Modern Classics Literature

Featuring 12 short stories where each one takes a well-known fairy tale and propels them into uncharted territories, creating surprising perspectives that challenge the very essence of the original tales.

During the rainy summer of 1816, the "Year Without a Summer", the world was locked in a long cold volcanic winter caused by the eruption of Mount Tambora in 1815. Mary Shelley, aged 18, and her lover (and later husband) Percy Bysshe Shelley, visited Lord Byron at the Villa Diodati by Lake Geneva in Switzerland. The weather was consistently too cold and dreary that summer to enjoy the outdoor holiday activities they had planned, so the group retired indoors until dawn.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

Frankenstein, or The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on January 1, 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.

Die Geschichte der Zimmerwirtinstochter Thilde und des Referendars Großmann scheint zunächst überaschend nüchtern...

Jack London's 1903 novel The Call of the Wild is a brilliant tale of resilience and adaptability, but some of the language (which includes words such as brumal, ferine, obdurate, remonstrance, and pertinacity) puts a handbrake on the flow of the story. To counter that, Rob Redenbach edited London's original work and recorded an audiobook that lets you sit back and enjoy the story - without needing a dictionary on your lap.

We never forget the stories we were told as children. Even when they are not on the top of our mind, they lurk like palm prints on the drying cement foundations of our understanding of the world. We absorb the pluck of children in the face of adult perfidy, cheering the heroism of Hansel and Gretel or Beauty and the Beast. Counterpoised by the wickedness and cruelty of parents, stepmothers, and wolves in sheep's clothing, children's wiliness usually leaves them unharmed, if not heroic. As adults, we keep returning to them again and again in film, in theater, and in books.

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.

The story concerns a scientist, Victor Frankenstein, who conducts a great experiment to see if he can create a living being from the body parts of corpses. Only whe the experiment is successful does he begin to think of the ethics and consequences of what he has done. The creature he created becomes embittered when he finds that no one will love him becuase of his appearance.

Her changeling friends are imprisoned. To free them, she’ll have to break the laws of magic. Ember Wright managed to save her friends’ lives, only to see them locked up and tormented. With each passing day, the changelings weaken and submit to their interrogators. Secrets start to slip. Running out of options and allies, Ember turns to an ancient, forbidden form of advanced magic. Her reluctant teacher’s warning echoes in her head: Almost all mages who attempt the spell become corrupted by it.

The odds are never in her favor. Good thing this mage doesn’t play by the rules. She once passed as an obedient servant. Now, Senior Investigator Ember Wright shines a light on corruption wherever she finds it. But the corrupt are hitting back. They’re hitting back hard. Her cover blown, they’ve branded her as public enemy number one. With a target painted on her back and on anyone who dares help her, Ember leads a global uprising. When her changeling friends get caught in the crossfire, she learns the true cost of freedom.

As the result of Victor Frankenstein's creation of a monster out of the remains of human corpses, a series of horrifying events occur. But who is responsible: the creature or his creator?

Earth was being watched from afar...by creatures far greater than man...and which coveted what man possessed. The War of the Worlds is invasion literature at its finest. H.G. Wells' popular classic has never been out of print, and is presented here in a stunning new, modern edition. Bonnem's insightful narration runs the gamut of emotions, simultaneously communicating both the horror of events and the innate humanity of this timeless tale.

Each of the best-selling writers represented in these selections from Legends II returns to the fantasy universe he or she made famous throughout the world. Whether set before or after events already recounted elsewhere, whether featuring beloved characters or compelling new creations, these masterful short novels are both mesmerizing standalones - perfect introductions to the work of their authors - and indispensable additions to the epics on which they are based.

Each of the best-selling writers represented in these selections from Legends II returns to the fantasy universe he or she made famous throughout the world. Whether set before or after events already recounted elsewhere, whether featuring beloved characters or compelling new creations, these masterful short novels are both mesmerizing stand-alones - perfect introductions to the work of their authors - and indispensable additions to the epics on which they are based.

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

An experimental novella reimagining the main figure of TS Eliot's classic poem of memory, hopelessness, and loss in a contemporary setting. "No one wants to hear a lonely middle aged man talk about cities or memory. No one wants to know that the world exists in a kaleidoscope of colors. For one man, indigo is life, and he does not have time for the man for whom yellow is."