Motherhood Memoir

A gorgeous collection of letters about mothers and motherhood, curated by the founder of the globally popular Letters of Note website.

Picture it - it's 8:30 p.m. You close the door to your child's room just as you hear your partner closing the dishwasher, and now it's time for an hour or two of glorious freedom. What do you do? Read the book you've been waiting to crack open all day? Chat on the phone with a friend, glass of wine in hand, or go out with pals and share a whole bottle? Or, like many modern parents, do you get caught up in chores, busywork, and social media black holes?

Now a major motion picture directed by Stephen Frears ( The Queen, High Fidelity) and starring Judi Dench ( Skyfall, Notes on a Scandal) and Steve Coogan ( The Trip, Hamlet 2): the heartbreaking true story of an Irishwoman and the secret she kept for 50 years. When she became pregnant as a teenager in Ireland in 1952, Philomena Lee was sent to a convent to be looked after as a "fallen woman". Then the nuns took her baby from her and sold him, like thousands of others, to America for adoption. Fifty years later, Philomena decided to find him.

Attention all potty-mouthed, cheap-wine-drinking mothers: Prepare to meet your match. Any bad thought you’ve had about your kids, Nicole Knepper has had worse. Much worse. It’s not that she doesn’t love her kids. It’s that she understands what a mind-f*?% it can be to try to civilize those wild little beasts.

Proud Flesh chronicles how birth and postpartum helped heal Gray from trauma, thrive in her marriage, and find surprise in the joy of her body. Told in two parallel narratives, Gray weaves her postpartum healing journey with the story of her young womanhood, sharing the arc of an abusive relationship and the healthy love she built in its aftermath.

Laura June’s daughter, Zelda, was only a few moments old when she held her for the first time, looked into her eyes, and thought, I wish my mother were here. It wasn’t a thought she was used to having. Laura was in second grade when she realized her mother was an alcoholic. As the years went by, she spiraled deeper, and by the time of her death, before Zelda’s birth, the two had drifted apart entirely. In Now My Heart is Full, Laura June explores how raising her daughter forced her to confront this tragic legacy and recognize the connective tissue that binds generations.

An exquisite and inspiring memoir about one mother's unimaginable choice in the face of oppression and abuse in Taliban-controlled Afghanistan. Devastating in its power, Dancing in the Mosque is a mother's searing letter to a son she was forced to leave behind. In telling her story—and that of Afghan women—Homeira challenges you to reconsider the meaning of motherhood, sacrifice, and survival. Her story asks you to consider the lengths you would go to protect yourself, your family, and your dignity.

Kelly Oxford is a wunderkind producer of pirated stage productions for 6-year-olds, a underage schnitzel-house dishwasher, the kid who stood up to a bully and almost passed out from the resulting adrenaline rush, and more.

As a 12-year-old girl, Maria Housden's vision of a happy future included everything that society expects girls to yearn for: a home, a husband, and, of course, children. Life had other plans.

In the autumn of 2000, Hope Edelman was a woman adrift, questioning her marriage, her profession, and her place in the larger world. Into her stagnant routine dropped Dodo, her three-year-old daughter Maya's curiously disruptive imaginary friend. Worried about how to handle Dodo's apparent hold on their daughter, she and her husband made the unlikely choice to take Maya to healers in Belize, hoping that a shaman might help them banish Dodo, and all he represented, from their lives.

Small Animals is a riveting examination of the ways our culture of competitive, anxious, and judgmental parenting has profoundly altered the experiences of parents and children. In her signature style - by turns funny, penetrating, and always illuminating - which has dazzled millions of fans and been called "striking" by the New York Times Book Review and "beautiful" by the National Book Critics Circle, Brooks offers a provocative, compelling portrait of parenthood in America and calls us to examine what we most value in our relationships with our children and one another.

In A Coat of Yellow Paint, Naomi shares new stories, time-stamped as intimate and vulnerable essays, exploring her faith, personal heartaches, challenges balancing a home life with career, motherhood, and her struggles with infertility. Along the way, Naomi illustrates the urgency of celebrating life’s most important things - family, faith, friendship, and an upright piano painted bright yellow - ignoring the critics.

Growing up in Queens in the 1960s, Alyse Myers always yearned for more in life as she watched her mother settle for an unhappy marriage, an unsatisfying job, and a joyless existence. Alyse rejected everything about her mother's life, but after her death, she inherited a small wooden box whose contents revealed a deeply moving truth.

Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity - the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How? In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her audiobook brings the past and the present viscerally alive.

Seventeen years ago, when Rebecca Thompson endured a string of life-threatening pregnancy losses and rare medical conditions, her training as a physician didn’t protect her from feeling isolated and overwhelmed. What she longed for was a community of women—or even one encouraging story—to reassure her that she wasn’t alone. Deciding to create the community she couldn’t find in her own time of need, Dr. Thompson reached out to friends, patients, and medical colleagues and asked them to share the stories of their personal journeys to parenthood.

As a teen, Anna Qu is sent by her mother to work in her family’s garment factory in Queens. At home, she is treated as a maid and suffers punishment for doing her homework at night. Her mother wants to teach her a lesson: She is Chinese, not American, and such is their tough path in their new country. But instead of acquiescing, Qu alerts the Office of Children and Family Services, an act with consequences that impact the rest of her life.

A Mother’s Tears is a memoir that explores the relationships between perseverance, disease, and never-ending determination. It is conveyed through the hardships of a woman brought up under Communist rule who eventually escapes the confined conditions of her home country only to find out she now has a physical conflict to fight. It is a heart-wrenching journey down the corridors of cancer, drugs and alcohol, and loneliness as a mother tries anything she can to make sure that both she and her son live to fight their own personal battles another day.

"Congratulations on the resurrection of your life", a colleague wrote to Emily Rapp Black when she announced the birth of her second child. The line made Rapp Black pause. Her first child, a boy named Ronan, had died from Tay-Sachs disease before he turned three years old, an experience she wrote about in her second book, The Still Point of the Turning World. Since that time, her life had changed utterly.

As it turns out, it's entirely possible for the people we've lost to come back to us when we need them the most. Although letting her mother back into her life is not an easy thing, Alice navigates it with humor, intelligence, and honesty. What she learns is that she must revisit her childhood, and allow herself to be a daughter once more, in order to take care of her own girls.

Anna Prushinskaya explores the deep life shifts of pregnancy, birth and motherhood in the United States, a world away from the author's Soviet homeland. Drawing from inspirations as various as midwife Ina May Gaskin, writer and activist Alice Walker, and frontierswoman Caroline Henderson, Prushinskaya captures the inherent togetherness of motherhood alongside its accompanying estrangement. She plumbs the deeper waters of compassion, memory and identity, as well as the humorous streams of motherhood as they run up against the realities of work and the ever-present eye of social media.