Museum Library

Goldie Roth is a trained thief and a skilled liar. Along with her friend Toadspit, she's supposed to be one of the Keepers of the mysterious Museum of Dunt. But although she desperately wants to be a Keeper, she will not leave her sick parents to do so. But when Toadspit's sister Bonnie is stolen, he and Goldie are forced to follow the child-stealers to the neighboring city of Spoke. Along the way, Toadspit too is captured, and Goldie is caught up in the Festival of Lies, where every word she says means something else and no one can be trusted.

This is the story of unlikely heroine Ophelia Jane Worthington-Whittard who doesn't believe in anything that can't be proven by science. She and her sister Alice are still grieving for their dead mother when their father takes a job in a strange museum in a city where it always snows. On her very first day in the museum Ophelia discovers a boy locked away in a long forgotten room. He is a prisoner of Her Majesty, the Snow Queen. And he has been waiting for Ophelia's help. As Ophelia embarks on an incredible journey to rescue the boy everything that she believes will be tested.

Sitting on the banks of the river Seine, in the very heart of Paris, the Musée d'Orsay is known worldwide for its exceptional collection of impressionist paintings. These works were absolutely scandalous at the time and for some, they still obviously are. Also, it provides a genuine feeling of time travel by recreating the context in which every single work of art has been produced. Its history is also full of twists and surprises. All of this contributes to making the Musée d'Orsay one of the most alive and striking museums ever.

Most of us take for granted that our books are vertical on our shelves with the spines facing out, but Henry Petroski, inveterately curious engineer, didn’t. As a result, listeners are guided along the astonishing evolution from papyrus scrolls boxed at Alexandria to upright books shelved at the Library of Congress. Petroski takes us into the pre-Gutenberg world, when books were so scarce they were chained to lecterns for security.

When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather's painting, she discovers what seems to be an old Renaissance masterpiece underneath. That's great news for Theo, who's struggling to hang on to her family's 200-year-old townhouse and support her unstable mother on her grandfather's legacy of $463. There's just one problem: Theo's grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.

日本が当事国であった戦争を知る世代が少なくなるなか，忘れてはならない記録と記憶の継承を志す場があり，人がいる．戦争の時代を生きた人間を描くノンフィクションを多数ものしてきた作家が，各地の平和のための博物館を訪ね，そこで触れた土地の歴史と人びとの語りを伝える．

Buried in information? Cross-eyed over technology? From the bottom of a pile of paper and discs, books, e-books, and scattered thumb drives comes a cry of hope: Make way for the librarians! They want to help. They're not selling a thing. And librarians know best how to beat a path through the googolplex sources of information available to us.

Information is power. It drives commerce, protects nations, and forms the backbone of systems that range from health care to high finance. Yet despite the avalanche of data available in today's information age, neither institutions nor individuals get the information they truly need to make well-informed decisions. Faulty information and sub-optimal decision-making create an imbalance of power that is exaggerated as governments and corporations amass enormous databases on each of us.

The past, present, and future of human culture can be found inside glass, on walls, or tucked away in a climate-controlled environment. But what attracts society to collect fine art, pottery, and other ancient artifacts? In Beyond the Halls: An Insider’s Guide to Loving Museums, you’ll find a brief history of museums while exploring the present nature of these institutions and the thought-provoking ways to interact with them. Beyond the Halls is a book that speaks to museum lovers (and haters) who are looking to discover, for the first time, the history of museums.

Each of us has an ever-growing collection of personal digital data: documents, photographs, PowerPoint presentations, videos, music, emails, and texts sent and received. To access any of this, we have to find it. The ease (or difficulty) of finding something depends on how we organize our digital stuff.

It is a perfect spring day in Istanbul. Kemal, a wealthy heir, is about to become engaged to the aristocratic Sibel when he encounters Füsun, a beautiful shop girl. He falls in love and finds his established world of Westernized families, opulent parties, society gossip and dining room rituals is shattered.

The Maryhill Museum of Art is located on 5,300 acres in the Columbia River Gorge. Miles from any sizeable town and surrounded by the gorge's spectacular scenery, Maryhill is an internationally recognized - and undeniably eclectic - repository of art that ranges from one of the nation's best Rodin collections to one of the world's largest assemblage of chess sets. Dancer, Dreamers, and the Queen of Romania is the story of the four widely disparate people whose lives intertwined in such a way as to lay the foundation for the museum.

Today, nearly one million books are published each year. But is the era of the book as we know it - a codex of bound pages - coming to an end? And if it is, should we celebrate its demise and the creation of a democratic digital future, or mourn an irreplaceable loss?

The dream of capturing and organizing knowledge is as old as history. From the archives of ancient Sumeria and the Library of Alexandria to the Library of Congress and Wikipedia, humanity has wrestled with the problem of harnessing its intellectual output. The timeless quest for wisdom has been as much about information storage and retrieval as creative genius. In Cataloging the World, Alex Wright introduces us to a figure who stands out in the long line of thinkers and idealists who devoted themselves to the task.

Py-Lieberman reflects on the profound connections between even outwardly dissimilar objects and offers insight and stories from Smithsonian experts. The book explores artworks, scientific specimens, historical artifacts, airplanes, spacecraft, plants, and so much more, contemplating how each item represents different facets of humanity and resonates with cultural meaning in surprising ways. Whimsical, affecting, and insightful, The Object at Hand offers an intimate and exclusive tour of the Smithsonian collections.

Leggendo questo libro (e facendo gli esercizi!) imparerai i segreti della scrittura creativa. I capitoli sono strutturati per aiutarti a prendere confidenza con le tue caratteristiche personali e con le regole della scrittura creativa. Esaminati gli elementi principali di quest'ultima, vedremo alcune sue declinazioni e prenderemo in esame le diverse strade che potrai percorrere nella creazione di un tuo stile personale. Ti consiglio di prestare molta attenzione agli esempi che verranno utilizzati perché ti permetteranno di comprendere più facilmente le tecniche descritte.

Esta guía propone al lector una visita al Museo del Prado con el objetivo de que pueda disfrutar de ella y aprovecharla al máximo. Le invita a detenerse en aquellas obras absolutamente imprescindibles y, sobre todo, le muestra cómo "mirarlas" para percibir aún más su belleza, le ayudará a reparar en la excelencia del artista volcada en su obra y a observar los distintos aspectos y detalles que hacen que esos cuadros sean únicos.

>Luminous and revealing, a daughter's memoir of the art world and a larger-than-life father. Gabrielle Selz grew up in a home full of the most celebrated artists of the 1960s and 1970s: Rothko, de Kooning, Tinguely, Giacometti, and Christo. Her father, Peter Selz, was the chief curator of painting and sculpture at the Museum of Modern Art in the heyday of Abstract Expressionism. Selz's father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on their family life.

What does the transformation to a visitor-centered approach do for a museum? How are museums made relevant to a broad range of visitors of varying ages, identities, and social classes? Does appealing to a larger audience force museums to “dumb down” their work? What internal changes are required? Based on a multi-year, Kress Foundation-sponsored study of ten innovative American and European collections based museums recognized by their peers to be visitor centered, Peter Samis and Mimi Michaelson answer these key questions for the field.

Libraries today are more important than ever. More than just book repositories, libraries can become bulwarks against some of the most crucial challenges of our age: unequal access to education, jobs, and information.