Modern Classics

Mary Shelley's classic gothic horror novel. The scientific young genius, Frankenstein, discovers a method for creating life in inanimate objects and sets about a project to build a human in his laboratory. He is successful in his aim, but in so doing, unleashes on the world a creature whose physical deformities make him repulsive to everyone who sets eyes on him.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

As the result of Victor Frankenstein's creation of a monster out of the remains of human corpses, a series of horrifying events occur. But who is responsible: the creature or his creator?

Robert Prentice has spent all his life attempting to escape his mother's stifling presence. His mother, Alice, for her part, struggles with her own demons as she attempts to realize her dreams of prosperity and success as a sculptor. As Robert goes off to fight in Europe, hoping to become his own man, Richard Yates portrays a soldier in the depths of war striving to live up to his heroic ideals.

We never forget the stories we were told as children. Even when they are not on the top of our mind, they lurk like palm prints on the drying cement foundations of our understanding of the world. We absorb the pluck of children in the face of adult perfidy, cheering the heroism of Hansel and Gretel or Beauty and the Beast. Counterpoised by the wickedness and cruelty of parents, stepmothers, and wolves in sheep's clothing, children's wiliness usually leaves them unharmed, if not heroic. As adults, we keep returning to them again and again in film, in theater, and in books.

"Fu in una lugubre notte di novembre che vidi la realizzazione delle mie fatiche. Preso da grande angoscia, raccolsi i miei speciali strumenti così da poter infondere una scintilla di vita nella cosa inanimata che giaceva ai miei piedi. Era già l'una di notte; la pioggia picchiettava ossessiva contro i vetri, e la mia candela era quasi consumata, quando, alla debole luce semi-estinta, scorsi l’occhio giallo, fermo, della creatura aprirsi; respirava a fatica e un moto convulso agitava le sue membra. [...]"

This anthology, first published in 1919, is very much a record of its time. Many of the poems deal with the cataclysmic trauma of World War One and the emergence of a new world order after the fading of the Edwardian era. Among the authors of the 151 poems can be found the names of Rupert Brooke and Ivor Gurney, best known as war poets, as well as James Joyce and the mystic philosopher Evelyn Underhill.

Mary Shelley's 1818 novel presents the Faustian story of a man who aspires to create life out of death, with disastrous results. The novel is constructed as a series of first-person narratives, delivered by Captain Robert Walton, Victor Frankenstein, and his Creature, which makes it perfect for a dramatic reading presented by actor author Geoffrey Giuliano.

Three Dialogues Between Hylas and Philonous, or simply Three Dialogues, is a 1713 book on metaphysics and idealism by George Berkeley. The book was written as a response to the criticism of his work A Treatise Concerning the Principles of Human Knowledge. Berkeley faced opposition from many philosophers who held to the Platonic view. He argues that sensible qualities like color, sound, temperature and even shape are not inherent in matter, but are ascribed and understood by the mind.

When the Countess Narona meets Agnes Lockwood, the woman jilted by her husband-to-be, she feels a great sense of foreboding. After the marriage, she moves with her husband, Lord Montbarry, to Venice. As much as Agnes tries to forget the episode of her broken engagement, her fate and that of the Countess seem to be inextricably woven. Both are relentlessly drawn to the Palace Hotel in Venice for a final and dramatic encounter, in the room where more than past emotions resurface to haunt them.

Quattro grandi classici, senza tempo, della letteratura moderna. Dalla visione distopica del famossimo romanzo "1984" di George Orwell, all'altrettanto famoso, "La fattoria degli animali", dello stesso autore. Per poi arrivare alla saggezza millenaria de "Il Profeta" di Kahlil Gibran ed all'infinita dolcezza de "Il piccolo Principe" di Antoine de Saint-Exupéry, uno dei romanzi più conosciuti e letti al mondo. Narrati dalla voce e dall'interpretazione di Alex Martinelli.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

Victor Frankenstein er en ung og ærgerrig videnskabsmand, der drømmer om at skabe sit eget levende væsen - af rester af lig. Han har opdaget, hvordan det kan lade sig gøre og forestiller sig at skabe noget smukt, men sådan går det som bekendt ikke. Han skaber et monster, som han ikke kan holde af, og så går det løs. Monsteret flygter, lever som udstødt og indleder en uhyggelig vendetta for at påkalde sig Frankensteins opmærksomhed. Mary Shelleys klassiske gyser- og science fictionroman fra 1818 foreligger nu i en ny oversættelse af Jakob Levinsen.

This was the book that launched a genre. Modern fantasy collections trace their lineage back to Lord Dunsany, and this was his first work that today's listeners would recognise in tone and settings.

Robert Benjamin Lewis (1802 - 1858) was an African American and Native American author, inventor, and entrepreneur. In the ethnological work Light and Truth, Lewis claims that Adam and Eve were people of color, as were the Egyptians and many great figures of the ancient world, including Julius Caesar and Plato. Denouncing notions of white superiority, he asserts that all humans have a common origin, and pointed to a shared cultural history between Africans and Native Americans.

Mimei Ogawa, a prolific author of short stories nearly 100 years ago, is considered to be one of the founding figures of modern Japanese children’s literature. He has also been called the Hans Christian Andersen of Japan because of how his works were influenced by Andersen. This collection contains a fresh, modern translation of one of Mimei Ogawa’s most famous works, "The Mermaid and the Red Candles", as well as several other stories that have never been translated and published in English before.

Her changeling friends are imprisoned. To free them, she’ll have to break the laws of magic. Ember Wright managed to save her friends’ lives, only to see them locked up and tormented. With each passing day, the changelings weaken and submit to their interrogators. Secrets start to slip. Running out of options and allies, Ember turns to an ancient, forbidden form of advanced magic. Her reluctant teacher’s warning echoes in her head: Almost all mages who attempt the spell become corrupted by it.

The odds are never in her favor. Good thing this mage doesn’t play by the rules. She once passed as an obedient servant. Now, Senior Investigator Ember Wright shines a light on corruption wherever she finds it. But the corrupt are hitting back. They’re hitting back hard. Her cover blown, they’ve branded her as public enemy number one. With a target painted on her back and on anyone who dares help her, Ember leads a global uprising. When her changeling friends get caught in the crossfire, she learns the true cost of freedom.

This inspirational audiobook encapsulates African American history and invites conversations at all levels. Carole Boston Weatherford’s riveting text is an informative reminder of yesterday, a hopeful image for today, and an aspirational dream of tomorrow. Starting from 1619 and stretching more than four hundred years, this audiobook features such pivotal moments in history as the arrival of enslaved people in Jamestown, Virginia; Nat Turner's rebellion; the integration of the US military; and more.

A Modern Cinderella is a collection of four short stories by Louisa May Alcott, the author of Little Women. Like her more famous novels, Alcott tells stories of young women interacting with people and events from the late 1800s. Louisa May Alcott bestows a truly amusing and thoroughly modern retelling of The Brothers Grimm's Cinderella. Alcott pokes fun throughout, describing a "cool blonde" as "having many cares those happy little housewives never know."