Movie Philosophy

“One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in bed he had been changed into a monstrous verminous bug.” With this startlingly bizarre sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young traveling salesman who, transformed overnight into a giant, beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. Rather than being surprised at the transformation, the members of his family despise it as an impending burden upon themselves.

Take a magic-carpet ride through Disney's wonderful world of films and entertainment experiences and discover the wisdom within its most popular and enduring stories.

Growing up in the chaos of Menzoberranzan, one young drow elf tries to make sense of the conflict between the traditions he must serve and the protestations of his own conscience. To lay bare the injustices he sees and to strengthen his own resolve to follow the ethical call of his heart, Drizzt Do'Urden is both an agent of action and self-reflection.

"The meaning of life is the most urgent of questions", said the existentialist thinker Albert Camus. And no less a philosopher than Woody Allen has wondered: "How is it possible to find meaning in a finite world, given my waist and shirt size?" The essays in Movies and the Meaning of Life look at popular and cult movies, examining their assumptions and insights on meaning-of-life questions....

Beneath the stylized violence and thrilling car crashes, the Mad Max films consider universal questions about the nature of human life, order and anarchy, justice and moral responsibility, society and technology, and ultimately, human redemption. In Mad Max and Philosophy, a diverse team of political scientists, historians, and philosophers investigates the underlying themes of the blockbuster movie franchise, following Max as he attempts to rebuild himself and the world.

In 1972, philosopher of science Thomas Kuhn threw an ashtray at Errol Morris. This book is the result. At the time, Morris was a graduate student. Now we know him as one of the most celebrated and restlessly probing filmmakers of our time, the creator of such classics of documentary investigation as The Thin Blue Line. Kuhn was—and, posthumously, remains—a star in his field and author of The Structure of Scientific Revolutions, a landmark book that introduced the concept of "paradigm shifts" to the larger culture. And Morris thought the idea was bunk.

As consumers of art, and especially as fans, we have a host of tricky moral question to navigate: do the moral lives of artists affect the aesthetic quality of their work? In Drawing the Line, Erich Hatala Matthes argues that it doesn't matter whether we can separate the art from the artist, because we shouldn't. Matthes argues both that the lives of artists can play an important role in shaping our moral and aesthetic relationship to the artworks that we love and that these same artworks offer us powerful resources for grappling with the immorality of their creators.

No wonder Elias Canetti described it as "one of the few great and perfect works of the poetic imagination written". The Metamorphosis remains one of the best works of fiction in history. It is the story of a traveling salesman, Gregor Samsa, who wakes up to find himself being transformed to an insect-like creature. The story unfolds into one of the greatest short fiction stories ever written.

Rudyard Kipling’s best loved book, full of timeless and beloved tales of adventure. The story of Mowgli, the abandoned "man-cub" who is brought up by wolves in the jungles of Central India, is one of the greatest literary myths ever created. As he embarks on a series of thrilling escapades, Mowgli encounters such unforgettable creatures as the bear Baloo, the graceful black panther Bagheera, and Shere Khan, the tiger with the blazing eyes.