Music Industry

The Dark Side of Indie Survival is informative, entertaining, and a pleasure to listen to. In this book, I examined indie music's evolution and the differences between a record label artist and an independent artist. This book also examines the sometimes overwhelming challenges of an indie artist. The various emotional, professional, and marketing strategies that an artist may face by himself or herself are extensively discussed and analyzed.

During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Barbra Streisand and James Taylor. They were all under contract to CBS Records, making it the most successful label of the era. And, as the company's president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile, and controversial personality to emerge from an industry and era defined by sex, drugs, and debauchery.

Cowboys and Indies is the definitive record-business bible, chronicling the pioneers who set the stylus on the most important labelsand musical discoveries of the last century. The narrative follows all the musical trends and developments from the phonograph to the Internet age as it delves behind the big business of corporate hit machines and the diligent industry of small, curated labels.

The Victorians invented mass entertainment. As the 19th century's growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created "palaces of pleasure".

Joe Ruddy (rhymes with bloody) was a former military policeman. New to the Dallas Police Department and even newer to the detective division, Joe found himself being assigned to all the shitty cases the veterans did not want to investigate. Joe was a self-conscious alcoholic who wrote songs and sang in bars and honky tonks. He did not consider himself a professional singer but enjoyed singing as a hobby. His hobby made Joe the prime candidate for reopening an old homicide case.

Someone is about to make a killing in the music industry. Why would songwriting legend Gideon Pike disappear just as his 30-year career turns a multimillion-dollar profit Music columnist Mick Sever goes looking for his missing friend Gideon in the gritty backrooms of Miami's nightclubs, dodging suicide speedboats and running from sniper fire. What surfaces is how the major players in the music industry are not making the headlines, but just pulling the strings that create them.

Em Como a música ficou grátis, o jornalista Stephen Witt investiga a fundo a história secreta da pirataria de músicas na internet, partindo dos engenheiros alemães criadores do mp3,, passando por uma fábrica de CDs na Carolina do Norte da qual um funcionário chamado Dell Glover vazou cerca de dois mil álbuns ao longo de uma década e também pelo centro de Manhattan, onde o executivo Doug Morris dominou o mercado mundial do rap, e finalmente mergulhando nos redutos mais obscuros da web até um site ilegal quatro vezes maior do que a loja do iTunes.

Benjamin "BeBe" Winans always knew he was born to be a Gospel singer. Growing up watching his four older brothers perform fueled his dream to be on stage, and as teenagers, he and his younger sister CeCe were offered the opportunity to move from Detroit to North Carolina and join the Praise the Lord Singers for The PTL Club, hosted by the eccentric Jim and Tammy Faye Bakker.

For the first time, Appetite for Self-Destruction recounts the story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world - and the advent of file sharing brought it to its knees.