Modern Classics Literature

This is a story from the "Great Ghost Stories" collection.

The story concerns a scientist, Victor Frankenstein, who conducts a great experiment to see if he can create a living being from the body parts of corpses. Only whe the experiment is successful does he begin to think of the ethics and consequences of what he has done. The creature he created becomes embittered when he finds that no one will love him becuase of his appearance.

As the result of Victor Frankenstein's creation of a monster out of the remains of human corpses, a series of horrifying events occur. But who is responsible: the creature or his creator?

Few creatures of horror have seized imaginations and held them for so long as the anguished monster of Mary Shelley's Frankenstein. The story of Victor Frankenstein's terrible creation and the havoc it caused has enthralled generations of readers and listeners and inspired countless writers of horror and suspense.

Do you ever wonder if there is a gnome living in the hole at the bottom of the old tree in the park? Have you ever felt like you weren't alone while in the woods? Did you know that elves are responsible for many of our day-to-day occurrences? If your mind ever fills with these kinds of questions, then these modern fairy tales are for you!

An experimental novella reimagining the main figure of TS Eliot's classic poem of memory, hopelessness, and loss in a contemporary setting. "No one wants to hear a lonely middle aged man talk about cities or memory. No one wants to know that the world exists in a kaleidoscope of colors. For one man, indigo is life, and he does not have time for the man for whom yellow is."

Fantasy author Ken Altabef lends his unique voice talents to a modern reading of 13 classic tales (and six poems) by Edgar Allan Poe.

"Sie müssen auf eine einsame Insel; Sie dürfen nur ein philosophisches Buch mitnehmen - nehmen Sie die Aphorismen! Verzichten Sie lieber auf die Schwimmweste!" Ein Ratgeber fürs richtige Leben im Sinne einer wirklichkeitsnahen Überlebens- und Selbstbehauptungsphilosophie. Ein Buch für Philosophen - ohnehin, aber eben auch für den Hörer, der philosophisch weder vorgebildet noch sonderlich interessiert ist.

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot." Es ist eine Ironie des Schicksals, dass dieses Werk von den Nazis missbraucht wurde.

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

A modern twist on a classic horror story of the Frankenstein creature. Today with the genetic research and mapping of human DNA our own immortality is possible, but remember be careful what you wish for. The quest for immortality is full of surprise pitfalls.

We never forget the stories we were told as children. Even when they are not on the top of our mind, they lurk like palm prints on the drying cement foundations of our understanding of the world. We absorb the pluck of children in the face of adult perfidy, cheering the heroism of Hansel and Gretel or Beauty and the Beast. Counterpoised by the wickedness and cruelty of parents, stepmothers, and wolves in sheep's clothing, children's wiliness usually leaves them unharmed, if not heroic. As adults, we keep returning to them again and again in film, in theater, and in books.

A Modern Lover was written by D H Lawrence in 1909. A young man returns home to his first love to declare his feelings for her but the moment is lost when the girl will not give herself sexually. This theme was to be explored fully in Lawrence’s novel, Sons and Lovers.

Three Dialogues Between Hylas and Philonous, or simply Three Dialogues, is a 1713 book on metaphysics and idealism by George Berkeley. The book was written as a response to the criticism of his work A Treatise Concerning the Principles of Human Knowledge. Berkeley faced opposition from many philosophers who held to the Platonic view. He argues that sensible qualities like color, sound, temperature and even shape are not inherent in matter, but are ascribed and understood by the mind.

Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.

The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin, Flem. "For all his concern with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics." This volume includes a new introduction to the trilogy by acclaimed novelist George Garrett, author of Death of the Fox and The Succession.