Modern Fiction

The next step in Ellie Baker’s marriage: divorce. She and her husband, Jonah, are heading to Florida to break it to the family. No great drama to share. After twenty years of marriage, they’ve just fallen out of love. Simple. Not to their college-age daughter, Maggie, who is devastated. Or to Ellie’s father, Frank, who grows as cold as a retiree can get in Orlando. As for Ellie’s mother, Bunny: no, no, no. She doesn’t want to hear it. After a dreadful weekend, Ellie and Jonah return home to New Jersey with hearts and minds still set on a split.

1960. The border between East and West Germany has closed. For Elisabeth - a young painter - the GDR is her generation's chance to build a glorious, egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppression, familial loyalty and desire.

Cinderella married the man of her dreams - the perfect ending she deserved after diligently following all the fairy-tale rules. Yet now, 13 and a half years later, things have gone badly wrong, and her life is far from perfect. One night, fed up and exhausted, she sneaks out of the palace to get help from the witch who, for a price, offers love potions to disgruntled housewives. But as the old hag flings the last ingredients into the cauldron, Cinderella doesn't ask for a love spell to win back her Prince Charming. Instead, she wants him dead.

Canadian Jordan Haines is on vacation in the Caribbean. After the summer he's had, a couple months of fun in the sun is just what the doctor ordered. What he didn't count on was meeting a beautiful woman on a private beach - or falling hard. Crown Princess Astrid of San Majoria seems to lead a charmed life. Just like everyone, there's tragedy in her past, but she lives in a palace, has aides to do everything - and paparazzi hounding her private moments. Her sanctuary on her family's beach is broken one day when a tired windsurfer takes refuge in her cove - and works his way into her heart.

When the downtrodden animals of Manor Farm overthrow their master Mr Jones and take over the farm themselves, they imagine it is the beginning of a life of freedom and equality. But gradually a cunning, ruthless élite among them, masterminded by the pigs Napoleon and Snowball, starts to take control. Soon the other animals discover that they are not all as equal as they thought, and find themselves hopelessly ensnared as one form of tyranny is replaced with another.

Mick Roberts, the newest partner at Twisted Steel's custom hot rod and motorcycle shop, looks like a man with everything. But secretly he still craves the connection he lost when his best friend, Adam, and the love of his life, Jessilynn, walked out. Then he wasn't ready for the pleasure they promised. Now things have changed. Rich, powerful, and insatiable, Adam Gulati is used to getting what he wants. And there's nothing he wants more than Mick and Jessi.

Gerade aus der Haft entlassen, möchte sich Franz Biberkopf eine neue Existenz aufbauen. Doch den Lockungen der Großstadt kann er nicht widerstehen und wird schon bald wieder in kriminelle Machenschaften verwickelt, die ihn fast an den Galgen bringen. Das bewegende Schicksal des Arbeiters Franz Biberkopf, der sich in einer Welt des Verbrechens verirrt, steht exemplarisch für den Kampf des kleinen Mannes in einer unsicher gewordenen Welt. Döblin schuf damit einen Jahrhundertroman, der häufig mit "Ulysses" verglichen wird. Hannes Messemer liest diese atemlose, polyphone Symphonie der Großstadt bravourös ein.

Lady Charlotte French-McGrath has successfully ruled over her family with a rod of iron until the arrival of Cynthia: beautiful, young, talented, selfish - and engaged to her son, Desmond. When Cynthia enters the Jazz Age, on the surface her life passes in a whirl of hunting, drinking and romance. But the ghosts of Garonlea are only biding their time: they know the source of their power, a secret handed on from one generation to the next.

All the Ways to Say I Love You by Neil LaBute, directed by Leigh Silverman, is a thoughtful, psychological solo play centered around the character Faye Johnson, performed by multi-award-winning actress Judith Light (Transparent, American Crime Story, Who's the Boss?). Reflecting on an event from her past, Johnson confronts the defining question of her life: What is the weight of a lie?

All the Ways to Say I Love You received its World Premiere production at the MCC Theater in September of 2016. MCC is under the leadership of Artistic Directors Robert Lupone, Bernard Telsey, William Cantler, and Executive Director Blake West.

Bonus content includes an Audible-exclusive conversation between director Leigh Silverman and actress Judith Light.

High in the Himalayas near Darjeeling, the old mountaintop palace shines like a jewel. When it was the General's 'harem' palace, richly dressed ladies wandered the windswept terraces; at night, music floated out over the villages and gorges. Now, the General's son has bestowed it on an order of nuns, the Sisters of Mary. Well-intentioned yet misguided, the nuns set about taming the gardens and opening a school and dispensary for the villagers.

When Lyric Wilde’s not whipping up the best food in town at the Dark Horse Dive Bar, she’s making a name for herself as a rising singer-songwriter. And if any of her online followers cross the line from friendly to fanatical, well, Lyric figures it goes with the territory—and she can take care of herself. But there’s one fan she wants to get to know better—a silent, sexy biker named Viper. A man who makes her think mine every time she looks at him. But who exactly is “Viper?”

Alex Foaly, Morgan Tyron, and Vinny Jensen are wanted terrorists. Luckily for them, they are presumed dead. Mostly. In the months since the sinking of the MV Aguilar in the Hudson Bay, the three contractors-turned-"terrorists" have gone to ground, waiting it out and biding their time as they develop a plan to clear their names for an attack they did not commit, but the world blames them for.

We live within the ruins of an ancient civilization whose size has rendered it invisible. Remembered in myth as Atlantis, Lemuria, or other lost world archetypes, the remains of this advanced civilization have lain buried for millennia beneath the deserts and oceans of the world. Investigating the perennial myth of a forgotten fountainhead of civilization, J. Douglas Kenyon presents extensive physical and spiritual evidence of a lost great culture, the collective amnesia that wiped it from planetary memory, and the countless ways ancient catastrophes still haunt modern civilization.

Sexual abuse, human trafficking, drug addiction, rape, prison, and domestic violence - Barbara Amaya experienced it all on first on the streets of Washington D.C., and then New York City, most of it before her 16th birthday. In Nobody's Girl she shares her journey from trafficking victim to human rights advocate, weaving together a story of loss, pain, courage, and transformation.

After Maria Mast's abusive ex-boyfriend is arrested for being involved in sex trafficking and modern-day slavery, she thinks she and her son, Carter, can safely return to her Amish community. But the danger has only just begun. Someone begins stalking her, and they want blood and revenge.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

The story of Flem Snopes' ruthless struggle to take over the town of Jefferson, Mississippi, this is the second volume of Faulkner's trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South.

Victor Frankenstein, a young scientist, creates a living creature from body parts, only to be horrified by his monstrous creation. Rejected by society and seeking vengeance, the creature embarks on a path of destruction.

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