fast an den Galgen bringen. Das bewegende Schicksal des Arbeiters Franz Biberkopf, der sich in einer Welt des Verbrechens verirrt, steht exemplarisch für den Kampf des kleinen Mannes in einer unsicher gewordenen Welt. Döblin schuf damit einen Jahrhundertroman, der häufig mit "Ulysses" verglichen wird. Hannes Messemer liest diese atemlose, polyphone Symphonie der Großstadt bravourös ein.

The Will to Power is an audiobook of notes compiled from the literary remains of Friedrich Nietzsche. The title derives from a work that Nietzsche himself had intended to write. The "will to power", a prominent concept in his philosophy, describes what Nietzsche believed to be the main driving force in humans.

Jim Loney is a mixed-blood, of White and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement.

Based in part on Cheever's adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses' adoring and errant younger brother, Coverly.

High in the Himalayas near Darjeeling, the old mountaintop palace shines like a jewel. When it was the General's 'harem' palace, richly dressed ladies wandered the windswept terraces; at night, music floated out over the villages and gorges. Now, the General's son has bestowed it on an order of nuns, the Sisters of Mary. Well-intentioned yet misguided, the nuns set about taming the gardens and opening a school and dispensary for the villagers.

An inventive, satiric modern retelling of the classic fairy tale provides an incisive and biting commentary on the absurdities and complexities of modern life.

Mary Shelley's 1818 novel presents the Faustian story of a man who aspires to create life out of death, with disastrous results. The novel is constructed as a series of first-person narratives, delivered by Captain Robert Walton, Victor Frankenstein, and his Creature, which makes it perfect for a dramatic reading presented by actor author Geoffrey Giuliano.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."