Motherhood Memoir

An inspiring memoir, reminding us that whether life's lessons arrive through illness, trauma or any other unexpected upheaval, life really does love us. As a free-spirited, independent woman, Bronnie Ware was used to donning a variety of hats: singer, songwriter, author, speaker, traveller and adventurer. And as her soul would have it in her mid-40s, she felt the urge to add one more: mother.

With four young daughters and a miserably failed marriage, Debra Gwartney moves halfway across the country, to Eugene, Oregon, for a new job and what she hopes will be a new life for herself and her daughters. The two oldest, Amanda, 14, and Stephanie, 13, have a symbiotic relationship so intense they barely know where one begins and the other leaves off. They

Here is an audiobook that transcends the limits of how-to guides and honors the act of childbirth in the 21st century. Eleanor Henderson and Anna Solomon have gathered true birth stories by women who have made self-expression their business, including Cheryl Strayed, Julia Glass, Lauren Groff, Dani Shapiro, and many other luminaries. In Labor Day, you'll hear about women determined to give birth naturally and others begging for epidurals; women who pushed for hours and women whose labors were over practically before they'd started; women giving birth to twins and to 10-pound babies.

Attention all potty-mouthed, cheap-wine-drinking mothers: Prepare to meet your match. Any bad thought you’ve had about your kids, Nicole Knepper has had worse. Much worse. It’s not that she doesn’t love her kids. It’s that she understands what a mind-f*?% it can be to try to civilize those wild little beasts.

Seventeen years ago, when Rebecca Thompson endured a string of life-threatening pregnancy losses and rare medical conditions, her training as a physician didn’t protect her from feeling isolated and overwhelmed. What she longed for was a community of women—or even one encouraging story—to reassure her that she wasn’t alone. Deciding to create the community she couldn’t find in her own time of need, Dr. Thompson reached out to friends, patients, and medical colleagues and asked them to share the stories of their personal journeys to parenthood.

Sophie Ellis-Bextor's kitchen discos became a source of much-needed escapism, catharsis and sequined joy for a swathe of the population during lockdown. From knackered mothers and fed-up fathers, to cooped up partiers with nowhere to go, Sophie's gloriously chaotic Friday kitchen performances have cheered and revived us. Now Sophie is bringing that same mixture of down-to-earth candour and optimistic sparkle to her first book. Part memoir, part musings, Sophie will write about the conjuring act of adulthood and motherhood.

Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity - the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How? In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her audiobook brings the past and the present viscerally alive.

In Mother to Son, Jasmine Holmes shares a series of powerful letters to her young son. These are about her journey as an African American Christian and what she wants her son to know as he grows and approaches the world as a Black man. Holmes deals head-on with issues ranging from discipleship and marriage to biblical justice. She invites us to listen as she reminds Wynn that his identity is firmly planted in the person and work of Jesus Christ, even when the topic is one as emotionally charged as race in America.

A harrowing memoir about a woman's struggle with postpartum depression. Nine days after the birth of her daughter, Amanda was involuntarily admitted to a Toronto psychiatric ward for postpartum depression (PPD). The typical hold-and-release process in Ontario is seventy-two hours. She stayed eighteen days.

As a teen, Anna Qu is sent by her mother to work in her family’s garment factory in Queens. At home, she is treated as a maid and suffers punishment for doing her homework at night. Her mother wants to teach her a lesson: She is Chinese, not American, and such is their tough path in their new country. But instead of acquiescing, Qu alerts the Office of Children and Family Services, an act with consequences that impact the rest of her life.

Lene Fogelberg is dying - she is sure of it - but no doctor in Sweden, her home country, believes her. Love stories enfold her, with her husband, her two precious daughters, her enchanting surroundings, but the question she has carried in her heart since childhood - will I die young? - is threatening all she holds dear, even her sanity. When her young family moves to the US, an answer, a diagnosis, is finally found: She is in the last stages of a fatal congenital heart disease. But is it too late?

"Congratulations on the resurrection of your life", a colleague wrote to Emily Rapp Black when she announced the birth of her second child. The line made Rapp Black pause. Her first child, a boy named Ronan, had died from Tay-Sachs disease before he turned three years old, an experience she wrote about in her second book, The Still Point of the Turning World. Since that time, her life had changed utterly.

When Madeleine Dean discovered that her son Harry was stealing from the family to feed a painkiller addiction, she was days away from taking the biggest risk of her life: running for statewide office in Pennsylvania. For years, she had sensed something was wrong. Harry was losing weight and losing friends. He had lost the brightness in his eyes and voice, changing from a young boy with boundless enthusiasm to a shadow of himself, chasing something she could not see. Now her worst fears had come to light.

In this cohesive collection of provocative stories, West details the precarious journey of raising her daughter while going through a quarter-life crisis of her own. She writes intimately about their mother-daughter relationship and how it, and Savannah's belief in her, kept her going every day despite their brush with homelessness, an attempted sexual assault on West, and multiple career derailments including losing a job at a major sports league.

A Mother’s Tears is a memoir that explores the relationships between perseverance, disease, and never-ending determination. It is conveyed through the hardships of a woman brought up under Communist rule who eventually escapes the confined conditions of her home country only to find out she now has a physical conflict to fight. It is a heart-wrenching journey down the corridors of cancer, drugs and alcohol, and loneliness as a mother tries anything she can to make sure that both she and her son live to fight their own personal battles another day.

علقت مرة الكاتبة الانجليزية كاثرين مانسفيلد بصوتها الآسر قائلة "أكون صادقة مع نفسي؟ لكن أية نفس؟ أية واحدة من أنفسي العديدة؟ بالطبع سينتهي بك الأمر إلى مئات الأنفس.. تسأل لماذا؟ ألست ترى كل هذا التعقيد والكبت والقمع والانعكاسات! تمر علىَ لحظات أشعر فيها بأنني لا شيء سوى عاملة الاستعلامات في فندق مفتوح لا مالك له ولا مدير.." هكذا يمكننا تعريف الأمومة بشكل أولي.

Eloquent. Philosophical. Introspective. These are not the words usually associated with an autistic child. But in a remarkable display of courage and creativity, a boy named Tito has shattered stereotypes, and in The Mind Tree makes us question all of our previous assumptions about autism. For Tito is severely autistic and nearly nonverbal, and this is his story.

A Ingrid Rojas Contreras la magia le corre por las venas. No era una niña fácil de sorprender: creció en medio de la violencia política de los años ochenta y noventa en Colombia, en una casa siempre atestada de gente que venía a que su madre le leyera el futuro. Su abuelo materno, Nono, era un curandero de renombre, dotado de lo que la familia llamaba “los secretos”: el poder de hablar con los muertos, predecir el futuro, tratar a los enfermos y mover las nubes. La madre de Ingrid, la primera mujer en heredar los secretos, era igualmente poderosa.

Fight Like a Mother is the incredible account how one mother’s cry for change became the driving force behind gun-safety progress. Along with stories of perseverance, courage, and compassion, Watts shines a light on the unique power of women - starting with what they have, leading with their maternal strengths, and doubling down instead of backing down.

Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her - until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.