Motherhood Memoir

Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity - the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How? In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her audiobook brings the past and the present viscerally alive.

In this vulnerable memoir of transformation, Rebekah Lyons shares her journey from Atlanta, Georgia to the heart of Manhattan, where she found herself blindsided by crippling depression and anxiety. Overwhelmed by the pressure to be domestically efficient, professionally astute, and physically attractive, Rebekah finally realized that freedom can come only by facing our greatest fears and fully surrendering to God's call on our lives.

I Have Been Buried Under Years of Dust is a remarkable memoir by a mother and her autistic daughter who’d long been unable to communicate - until a miraculous breakthrough revealed a young woman with a rich and creative interior life, a poet, who’d been trapped inside for more than two decades.

A gorgeous collection of letters about mothers and motherhood, curated by the founder of the globally popular Letters of Note website.

Entrepreneur and influencer Mary Lawless Lee, creator of the popular lifestyle blog Happily Grey, brings her distinctive brand of grit and gratitude to this wonder-filled, photo-rich celebration of life lived in the in-between.

"Congratulations on the resurrection of your life", a colleague wrote to Emily Rapp Black when she announced the birth of her second child. The line made Rapp Black pause. Her first child, a boy named Ronan, had died from Tay-Sachs disease before he turned three years old, an experience she wrote about in her second book, The Still Point of the Turning World. Since that time, her life had changed utterly.

Lene Fogelberg is dying - she is sure of it - but no doctor in Sweden, her home country, believes her. Love stories enfold her, with her husband, her two precious daughters, her enchanting surroundings, but the question she has carried in her heart since childhood - will I die young? - is threatening all she holds dear, even her sanity. When her young family moves to the US, an answer, a diagnosis, is finally found: She is in the last stages of a fatal congenital heart disease. But is it too late?

A harrowing memoir about a woman's struggle with postpartum depression. Nine days after the birth of her daughter, Amanda was involuntarily admitted to a Toronto psychiatric ward for postpartum depression (PPD). The typical hold-and-release process in Ontario is seventy-two hours. She stayed eighteen days.

Based on the belief that there's more to women's lives than just getting a date, Gilman's stories tell of struggling to get a life and a clue, and engaging in some spectacularly demented behavior along the way. At turns heartbreaking, insightful, and screamingly funny, it uniquely chronicles a generation and heralds a talented writer of note.

When Belle Boggs' "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine and an interview on NPR's The Diane Rehm Show. In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her - the emergence of 13-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo - for signs that she is not alone.

Sophie Ellis-Bextor's kitchen discos became a source of much-needed escapism, catharsis and sequined joy for a swathe of the population during lockdown. From knackered mothers and fed-up fathers, to cooped up partiers with nowhere to go, Sophie's gloriously chaotic Friday kitchen performances have cheered and revived us. Now Sophie is bringing that same mixture of down-to-earth candour and optimistic sparkle to her first book. Part memoir, part musings, Sophie will write about the conjuring act of adulthood and motherhood.

What if Augustine's Confessions had been written not by a man, but by a mother? How might her tales of desire, temptation, and transformation differ from his? In this memoir, Natalie Carnes describes giving birth to a daughter and beginning a story of conversion strikingly unlike Augustine's - even as his journey becomes a surprising companion to her own. The challenges Carnes recounts will be familiar to many parents. She wonders what and how much she should ask her daughter to suffer in resisting racism, patriarchy, and injustice.

An inspiring memoir, reminding us that whether life's lessons arrive through illness, trauma or any other unexpected upheaval, life really does love us. As a free-spirited, independent woman, Bronnie Ware was used to donning a variety of hats: singer, songwriter, author, speaker, traveller and adventurer. And as her soul would have it in her mid-40s, she felt the urge to add one more: mother.

Louise Erdrich’s first major work of nonfiction, The Blue Jay’s Dance, brilliantly and poignantly examines the joys and frustrations, the compromises and insights, and the difficult struggles and profound emotional satisfactions the acclaimed author experienced in the course of one twelve—month period—from a winter pregnancy through a spring and summer of new motherhood to her return to writing in the fall. In exquisitely lyrical prose, Erdrich illuminates afresh the large and small events that every parent will recognize and appreciate.

A Mother’s Tears is a memoir that explores the relationships between perseverance, disease, and never-ending determination. It is conveyed through the hardships of a woman brought up under Communist rule who eventually escapes the confined conditions of her home country only to find out she now has a physical conflict to fight. It is a heart-wrenching journey down the corridors of cancer, drugs and alcohol, and loneliness as a mother tries anything she can to make sure that both she and her son live to fight their own personal battles another day.

Eloquent. Philosophical. Introspective. These are not the words usually associated with an autistic child. But in a remarkable display of courage and creativity, a boy named Tito has shattered stereotypes, and in The Mind Tree makes us question all of our previous assumptions about autism. For Tito is severely autistic and nearly nonverbal, and this is his story.

As a multiracial household in Chicago’s North Side community of Rogers Park, race is at the core of Francesca T. Royster and her family's world, influencing everyday acts of parenting and the conception of what family truly means. Like Maggie Nelson’s The Argonauts, this lyrical and affecting memoir focuses on a unit of three: the author; her wife Annie, who's white; and Cecilia, the Black daughter they adopt as a couple in their forties and fifties.

In the autumn of 2000, Hope Edelman was a woman adrift, questioning her marriage, her profession, and her place in the larger world. Into her stagnant routine dropped Dodo, her three-year-old daughter Maya's curiously disruptive imaginary friend. Worried about how to handle Dodo's apparent hold on their daughter, she and her husband made the unlikely choice to take Maya to healers in Belize, hoping that a shaman might help them banish Dodo, and all he represented, from their lives.

A Ingrid Rojas Contreras la magia le corre por las venas. No era una niña fácil de sorprender: creció en medio de la violencia política de los años ochenta y noventa en Colombia, en una casa siempre atestada de gente que venía a que su madre le leyera el futuro. Su abuelo materno, Nono, era un curandero de renombre, dotado de lo que la familia llamaba “los secretos”: el poder de hablar con los muertos, predecir el futuro, tratar a los enfermos y mover las nubes. La madre de Ingrid, la primera mujer en heredar los secretos, era igualmente poderosa.

Laura June’s daughter, Zelda, was only a few moments old when she held her for the first time, looked into her eyes, and thought, I wish my mother were here. It wasn’t a thought she was used to having. Laura was in second grade when she realized her mother was an alcoholic. As the years went by, she spiraled deeper, and by the time of her death, before Zelda’s birth, the two had drifted apart entirely. In Now My Heart is Full, Laura June explores how raising her daughter forced her to confront this tragic legacy and recognize the connective tissue that binds generations.