Motherhood Memoir

Jenny Mollen is a writer and actress living in New York. Until two years ago, her life was exciting, sexy, a little eccentric, and 100 percent impulsive. She had a husband who embraced her crazy - who understood her need to occasionally stalk around the house in his ex-girlfriend's old beach caftans and to invite their drug dealer to Passover seder (so he wouldn't feel like they were using him only for drugs). Then they had their son, Sid, and overnight Jenny was forced to grow up: to be responsible, to brush her hair, to listen to her voice mail.

Most of us know Tamera Mowry-Housely as the beloved TV star and one‑half of the memorable duo on the hit show Sister, Sister and recently on FOX's talk show The Real. Tamera's fun-loving character stole the hearts of millions, but the transition from spunky teen-girl star to grown woman with a family and thriving career wasn't easy. Being raised in Hawaii as an army brat instilled her with the discipline she needed to succeed in Hollywood.

Fetish Girl is a kinky roller coaster ride through addiction, violence, motherhood, sex, and the creation of Evil Kitty, Bella LaVey’s larger-than-life dominatrix persona. It is a singular memoir that shows that a heavily tatted BDSM sex worker can be courageous enough to come to terms with her painful truths and raise a healthy, loving child, even as she remains boldly sexual and authentic. It’s the story of a woman attracted to extremes who is willing to go to great lengths to uncover and make peace with her true nature.

In a frightening incident, Elsie's husband, Edward Travilla, narrowly survives an accidental shooting when friends tease son Edward, Jr. into firing a loaded pistol. The shot grazes Edward's head, and he survives with only minor damage. Soon life in the Travilla household returns to its calm routine.

This is Emily Bloom’s journey towards and through motherhood, a path that has become, for the average woman, laden with data and medical technology. Emily faces decisions regarding genetic testing and diagnosis, technologies that offer the illusion of certainty but carry the weight of hard decisions. Her desire to know more thrusts her back into the history of science, as she traces the discoveries that impacted the modern state of pregnancy and motherhood.

When American writer Stephanie Saldana finds herself in an empty house at the beginning of Nablus Road, the dividing line between East and West Jerusalem, she is a new wife trying to navigate a fragile terrain, both within her marriage and throughout the country in which she has chosen to live. Pregnant with her first child, Stephanie struggles to protect her family, their faith, and herself from the cracks of Middle Eastern conflict that threaten to shatter the world around her.

Meredith Hall's moving but unsentimental memoir begins in 1965, when she becomes pregnant at sixteen. Shunned by her insular New Hampshire community, she is then kicked out of the house by her mother. Her father and stepmother reluctantly take her in, hiding her before they finally banish her altogether. After giving her baby up for adoption, Hall wanders recklessly through the Middle East, where she survives by selling her possessions and finally her blood.

What does it mean to create, not in "a room of one's own," but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, Ursula K. Le Guin, Audre Lorde, and Alice Neel. A meditation on maternal identity and artistic greatness, Phillips illuminates some of the most pressing conflicts in contemporary women's lives.

From her beginnings as an early blogger, Ree Drummond has become a household name with a passionate following of devoted fans. On her blog, in her magazine, and on her cooking show, Ree shares recipes, tales of her adventures in the country, and stories of everyday life with her four children and cowboy/rancher husband.

The literary tradition of the fairy tale has long endured as the vehicle by which we interrogate the laws of reality. These fantastical stories, populated with wolves, kings, and wicked witches, have throughout history served as a template for understanding culture, society, and that muddy terrain we call our collective human psyche. In Happily, Sabrina Orah Mark reimagines the modern fairy tale, turning it inside out and searching it for the wisdom to better understand our contemporary moment in what Mark so incisively calls “this strange American weather.”

Until the 1960s infants were plucked from orphanages and maternity wards and used as "practice babies" in college home economics department across the country. Award-winning writer Jill Christman was determined to find out what happened to them. Along the way, five months pregnant herself, with her hormones (and anxiety) raging, she also hoped to discover what it means to be a mother.

Winner of Child magazine's Book of the Year award for her hilarious and candid book on single motherhood, The Lunch-Box Chronicles, Marion Winik returns to the topic of parenting in these nine essays. Beginning with the story of her second wedding and her move to rural Pennsylvania, she covers everything from blending families and having a child in one's 40s to dealing with the legal problems of teenage boys to the evolution of the values of a family over generations.

A gorgeous collection of letters about mothers and motherhood, curated by the founder of the globally popular Letters of Note website.

Shadow Daughter tackles a subject we rarely discuss as a culture: Family estrangements, especially those between parents and adult children. Estrangements - between parents and children, siblings, multiple generations - are surprisingly common, and even families that aren't officially estranged often have some experience of deep conflicts. Estrangement is an issue that touches most people, one way or another, one that's still shrouded in secrecy, stigma, and shame.

Everybody knows that Patricia Heaton plays the hilarious, wise, and tempestuous married-with-kids everywoman on Everybody Loves Raymond. What they might not know is that in real life, she is married, has four boys under eight years old, and is just as funny offscreen as on. Motherhood and Hollywood is Patricia Heaton’s humorous and poignant collection of essays on life, love, marriage, child-rearing, show business, having parents, being a parent, spousal rage, surviving fame, success, and the shame of underarm flab. She is warm, witty, and refreshingly irreverent.

On May 23, 2009, Amanda Stott-Smith drove to the middle of the Sellwood Bridge in Portland, Oregon, and dropped her two children into the Willamette River. Forty minutes later, rescuers found the body of four-year-old Eldon. Miraculously, his seven-year-old sister, Trinity, was saved. As the public cried out for blood, Amanda was arrested, convicted, and sentenced to thirty-five years in prison.

In Mother to Son, Jasmine Holmes shares a series of powerful letters to her young son. These are about her journey as an African American Christian and what she wants her son to know as he grows and approaches the world as a Black man. Holmes deals head-on with issues ranging from discipleship and marriage to biblical justice. She invites us to listen as she reminds Wynn that his identity is firmly planted in the person and work of Jesus Christ, even when the topic is one as emotionally charged as race in America.

Ghostbelly is Elizabeth Heineman’s personal account of a home birth that goes tragically wrong—ending in a stillbirth—and the harrowing process of grief and questioning that follows. It’s also Heineman’s unexpected tale of the loss of a newborn: before burial, she brings the baby home for overnight stays.

Sifting gingerly through memories of her late mother, brilliant newcomer Sarah McColl has penned an indelible tribute to the joy and pain of loving well. Even as her own marriage splinters, McColl drops everything when her mother is diagnosed with cancer, returning to the family farmhouse and laboring over elaborate meals in the hopes of nourishing her back to health. In a series of vibrant vignettes - lipstick applied, novels read, imperfect cakes baked - McColl reveals a woman of endless charm and infinite love for her unruly brood of children.

Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her - until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.