Murder Mystery

Brighton Longfield is kinda bad at life. She's divorced, childless, and she just got fired...again. With dwindling savings and few prospects, she packs her possessions into a U-Haul and sets out for the little town of Coventry, where she inherited a dilapidated old house from her Great Aunt "Mad" Maude Tuttlesmith. Coventry is supposed to be a stop in the road for Brighton. The plan is to fix up the house, sell it, and then figure out what to do with her life. You know what they say about the best-laid plans.

Meet Harry, aspiring tech entrepreneur. He’s a would-be Steve Jobs trapped in a cubicle gig at an angel investor firm, so close and yet so far from his dreams. His marriage is foundering, his career is stalled out, and all he wants is to create an app like Uber, or Tinder, something to make real change in the world, and change his own life forever. Now meet Peter, a deeply troubled computer genius who lives in a basement apartment, chugging red wine, nursing old grudges and writing code. When Harry meets Peter, it’s both of their lives that will change, when they invent an app for murder.

England, 1936. On a clear autumn day, Kitty and her mischievous spaniel Bertie take a drive to a nearby village. After a long walk in the rolling country hills and lunch in a pretty tearoom, what could be nicer than to buy a couple of bottles of local cider for her husband—and partner-in-crime solving—Matt? Instead, she finds a body in the orchard… Kitty is shocked to discover Titus Blake dead, crushed by his own cider press.

Abby Finch arrives at the old church hall armed with festive mistletoe and holly, ready to decorate. But within moments of her walking through the door, tragedy strikes. Edward Marsh reaches to test the antique star at the top of the tree. There's a fizz and the lights go out. Abby hears the sickening thud of a body hitting the floor. When the lights turn back on, Edward is dead.

Gwen Franklin is looking forward to spending her retirement drinking her favorite coffee and reading mystery novels. Those peaceful plans are brought to heel by her best friend, Nora. Sporting stiletto heels, leggings, and a "more is better" makeup routine, 50-something Nora Goldstein has a penchant for marrying - and divorcing - rich men. Now that Gwen's got free time, Nora figures they should start a dog-walking and pet-sitting service together. But it's far from a walk in the park when the corpse of Linda Fletcher is found in Nora's kitchen.

Though Charlotte Sloane's secret identity as the controversial satirical cartoonist A. J. Quill is safe with the Earl of Wrexford, she's ill prepared for the rippling effects sharing the truth about her background has cast over their relationship. She thought a bit of space might improve the situation. But when her cousin is murdered and his twin brother is accused of the gruesome crime, Charlotte immediately turns to Wrexford for help in proving the young man's innocence. The brooding scientist is just as enigmatic and intense as ever, but there is now an unfamiliar tension.

When Hope's elderly neighbor perishes in a home fire, she can't help but feel somewhat responsible. Only the day before, Peggy Olson had called her over, having burned a pot on the stove while she was sleeping and filling the house with smoke. In fact, she couldn't even remember cooking. Clearly, it was dangerous for the woman to live alone. But it turns out she wasn't alone. When a second body is discovered in the basement of the burned house, suddenly what appeared to be a tragic accident is beginning to look like premeditated murder.

The sisters at a lonely Cornish convent share a chilling secret they cannot confess...Sister Sophia is dead. Another disappears. And a mysterious last letter from a dying nun is sent to the prioress. Sister Joan has faced her own demons. Now she is sent to the convent to investigate, as well as teach the local children. There are whispers of virgin sacrifice and suicide, and the mother prioress certainly wears pink nail varnish. And who is the young man hiding in the bracken?

When Maddie Kosloski's career flatlines, she retreats to her wine-country hometown for solace and cheap rent. Railroaded into managing the local paranormal museum, she's certain the rumors of its haunting are greatly exaggerated. But then a fresh corpse in the museum embroils Maddie in murders past and present, making her wonder if a ghost could really be on the loose.

In the small village of Kilbane, County Cork, Ireland, Natalie's Bistro has always been warm and welcoming. Nowadays twenty-two-year-old Siobhan O'Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago. It's been a rough year for the O'Sullivans, but it's about to get rougher.

