Modern Fiction

We live within the ruins of an ancient civilization whose size has rendered it invisible. Remembered in myth as Atlantis, Lemuria, or other lost world archetypes, the remains of this advanced civilization have lain buried for millennia beneath the deserts and oceans of the world. Investigating the perennial myth of a forgotten fountainhead of civilization, J. Douglas Kenyon presents extensive physical and spiritual evidence of a lost great culture, the collective amnesia that wiped it from planetary memory, and the countless ways ancient catastrophes still haunt modern civilization.

In this modern version of the fairy tale classic, The Frog Prince, heiress Darcy Haverford and ex-military beach bum Daniel Colvin find themselves shipwrecked on a desert island together. Daniel may have the skills to keep them alive - but after living alone with Darcy for a week, he's not sure he has the patience to keep from wringing her spoiled neck. But the longer they spend together, the hotter it gets on the island, until the friction between the two of them rises to a fever pitch.

Fresh from an involuntary crash course in the Stranger Arts, I've a new mystery on my plate: the inexplicable reappearance of a particularly fantastic magickal species. Which is great, don't get me wrong. Rescuing magickal beasts is what we do around here. But the Dappledok Pup hasn't been seen since the seventeen hundreds; so how did we find one, alive and kicking, over two hundred years later? And this beast has a talent for sniffing out treasure, no less. Happenstance? Maybe not.

As an agent of the Society for Magickal Heritage, I, Cordelia Vesper, have an important job: rescue endangered creatures, artefacts, books and spells wherever they are to be found. It’s a tough job, but somebody’s got to keep British magick alive. So we rescued a valuable book from a long-lost library, only it proved to be unusually... chatty. And it's got a foul mouth, too. What manner of weird magick is this? Somebody else thinks it's pretty interesting, too. Ancestria Magicka, they call themselves. Brand new. Big trouble.

Things have been quiet at the Society lately. Too quiet. It couldn’t possibly last. When a griffin appeared in the Yorkshire skies, it could only mean bad news. There’s only one place in Britain it could have come from and that’s the lost kingdom of Farringale. It’s a dire warning, and there’s worse to come. Turns out we aren’t the only people with an interest in the age-old city of the trolls. Farringale lies under attack—and these people will stop at nothing to take control of its treasures. It’s time for a showdown—the deathly serious kind.

Life is never peaceful in Chris Erskine's house, what with the four kids, 300-pound beagle, chronically leaky roof, and long-suffering wife, Posh. And that's exactly the way he likes it, except when he doesn't. Every week in the Los Angeles Times and Chicago Tribune (and now and then in many other papers), Erskine distills, mocks, and makes us laugh at the absurdities of suburban fatherhood. And now, he's gathered the very best of these witty and wise essays - and invited his kids (and maybe even Posh) to annotate them with updated commentary.

In this eagerly anticipated, brand-new Nina Reilly thriller, Perri O'Shaughnessy takes listeners back to Nina's first murder investigation, to the case that ignites her passionate commitment to fighting for justice. Working as a paralegal and attending law school at night, Nina has her hands full. She's fighting for custody of her young son Bob and overseeing a medical malpractice lawsuit on behalf of her mother, Virigina Reilly, whose health is rapidly declining after she suffered complications from an acupuncture procedure.

Billy Phelan, small-time bookie, pool hustler, and poker player, becomes an unlikely go-between in the 1938 kidnapping of an Albany, New York, political boss' son.

The man, Eddie Bracchio, is a ruthless killer from a present-day criminal organization out of Brooklyn, New York. He returns to his hometown of St. Paul, Minnesota and settles into the familiar Payne Avenue neighborhood, a small and diverse community on the east side of town. Upon his arrival, he meets and falls for a beautiful woman—a woman he cannot have. The woman is Kate De Luca.

Loosely inspired by the legend of Camelot, Dark Sexy Knight tells the story of dinner theater knight Colt Lane, who meets down-on-her-luck Verity Gwynn on the worst day of her life. Evicted from their home, Verity and her special-needs brother, Ryan, must find jobs or risk being separated. Colt, who is the furthest-possible thing from a white knight in real life, comes to their unlikely rescue, quickly cementing his place in Verity's heart.

Leonidas: I am a Dragon Prince of the House of Smoke...and I am cursed. Falling in love was never in the cards for me. An angry witch made sure of that - if I lose my heart, I lose my life. Only now, a treaty guaranteeing peace will die with me, unless I convince some hapless human to fall in love with me and bear my child - a dragonling born of magic and a love that's true. But I know nothing of love. Five hundred years of guarding my heart and opening my bed mean I've got zero chance at this.

Lucy is a lapsed Catholic whose adolescent pretentions to sainthood are unexpectedly revived. It all starts when her cousin Zoltan, in hospital following a bizarre incident at a party, offers her a disturbing deathbed confession. Lucy's grief takes an unusual turn: Zoltan's death appears to have turned her into a magnet for the unshriven. Lucy is transformed into a self-described "flesh-and-blood Wailing Wall" as strangers unburden themselves to her. She becomes addicted to the dark stories and finds herself jonesing for hit after hit.

This was the book that launched a genre. Modern fantasy collections trace their lineage back to Lord Dunsany, and this was his first work that today's listeners would recognise in tone and settings.

In the ever-changing modern international landscape, men serving at the tip of the spear need to be able to adapt, adjust, and excel in any environment, under any rules of engagement, at any time. This can lead to men making hard decisions that toe, and sometimes cross, the line between right and wrong.

When a surprise nuclear attack forces Aidan from hiding, he finds the world to be a much different and more deadly place. Now, he'll traverse a post-apocalyptic landscape populated by violent redneck looters, rogue military factions, and an army of hungry undead.... After two combat tours in the Middle East, Aidan Sullivan just wants to be left alone on his family’s ranch in the Texas Hill Country. But when the bombs fall and the dead walk, Aidan risks life and limb to rescue his aging parents from the zombie horde.

Cinderella married the man of her dreams - the perfect ending she deserved after diligently following all the fairy-tale rules. Yet now, 13 and a half years later, things have gone badly wrong, and her life is far from perfect. One night, fed up and exhausted, she sneaks out of the palace to get help from the witch who, for a price, offers love potions to disgruntled housewives. But as the old hag flings the last ingredients into the cauldron, Cinderella doesn't ask for a love spell to win back her Prince Charming. Instead, she wants him dead.

A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.

Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of 25-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home.

Lucky navigates her teen years—from first kisses and brushes with famous older men to attending boarding school and adventuring through exotic Greek islands—as Gino, a powerful Vegas hotel owner, struggles to control her. Meanwhile, her brother, Dario, is too scared to tell Gino that he's gay. But fearless Lucky will not be held back by her father...or anyone else. Soon she has no choice but to strike out on her own path—one that will lead her to become the powerful and charismatic woman that she was destined to be.

Though life seems to be at its worst, Adara Monroe still believes in fairy-tale endings, and the majestic castle not far from her home may be the very place where it could happen. When a series of events forces Adara to reside in the castle, she soon realizes that not all fairy tales are filled with happiness and princesses full of love. In fact, some are cursed with darkness and a very cruel beast. In order for Adara to have the happily ever after she has always desired, she must find a way to break the curse of the castle and the curse of the one who has taken hold of her as well.