Museum History

Capitol City's Natural History Museum is haunted—or at least that's what someone wants people to think. But Wilson Kipper, son of the museum's head paleontologist, knows better. When the mysterious occurrences go from spooky to dangerous, the museum is forced to close its doors. Can Wilson and his friends get to the bottom of things, or will the Natural History Museum be closed for good?

Libraries are much more than mere collections of volumes. The best are magical, fabled places whose fame has become part of the cultural wealth they are designed to preserve. The Library is a celebration of books as objects, a celebration of the anthropology and physicality of books and bookish space, and an account of the human side of these hallowed spaces by a leading and passionate bibliophile.

Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.

Anarchism claims that there's no need for a state and that it would be better to have a society without central government. Anarchists dislike the authority of the state, but the dream of the stateless society is not a simple matter.

James Gleick, the author of the best sellers Chaos and Genius, now brings us a work just as astonishing and masterly: A revelatory chronicle and meditation that shows how information has become the modern era’s defining quality - the blood, the fuel, the vital principle of our world. The story of information begins in a time profoundly unlike our own, when every thought and utterance vanishes as soon as it is born.

The New York Museum of Natural History receives their pilfered gem collection back, ground down to dust. Diogenes, the psychotic killer who stole them in Dance of Death, is throwing down the gauntlet to both the city and to his brother, FBI Agent Pendergast, who is currently incarcerated in a maximum security prison.

In this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics.

Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes, or filled with bean bags and children’s drawings - the history of the library is rich, varied, and stuffed full of incident.

On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum's castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last—disaster to upend a museum in the United States. The Museum explores the concepts of "crisis" as it relates to museums, and how these historic institutions have dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.

On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, 20-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins - some collected 150 years earlier.

When Elsie, an orphan on the streets of Victorian London, hears about the mysterious Ice Monster - a woolly mammoth found at the North Pole - she’s determined to discover more.... A chance encounter brings Elsie face to face with the creature and sparks the adventure of a lifetime - from London to the heart of the Arctic! Heroes come in all different shapes and sizes in David Walliams’ biggest and most epic adventure yet!

When a summer intern at the Preservation Society discovers an aged document hidden in the binding of an antique book, Society President Nell Pratt is intrigued by the possibilities: Is it a valuable historic document or just a useless scrap of paper? When analysis reveals that it's a hand-drawn map of one of Philadelphia's oldest neighborhoods, Nell learns that the area is being excavated for a new real-estate development and may hold long-buried secrets from the city's historic heyday.

In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

After nearly drowning, eight-year-old Maeve Wilhelm falls into a strange comatose state. As years pass, it becomes clear that Maeve is not physically aging. A wide cast of characters finds themselves pulled toward Maeve, each believing that her mysterious “sleep” holds the answers to their life’s most pressing questions: Kevin Marks, a museum owner obsessed with preservation; Monique Gray, a refugee and performance artist; Lionel Wilhelm, an entomologist who dreamed of being an astrophysicist; and Evangeline Wilhelm, Maeve’s identical twin.

In this personal journey through a unique performing art, David Copperfield profiles some of the world’s most groundbreaking magicians. From the 16th-century magistrate who wrote an early book on conjuring, to the Roaring Twenties and the man who fooled Houdini, to the woman who levitated, vanished, and caught bullets in her bare hands, David Copperfield’s History of Magic takes you on a wild journey through the remarkable feats of some of the greatest magicians in history.

This collection contains: Twelve Years a Slave, Up from Slavery, Life and Times of Frederick Douglass, The Interesting Narrative of the Life of Olaudah Equiano, Incidents in the Life of a Slave Girl, The History of Mary Prince, a West Indian Slave, The Life of an American Slave (Fifty Years in Chains), The Experience of Rev. Thomas H. Jones, Memoir and Poems of Phillis Wheatley, a Native African and a Slave, From Log Cabin to the Pulpit, and many more.

Williamsburg got its start as a fortified site, which was vitally necessary for English settlers to heavily outnumbered by nearby Native Americans, many of which were at times hostile. Known originally as Middle Plantation, the site served as the capital of the colony for much of the 18th century, and it bore witness to seminal events in the history of Revolutionary era America, including the Gunpowder Incident, which nearly coincided with the Battles of Lexington and Concord to the north.

The cowboy is an iconic figure in American culture. With his hat, boots, and trusty horse, the cowboy rides in at a moment of crisis to intervene against the forces of evil. In the 20th century, the cowboy of the Wild West took center stage in the realm of popular literature.

The Gunmen of the American Wild West Collection brings to life the history of the frontier west of the Mississippi in the latter parts of the 19th century. The gunmen ranged from lawmen to cowboys, ranchers, and outlaws. Most of the outlaws in the Old West preyed on banks, trains, and stagecoaches. Although spread thin, the law was present, usually on the level of deputy US marshal, county sheriff, and the town marshal or constable.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?