Modern Classics

At 17, Anna K is at the top of Manhattan and Greenwich society (even if she prefers the company of her horses and dogs); she has the perfect (if perfectly boring) boyfriend, Alexander W.; and she has always made her Korean-American father proud (even if he can be a little controlling). Meanwhile, Anna's brother, Steven, and his girlfriend, Lolly, are trying to weather a sexting scandal.

To all appearances, John Wilder has all the trappings of success, circa 1960: a promising career in advertising, a loving family, a beautiful apartment, even a country home. John's evenings are spent with associates at quiet Manhattan lounges and his weekends with friends at glittering cocktail parties. But something deep within this seemingly perfect life has long since gone wrong.

Queen Victoria rules with an immortal fist. The undead matriarch presides over a Britain where the Aristocracy is made up of werewolves and vampires, where goblins live underground and mothers know better than to let their children out after dark. It's a world where the nobility are infected with the Plague (side-effects include undeath), Hysteria is the popular affliction of the day, and leeches are considered a delicacy. And a world where technology lives side by side with magic.

This is a story from the Canterbury Tales I: Modern Verse Translation collection. Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

Jim Loney is a mixed-blood, of White and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement.

1960. The border between East and West Germany has closed. For Elisabeth - a young painter - the GDR is her generation's chance to build a glorious, egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppression, familial loyalty and desire.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

It was a particularly calm spring evening. The river and harbor were already gray; a gray haze hung over the lower part of the city. Above it the tops of the monstrous buildings reflected enough of the sunset in the western sky to blend dimly with the eastern.

Der Geschmack einer Madeleine, das Licht einer Laterna Magica, der Duft der Weißdornhecke: Schlüsselerlebnisse, die im Kopf des Erzählers Marcel unwillkürlich Erinnerungen hervorrufen. Kunstfertig und detailgetreu entsteht das Panorama des alten Combray und der Stadt Paris mit ihren Salons und Bällen. Kurz: einer Zeit, die verloren und doch gegenwärtig scheint.

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In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.

The Life and Death of Mr. Badman by John Bunyan can be a bit challenging, even for the best of listeners. Not so with this new, easy-to-understand version that translates the original archaic language into simple conversational English, allowing listeners of all ages to easily navigate this popular Christian story considered by many to be the third part of The Pilgrim’s Progress series. This story depicts the stages of life—from cradle to grave—of a very wicked man in an evil age and the miserable consequences that undoubtedly follow such wretched living.

Frankenstein, or The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on January 1, 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.

Robert Prentice has spent all his life attempting to escape his mother's stifling presence. His mother, Alice, for her part, struggles with her own demons as she attempts to realize her dreams of prosperity and success as a sculptor. As Robert goes off to fight in Europe, hoping to become his own man, Richard Yates portrays a soldier in the depths of war striving to live up to his heroic ideals.

Gerade aus der Haft entlassen, möchte sich Franz Biberkopf eine neue Existenz aufbauen. Doch den Lockungen der Großstadt kann er nicht widerstehen und wird schon bald wieder in kriminelle Machenschaften verwickelt, die ihn fast an den Galgen bringen. Das bewegende Schicksal des Arbeiters Franz Biberkopf, der sich in einer Welt des Verbrechens verirrt, steht exemplarisch für den Kampf des kleinen Mannes in einer unsicher gewordenen Welt. Döblin schuf damit einen Jahrhundertroman, der häufig mit "Ulysses" verglichen wird. Hannes Messemer liest diese atemlose, polyphone Symphonie der Großstadt bravourös ein.

E. M. Forster's first novel is a witty comedy of manners that is tinged with tragedy. It tells the story of Lilia Herriton, who proves to be an embarrassment to her late husband's family as, in the small Tuscan town of Monteriano, she begins a relationship with a much younger Italian man - classless, uncouth, and highly unsuitable. A subtle attack on Edwardian values and a humanely sympathetic portrayal of the clash of two cultures, Where Angels Fear to Tread is also a profound exploration of character and virtue.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

This is a story from the Canterbury Tales I: Modern Verse Translation collection. Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

Each of the best-selling writers represented in these selections from Legends II returns to the fantasy universe he or she made famous throughout the world. Whether set before or after events already recounted elsewhere, whether featuring beloved characters or compelling new creations, these masterful short novels are both mesmerizing standalones - perfect introductions to the work of their authors - and indispensable additions to the epics on which they are based.

In the frozen wastes north of Russia, a lone seaward vessel seeks the elusive Northwest Passage. Suddenly they sight a dog sled with a gargantuan figure in the shape of a man, driving the dogs northward to sure oblivion. The following day, they find another sled. This sled is filled with a European near death, and when asked what he is chasing, he simply replies, "to seek one who fled from me."