Modern Classics Literature

Mary Shelley's classic gothic horror novel. The scientific young genius, Frankenstein, discovers a method for creating life in inanimate objects and sets about a project to build a human in his laboratory. He is successful in his aim, but in so doing, unleashes on the world a creature whose physical deformities make him repulsive to everyone who sets eyes on him.

This is a story from the Canterbury Tales I: Modern Verse Translation collection. Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

Her changeling friends are imprisoned. To free them, she’ll have to break the laws of magic. Ember Wright managed to save her friends’ lives, only to see them locked up and tormented. With each passing day, the changelings weaken and submit to their interrogators. Secrets start to slip. Running out of options and allies, Ember turns to an ancient, forbidden form of advanced magic. Her reluctant teacher’s warning echoes in her head: Almost all mages who attempt the spell become corrupted by it.

The odds are never in her favor. Good thing this mage doesn’t play by the rules. She once passed as an obedient servant. Now, Senior Investigator Ember Wright shines a light on corruption wherever she finds it. But the corrupt are hitting back. They’re hitting back hard. Her cover blown, they’ve branded her as public enemy number one. With a target painted on her back and on anyone who dares help her, Ember leads a global uprising. When her changeling friends get caught in the crossfire, she learns the true cost of freedom.

We are not promised more than today. Thus we need to live our legacy now, with focus and integrity. Ryan Westcott is ready to step into the family business, armed with a fresh MBA degree from a prestigious business school. Yet his father has other ideas. He feels Ryan needs more education - but not the kind one gets from a school. Ryan is sent to his uncle’s Montana ranch to learn, in short, how to be a man. While Ryan helps his uncle build a barn, he learns life lessons about health, work, finances, education, selfessness, humility, and most important of all, love.

This is a story from the Canterbury Tales I: Modern Verse Translation collection. Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

This is a story from the Canterbury Tales I: Modern Verse Translation collection. Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

Together with the Iliad, the Odyssey, The Divine Comedy and Paradise Lost, the Aeneid is one of the true monuments of world literature. Like all these great classics, over the centuries it has become stultified by academic formalism, and its true glory as a narrative of thrilling power and richness has become very much obscured. This new translation seeks to highlight the vigor and immediacy of Virgil's epic while still respecting the grandeur of the original language.

Victor Frankenstein is a driven man. His single-minded scientific drive has controlled his life from childhood. It has driven him to do the unthinkable, to carry out fiendish, craven tasks, to do that which only God has done before. His goal of creating life - a living, thinking being, a man - has come to pass. Little did he expect that his zeal would forge a monster, an intelligent being set upon Victor's complete destruction.

Als Friedrich Nietzsche im Jahre 1878 sein aphoristisches Werk "Menschliches, Allzumenschliches" herausbrachte, war schlagartig klar, dass hier einer der ganz Großen der Philosophie die Weltbühne betreten hatte. Die hier vorliegende Sammlung vereint die Teile "Von den ersten und letzten Dingen", "Zur Geschichte der moralischen Empfindungen", "Aus der Seele der Künstler und Schriftsteller", "Der Mensch im Verkehr", "Der Mensch mit sich allein", sowie eine Auswahl aus seinem 1887 veröffentlichten Werk "Die fröhliche Wissenschaft".

Realistische Wiedergabe unserer Umwelt - dafür stand der Realismus, der mit Humor und Ironie in Gedichten Ausdruck fand. Die Moderne hingegen war geprägt von Metaphern und Symbolen und war nur sich selbst verpflichtet. Diese Ansammlung der bekanntesten Gedichte des Epochenumschwungs, versetzt Sie mit dem Humor des Realismus und der Ernsthaftigkeit der Moderne ins 18. und 19. Jahrhundert zurück.

"Fu in una lugubre notte di novembre che vidi la realizzazione delle mie fatiche. Preso da grande angoscia, raccolsi i miei speciali strumenti così da poter infondere una scintilla di vita nella cosa inanimata che giaceva ai miei piedi. Era già l'una di notte; la pioggia picchiettava ossessiva contro i vetri, e la mia candela era quasi consumata, quando, alla debole luce semi-estinta, scorsi l’occhio giallo, fermo, della creatura aprirsi; respirava a fatica e un moto convulso agitava le sue membra. [...]"

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.

When the Countess Narona meets Agnes Lockwood, the woman jilted by her husband-to-be, she feels a great sense of foreboding. After the marriage, she moves with her husband, Lord Montbarry, to Venice. As much as Agnes tries to forget the episode of her broken engagement, her fate and that of the Countess seem to be inextricably woven. Both are relentlessly drawn to the Palace Hotel in Venice for a final and dramatic encounter, in the room where more than past emotions resurface to haunt them.