Museum History

In the 1980s, a young adventurer and collector for a government library, Abdel Kader Haidara, journeyed across the Sahara Desert and along the Niger River, tracking down and salvaging tens of thousands of ancient Islamic and secular manuscripts that had fallen into obscurity. The Bad-Ass Librarians of Timbuktu tells the incredible story of how Haidara, a mild-mannered archivist and historian from the legendary city of Timbuktu, later became one of the world's greatest and most brazen smugglers.

The New York Museum of Natural History receives their pilfered gem collection back, ground down to dust. Diogenes, the psychotic killer who stole them in Dance of Death, is throwing down the gauntlet to both the city and to his brother, FBI Agent Pendergast, who is currently incarcerated in a maximum security prison.

The cowboy is an iconic figure in American culture. With his hat, boots, and trusty horse, the cowboy rides in at a moment of crisis to intervene against the forces of evil. In the 20th century, the cowboy of the Wild West took center stage in the realm of popular literature.

Uncovering the physical remains of our past is a quintessential human itch; the pursuit of every society from the ancients through to today. But the stories behind archaeological exploration and discovery - what we look for when, what we end up finding, and what we then do with it - tell us as much about ourselves today as they do about the past. Through eight sensational stories of discovery, Professor Michael Scott traces the evolution of modern archaeology from colonial expeditions to today's cutting-edge digs, unearthing traps, curses and buried treasure along the way.

This is the vivid, personal accounts of four women who lived and traveled as settlers in early British Columbia. The women in this book were trailblazers. The frontiers they lived on were not only geographical but personal. As they left the drawing rooms of England and Eastern Canada for new lives in the far West, social patterns were disrupted and the status quo dissolved. On the wagon roads and river boats of 19th-century British Columbia, they found risks, opportunities, and freedoms far beyond those familiar to their more-settled contemporaries.

The Gunmen of the American Wild West Collection brings to life the history of the frontier west of the Mississippi in the latter parts of the 19th century. The gunmen ranged from lawmen to cowboys, ranchers, and outlaws. Most of the outlaws in the Old West preyed on banks, trains, and stagecoaches. Although spread thin, the law was present, usually on the level of deputy US marshal, county sheriff, and the town marshal or constable.

If you buy a book at the bookstore, you own it. You can take it home, scribble in the margins, put it on the shelf, lend it to a friend, or sell it at a garage sale. But is the same thing true for the eBooks or other digital goods you buy? Retailers and copyright holders argue that you don't own those purchases, you merely license them. That means your eBook vendor can delete the book from your device without warning or explanation - as Amazon deleted Orwell's 1984 from the Kindles of surprised readers.

Today, hundreds of tribes use the Native American Graves Protection and Repatriation Act to help them recover their looted heritage from museums across the country. As senior curator of anthropology, Chip Colwell navigated firsthand the questions of how to weigh the religious freedom of Native Americans against the academic freedom of scientists and whether the emptying of museum shelves elevates human rights or destroys a common heritage. His book reveals a dramatic process that involves negotiating the blurry lines between identity and morality, spirituality and politics.

"The Egyptian Book of the Dead," translated by E.A. Wallis Budge, is a pivotal work that opened the ancient Egyptian world of the afterlife to the West. Comprising a collection of spells, rituals, and incantations, this sacred text was designed to guide the deceased through the Duat (the Egyptian underworld) and ensure their safe passage to the afterlife.

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?

Horace Everett Hooper - a volatile, self-assured, impulsive, and optimistic American, an autodidact and natural-born salesman - got into the book business at age 16, moved to the Western frontier and on to Chicago, and became hugely successful. With a brilliant adman named Henry Haxton as his partner, he went about buying publishing rights to the Encyclopedia Britannica, a work incredibly distinguished by entries from Charles Darwin, Thomas Malthus, Sir Walter Scott, and more.

In its first four months of operation, the Smithsonian National Museum of African American History and Culture surpassed one million visits and quickly became a cherished, vital monument to the African American experience. And yet this accomplishment was never assured. In A Fool's Errand, founding director Lonnie Bunch tells his story of bringing his clear vision and leadership to realize this shared dream of many generations of Americans.

Charles Alexander Eastman (1858 -1939), also known as “Ohiyesa”, was an author, physician, and lecturer of Santee Sioux and Anglo-American heritage. As a passionate advocate for the rights of American Indians, he took an active role in national politics. Indian Boyhood is a memoir that chronicles the first 15 years of his life with fascinating portrayals of Sioux culture, including training as a hunter and warrior, religious beliefs and practices, and the role of the medicine man.

Pandemics have afflicted human civilizations throughout history, yet these health crises have also led to progress in medicine and society that improved people’s lives. History shows that scientific innovation often proceeds from the collaboration of researchers across disciplines, nations, and institutions.

The men who worked British Columbia's mines have passed into history. Coal Dust in My Blood is a moving account of one coal miner's life, in plain, evocative language. But this book is much more than a personal memoir. Bill Johnstone's mining career spanned several decades and he worked in a wide variety of positions. His broad insights reveal important aspects of the history of coal mining in BC.

In this personal journey through a unique performing art, David Copperfield profiles some of the world’s most groundbreaking magicians. From the 16th-century magistrate who wrote an early book on conjuring, to the Roaring Twenties and the man who fooled Houdini, to the woman who levitated, vanished, and caught bullets in her bare hands, David Copperfield’s History of Magic takes you on a wild journey through the remarkable feats of some of the greatest magicians in history.

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....