Modern Horror

Thomas Fool - the resilient investigator doomed to catalog hell's atrocities in Simon Kurt Unsworth's stunning debut, The Devil's Detective, is back. The man with no memory of who he was or what led to his damnation is now in command of the Information Office of Hell. This power has only inspired new deadly enemies like Mr. Tap, the cunning leader of a shadowy organization known as the Evidence. Fool alone has survived the wrath of both demon and angel, and now he faces his most thrilling and complex challenge.

Ares, god of war, is leading the other dying gods into battle. Which is just fine with Athena. She's ready to wage a war of her own, and she's never liked him anyway. If Athena is lucky, the winning gods will have their immortality restored. If not, at least she'll have killed the bloody lot of them, and she and Hermes can die in peace. Cassandra Weaver is a weapon of fate. The girl who kills gods. But all she wants is for the god she loved and lost to return to life. If she can't have that, then the other gods will burn, starting with his murderer, Aphrodite.

"En man av stil och smak" är en rysande skräckhistoria där det moderna Stockholms öde står på spel och den fristående fortsättningen på "Jag såg henne idag i receptionen". CeO Molin skulle kunna vara en av killarna i Akademien. Eller i Snabba Cash. Han är bibliotekarie vid Kungliga Biblioteket, men också gentlemannatjuv och en beryktad playboy. CeO har tidigare levt ett rikt liv med stort umgänge och extravaganta fester i sin paradvåning mitt i centrala Stockholm. Men den välpolerade ytan skrapas sakta men säkert bort och hans förflutna börjar komma ikapp honom.

Jag såg henne i receptionen är en rysande berättelse som spänner över tid, rum och dimensioner men som hela tiden står stadigt i ett realistiskt, modernt Sverige. Cornelia Karlsson blev som liten flicka övergiven av sin familj och lever nu sitt vuxna liv som fotomodell och partyknarkare i Stockholm. Men bakom den skinande fasaden som kändisbarn och festens stjärna, slåss hon mot både inre och yttre demoner. I sin egen spegelbild ser Cornelia märkliga saker och i vinden är det röster som talar till henne.

Svenska kulter består av skräcknoveller som skildrar en tillvaro ganska lik vår egen. Fast ändå inte. I Anders Fagers Sverige vandrar fasor mitt ibland oss lyckligt ovetande och andra världar med andra regler och härskare, existerar parallellt. Att läsa Svenska kulter är som att träda in i ett spegelland. Saker är bekanta, men samtidigt skruvade.

Året är 2016 och London ligger försänkt i evigt mörker och dimma. I sin exklusiva takvåning ovanför Canary Wharf har Tiphany Reeder avtalat middag med två av de viktigaste personerna i sitt liv. Väninnan Tipper, som ska närvara via Skype, och filmlegendaren Adam som alldeles strax ska äntra våningen. Tillsammans ska de dyka ner i gamla minnen och förhoppningen är att de ska hitta tillbaka till de prominenta känslor som de tre haft för varandra tidigare. I århundraden. Vad som väntar är en lång, surrealistisk natt kantad av mörker och sensualism, bortom både tid och rum.

During the rainy summer of 1816, the "Year Without a Summer", the world was locked in a long cold volcanic winter caused by the eruption of Mount Tambora in 1815. Mary Shelley, aged 18, and her lover (and later husband) Percy Bysshe Shelley, visited Lord Byron at the Villa Diodati by Lake Geneva in Switzerland. The weather was consistently too cold and dreary that summer to enjoy the outdoor holiday activities they had planned, so the group retired indoors until dawn.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

Adrian and Delanie Michaels need a new beginning in their marriage. Old grievances have almost buried them. To begin again, they need new scenery. They need a new environment for themselves and their young son, Trey. They never imagined they would be able to afford a home the size of the two-story Victorian they find in an older, upscale Colorado neighborhood. They know the home is newer than those around it, and they know this is because the original home on the site burned to the ground.

If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch the killer, they'll have to step into the shadows to see what's lurking there - murderer or monster?

Samlingen svenska kulter består av skräcknoveller som skildrar en tillvaro ganska lik vår egen. Fast ändå inte. I Anders Fagers Sverige vandrar fasor mitt ibland oss lyckligt ovetande och andra världar med andra regler och härskare, existerar parallellt. Novellerna i "Du kan inte leva" för läsaren in i ett spegelland. Saker är bekanta, men samtidigt skruvade. Personalen på ett äldreboende dör, en efter en, under mystiska omständigheter. Under en ung kvinnas vackra och välpolerade yttre döljer sig en hänsynslös mördare.

In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.

The story concerns a scientist, Victor Frankenstein, who conducts a great experiment to see if he can create a living being from the body parts of corpses. Only whe the experiment is successful does he begin to think of the ethics and consequences of what he has done. The creature he created becomes embittered when he finds that no one will love him becuase of his appearance.

Few creatures of horror have seized imaginations and held them for so long as the anguished monster of Mary Shelley's Frankenstein. The story of Victor Frankenstein's terrible creation and the havoc it caused has enthralled generations of readers and listeners and inspired countless writers of horror and suspense.

As the result of Victor Frankenstein's creation of a monster out of the remains of human corpses, a series of horrifying events occur. But who is responsible: the creature or his creator?

Victor Frankenstein er en ung og ærgerrig videnskabsmand, der drømmer om at skabe sit eget levende væsen - af rester af lig. Han har opdaget, hvordan det kan lade sig gøre og forestiller sig at skabe noget smukt, men sådan går det som bekendt ikke. Han skaber et monster, som han ikke kan holde af, og så går det løs. Monsteret flygter, lever som udstødt og indleder en uhyggelig vendetta for at påkalde sig Frankensteins opmærksomhed. Mary Shelleys klassiske gyser- og science fictionroman fra 1818 foreligger nu i en ny oversættelse af Jakob Levinsen.

Men come and go, but magic is forever…right? Wrong. After a few months of letting witchcraft slide, Jane Madison discovers that not using her powers has her rapidly losing them. Meanwhile, her warder is avoiding her, her familiar has moved out, her mother is abandoning her again, and her grandmother is…getting married? With her world turned topsy-turvy, Jane is at her wits' end trying to set things right. Staking everything on a last-ditch spell that backfires spectacularly, Jane is left full of questions.

Today we have ghosts that haunted our ancestors, as well as our own modern revenants, and there appears to be no earthly use trying to banish or exorcise them by such a simple strategy as refusing to believe in them. Since man knows that whether or not he has seen a ghost, presently he will become one, and thus he has become fascinated with the subject. Therefore he creates ghosts, not merely in his own image, but according to his dreams of power.

Un clásico gótico de ciencia ficción de Mary Shelley.