Motherhood Memoir

With the birth of her first child, Laura Jean Baker found herself electrified by oxytocin, the "love drug" - the first effective antidote to her lifelong depression. Again and again over the next eight years, Baker finds herself craving the intense highs of childbearing - cravings that, she realizes, align her much more closely with her public defender husband's desperate, drug-addled clients than with their middle-class peers. As Ryan's roster of defendants increases, so too does their family - nearly to the point of collapse.

Domenica Ruta grew up in a working-class, unforgiving Italian town north of Boston where in the seventeenth century women were hanged as witches. Her mother, Kathi, a notorious figure in this hardscrabble place, was a drug addict and sometime dealer whose life swung between welfare and riches, whose highbrow taste was at odds with her base appetites.

From her beginnings as an early blogger, Ree Drummond has become a household name with a passionate following of devoted fans. On her blog, in her magazine, and on her cooking show, Ree shares recipes, tales of her adventures in the country, and stories of everyday life with her four children and cowboy/rancher husband.

An exquisite and inspiring memoir about one mother's unimaginable choice in the face of oppression and abuse in Taliban-controlled Afghanistan. Devastating in its power, Dancing in the Mosque is a mother's searing letter to a son she was forced to leave behind. In telling her story—and that of Afghan women—Homeira challenges you to reconsider the meaning of motherhood, sacrifice, and survival. Her story asks you to consider the lengths you would go to protect yourself, your family, and your dignity.

Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther, and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them. In her groundbreaking and essential debut The Three Mothers, scholar Anna Malaika Tubbs celebrates Black motherhood by telling the story of the three women who raised and shaped some of America's most pivotal heroes.

Early motherhood is supposed to be joyous, but for Aaisha Alvi those early days were ruined by terrifying thoughts about her baby and family. Her experience was the antithesis of everything she had ever been told about motherhood, far beyond the trials of breastfeeding or putting her baby to sleep. Aaisha did recover and began to enjoy motherhood. She was thrilled when she fell pregnant again. Sadly, that pregnancy ended in a miscarriage, and the psychosis returned. This time, however, she was blindsided by the unimaginable: voices urged her to stab her daughter and to harm innocent people.

Most of us know Tamera Mowry-Housely as the beloved TV star and one‑half of the memorable duo on the hit show Sister, Sister and recently on FOX's talk show The Real. Tamera's fun-loving character stole the hearts of millions, but the transition from spunky teen-girl star to grown woman with a family and thriving career wasn't easy. Being raised in Hawaii as an army brat instilled her with the discipline she needed to succeed in Hollywood.

Ghostbelly is Elizabeth Heineman’s personal account of a home birth that goes tragically wrong—ending in a stillbirth—and the harrowing process of grief and questioning that follows. It’s also Heineman’s unexpected tale of the loss of a newborn: before burial, she brings the baby home for overnight stays.

Mothering under normal circumstances takes all you have to give. But what happens when your child is disabled, and sacrificing all you've got and more is the only hope for a decent future? Full of rage and resilience, duty and love, Ashley Bristowe delivers a mother's voice like no other we've heard.

Everybody knows that Patricia Heaton plays the hilarious, wise, and tempestuous married-with-kids everywoman on Everybody Loves Raymond. What they might not know is that in real life, she is married, has four boys under eight years old, and is just as funny offscreen as on. Motherhood and Hollywood is Patricia Heaton’s humorous and poignant collection of essays on life, love, marriage, child-rearing, show business, having parents, being a parent, spousal rage, surviving fame, success, and the shame of underarm flab. She is warm, witty, and refreshingly irreverent.

Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her - until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.

Fetish Girl is a kinky roller coaster ride through addiction, violence, motherhood, sex, and the creation of Evil Kitty, Bella LaVey’s larger-than-life dominatrix persona. It is a singular memoir that shows that a heavily tatted BDSM sex worker can be courageous enough to come to terms with her painful truths and raise a healthy, loving child, even as she remains boldly sexual and authentic. It’s the story of a woman attracted to extremes who is willing to go to great lengths to uncover and make peace with her true nature.

In a frightening incident, Elsie's husband, Edward Travilla, narrowly survives an accidental shooting when friends tease son Edward, Jr. into firing a loaded pistol. The shot grazes Edward's head, and he survives with only minor damage. Soon life in the Travilla household returns to its calm routine.

Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen tear-shooting gun and a moth that feeds on the tears of other animals. She researches tear-collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence.

Jenn Berney was one of those people who knew she was destined for motherhood - it wasn't a question of if, but when. So when she and her wife, Kelly, decided to start building their family, they took the next logical step: They went to a fertility clinic. But they soon found themselves entrenched in a medical establishment that didn't know what to do with people like them. With no man factoring into their relationship, doctors were at best embarrassed and at worst disparaging of the couple. Soon Jenn found herself stepping outside of the system determined to disregard her.

In the opening of this “unexpectedly uplifting...masterfully crafted memoir” (Shelf Awareness, starred review) Cindy, twenty years into recovery after a heroin addiction, grapples with how to tell her nine-year-old son about her past. She wants him to learn this history from her, not anyone else; but she worries about the effect this truth may have on him.

Shadow Daughter tackles a subject we rarely discuss as a culture: Family estrangements, especially those between parents and adult children. Estrangements - between parents and children, siblings, multiple generations - are surprisingly common, and even families that aren't officially estranged often have some experience of deep conflicts. Estrangement is an issue that touches most people, one way or another, one that's still shrouded in secrecy, stigma, and shame.

In this irresistible memoir, the New York Times best-selling author and winner of the Pulitzer Prize Anna Quindlen writes about looking back and ahead - and celebrating it all - as she considers marriage, girlfriends, our mothers, faith, loss, all the stuff in our closets, and more. Lots of Candles, Plenty of Cake is filled with the sharp insights and revealing observations that have long confirmed Quindlen’s status as America’s laureate of real life.

This is Emily Bloom’s journey towards and through motherhood, a path that has become, for the average woman, laden with data and medical technology. Emily faces decisions regarding genetic testing and diagnosis, technologies that offer the illusion of certainty but carry the weight of hard decisions. Her desire to know more thrusts her back into the history of science, as she traces the discoveries that impacted the modern state of pregnancy and motherhood.

When American writer Stephanie Saldana finds herself in an empty house at the beginning of Nablus Road, the dividing line between East and West Jerusalem, she is a new wife trying to navigate a fragile terrain, both within her marriage and throughout the country in which she has chosen to live. Pregnant with her first child, Stephanie struggles to protect her family, their faith, and herself from the cracks of Middle Eastern conflict that threaten to shatter the world around her.