Hannah's popular Minnesota bakery, The Cookie Jar, is best known for its tempting confections - until best-selling cookbook author and television personality Connie McIntyre is murdered in its pantry. Despite police warnings to steer clear of the case, Hannah is soon chasing down a bevy of suspicious characters.

Countess by day, secret advice columnist by night, Amelia Amesbury has life happily balanced on a quill's edge . . . until her sister Margaret shows up in London under a blanket of scandal and Amelia is catapulted out of mourning and into the ton's unforgiving Season. However Madge's Season debut is marred by a rather inconvenient death at the dining table as the infamous Mr Radcliffe takes ill and is later confirmed dead by poisoning. With Madge being the last person to have cross words with the soon-to-be baron, the ton's gossip mill—and the police—are looking to pin the murder on her.

Deep in the Yukon wilderness, a town is being built. A place for people to disappear, a fresh start from a life on the run. Haven’s Rock isn’t the first town of this kind, something detective Casey Duncan and her husband, Sheriff Eric Dalton, know firsthand. They met in the original town of Rockton. But greed and deception led the couple to financing a new refuge for those in need. This time around, they get to decide which applicants are approved for residency.

Anthropology Professor Gideon Oliver would prefer to keep his mind on his beautiful new bride, Julie, during their English honeymoon, but one intrusive question will not stop nagging at him: Who would want to steal a 30,000-year-old parieto-occipital calvarial fragment? Yet someone has lifted this chunk of prehistoric human skull from a musty museum in Dorchester. Then, 30 miles away, an archaeology student is murdered, increasing tension and suspicion at a dig that had already seethed with suspicion, rivalry, and mistrust.

Homicide prosecutor David Brunelle faces the most difficult case of his career. An innocent young girl is murdered in a heinous, unforgivable way. The only evidence against the killer is the full confession of his accomplice - another young girl he also victimized. But the accomplice is charged with the murder as well, which means that she has the right to remain silent. And she's so scared of the killer, she refuses to take a deal to testify against him.

Although this isn't the life Lexie would have chosen, all is going well. At least until Lexie is fired and her deranged ex-boyfriend tries to kidnap her. Deciding that it's better to accept a mysterious inheritance from a great aunt she's never heard of rather than end up kept in a cage as her ex's pet poodle, Lexie packs up and heads to Kansas. So, what if she has to go by a new name and live in a town that she can't find on a map? Unfortunately, once she arrives in her new hometown, everyone there seems just a tad off-kilter, and Lexie's cousin insists the citizens are magical.

New Mark Twain! This previously unpublished Twain piece was written 125 years ago, composed in 1876 as a "blind novelette" that Twain planned to launch as a competition for other great writers of the day. The competition never took place, and the story was thought by many to have been lost. This rediscovered gem, with a new introduction and afterword by Roy Blount, Jr., and brilliantly read by Blount and Garrison Keillor, allows us, once again, to celebrate the literary genius of Mark Twain.

Recently divorced and reluctantly retired, Julia Bird has fled London to enjoy idyllic rural life in the Cotswolds. Determined to have the perfect English garden, her first job is to tear down the old shed, where she unearths much more than she’d bargained for: a body, apparently buried for decades. But who could it be, and who killed them? The police draw a blank, and even the gossip-fest that is the local book club can’t remember anyone going missing in the village.

Quentin McGee, author of a sensational exposé, has been murdered, and her lover, Allison, is charged with the crime. Sarah is hired to find the real culprit, but the investigation won't be easy. Quentin had so many enemies, including her own family and all those rich, powerful people mentioned in her book. As scandal brews, the suspect list continues to grow, and Sarah fears that the killer isn't finished yet.

Madame Tussauds, London’s extravagant wax museum, reopens in 1928 to much fanfare. The horrific fire of ’25, which had destroyed the wax figurines of famous and sometimes infamous characters, was news of the past. Ginger Reed and her good friend Haley Higgins are intrigued and eager to visit the museum which promises new and exciting exhibits. Of particular interest is the one on Bram Stoker’s Dracula. Hailed by some as effective literary horror and by others as unnecessarily frightening, the exhibition about the book attracts all kinds.