Motherhood Memoir

Most of us know Tamera Mowry-Housely as the beloved TV star and one‑half of the memorable duo on the hit show Sister, Sister and recently on FOX's talk show The Real. Tamera's fun-loving character stole the hearts of millions, but the transition from spunky teen-girl star to grown woman with a family and thriving career wasn't easy. Being raised in Hawaii as an army brat instilled her with the discipline she needed to succeed in Hollywood.

Mothering under normal circumstances takes all you have to give. But what happens when your child is disabled, and sacrificing all you've got and more is the only hope for a decent future? Full of rage and resilience, duty and love, Ashley Bristowe delivers a mother's voice like no other we've heard.

Everybody knows that Patricia Heaton plays the hilarious, wise, and tempestuous married-with-kids everywoman on Everybody Loves Raymond. What they might not know is that in real life, she is married, has four boys under eight years old, and is just as funny offscreen as on. Motherhood and Hollywood is Patricia Heaton’s humorous and poignant collection of essays on life, love, marriage, child-rearing, show business, having parents, being a parent, spousal rage, surviving fame, success, and the shame of underarm flab. She is warm, witty, and refreshingly irreverent.

Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her - until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.

In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the '80s and '90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.

In a frightening incident, Elsie's husband, Edward Travilla, narrowly survives an accidental shooting when friends tease son Edward, Jr. into firing a loaded pistol. The shot grazes Edward's head, and he survives with only minor damage. Soon life in the Travilla household returns to its calm routine.

Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen tear-shooting gun and a moth that feeds on the tears of other animals. She researches tear-collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence.

Disillusioned with overly competitive organized sports and concerned about her lively daughter’s growing shyness, author Angie Abdou sets herself a challenge: to hike a peak a week over the summer holidays with Katie. They will bond in nature and discover the glories of outdoor activity. What could go wrong? Well, among other things, it turns out that Angie loves hiking but Katie doesn’t. Hilarious, poignant, and deeply felt, This One Wild Life explores parenting and marriage in a summer of unexpected outcomes and growth for both mother and daughter.

In the opening of this “unexpectedly uplifting...masterfully crafted memoir” (Shelf Awareness, starred review) Cindy, twenty years into recovery after a heroin addiction, grapples with how to tell her nine-year-old son about her past. She wants him to learn this history from her, not anyone else; but she worries about the effect this truth may have on him.

In this irresistible memoir, the New York Times best-selling author and winner of the Pulitzer Prize Anna Quindlen writes about looking back and ahead - and celebrating it all - as she considers marriage, girlfriends, our mothers, faith, loss, all the stuff in our closets, and more. Lots of Candles, Plenty of Cake is filled with the sharp insights and revealing observations that have long confirmed Quindlen’s status as America’s laureate of real life.

This is Emily Bloom’s journey towards and through motherhood, a path that has become, for the average woman, laden with data and medical technology. Emily faces decisions regarding genetic testing and diagnosis, technologies that offer the illusion of certainty but carry the weight of hard decisions. Her desire to know more thrusts her back into the history of science, as she traces the discoveries that impacted the modern state of pregnancy and motherhood.

When American writer Stephanie Saldana finds herself in an empty house at the beginning of Nablus Road, the dividing line between East and West Jerusalem, she is a new wife trying to navigate a fragile terrain, both within her marriage and throughout the country in which she has chosen to live. Pregnant with her first child, Stephanie struggles to protect her family, their faith, and herself from the cracks of Middle Eastern conflict that threaten to shatter the world around her.

Shadow Daughter tackles a subject we rarely discuss as a culture: Family estrangements, especially those between parents and adult children. Estrangements - between parents and children, siblings, multiple generations - are surprisingly common, and even families that aren't officially estranged often have some experience of deep conflicts. Estrangement is an issue that touches most people, one way or another, one that's still shrouded in secrecy, stigma, and shame.

Meredith Hall's moving but unsentimental memoir begins in 1965, when she becomes pregnant at sixteen. Shunned by her insular New Hampshire community, she is then kicked out of the house by her mother. Her father and stepmother reluctantly take her in, hiding her before they finally banish her altogether. After giving her baby up for adoption, Hall wanders recklessly through the Middle East, where she survives by selling her possessions and finally her blood.

Proud Flesh chronicles how birth and postpartum helped heal Gray from trauma, thrive in her marriage, and find surprise in the joy of her body. Told in two parallel narratives, Gray weaves her postpartum healing journey with the story of her young womanhood, sharing the arc of an abusive relationship and the healthy love she built in its aftermath.

What does it mean to create, not in "a room of one's own," but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, Ursula K. Le Guin, Audre Lorde, and Alice Neel. A meditation on maternal identity and artistic greatness, Phillips illuminates some of the most pressing conflicts in contemporary women's lives.

Until the 1960s infants were plucked from orphanages and maternity wards and used as "practice babies" in college home economics department across the country. Award-winning writer Jill Christman was determined to find out what happened to them. Along the way, five months pregnant herself, with her hormones (and anxiety) raging, she also hoped to discover what it means to be a mother.

Winner of Child magazine's Book of the Year award for her hilarious and candid book on single motherhood, The Lunch-Box Chronicles, Marion Winik returns to the topic of parenting in these nine essays. Beginning with the story of her second wedding and her move to rural Pennsylvania, she covers everything from blending families and having a child in one's 40s to dealing with the legal problems of teenage boys to the evolution of the values of a family over generations.

As a teen, Anna Qu is sent by her mother to work in her family’s garment factory in Queens. At home, she is treated as a maid and suffers punishment for doing her homework at night. Her mother wants to teach her a lesson: She is Chinese, not American, and such is their tough path in their new country. But instead of acquiescing, Qu alerts the Office of Children and Family Services, an act with consequences that impact the rest of her life.

Sifting gingerly through memories of her late mother, brilliant newcomer Sarah McColl has penned an indelible tribute to the joy and pain of loving well. Even as her own marriage splinters, McColl drops everything when her mother is diagnosed with cancer, returning to the family farmhouse and laboring over elaborate meals in the hopes of nourishing her back to health. In a series of vibrant vignettes - lipstick applied, novels read, imperfect cakes baked - McColl reveals a woman of endless charm and infinite love for her unruly brood of children.