Music Industry

Continuing the ultimate guide to breaking into the music industry, welcome to Step 2 of our 4 step series. There can be no doubt that being signed to a record company can mean the difference between playing to a worldwide audience or only a dozen people in the local pubs and clubs. The competition to get that deal can be fierce, with unsigned bands and artists around the world vying for record company attention – with few actually achieving it.

One of the best ways to learn about what makes an artist or band successful is by going direct to the source and working within the music industry itself. This guide will teach you how to get your foot in the door of a record company and from there, make the most of the knowledge you’ll gain, finding out how to secure live gigs, discovering the best ways to promote yourself, or, best of all, learning what a record company looks for in a new act, and what you need to do to get a record deal.

Are you interested in learning about some of the most influential women in music? Perhaps you are an aspiring female musician searching for motivation from some of the best female musicians that have made it big? Or, maybe you are a musical historian trying to find an audiobook that goes into extensive and insightful details on the leading women in the music industry since the 1970s? These stories on female musical legends will empower and motivate you if you are looking for fresh inspiration to go after your own dreams...

Chapter one of The Artist's Guide to Success in the Music Business. This chapter is regarding the music industry and you.

During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Barbra Streisand and James Taylor. They were all under contract to CBS Records, making it the most successful label of the era. And, as the company's president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile, and controversial personality to emerge from an industry and era defined by sex, drugs, and debauchery.

Saving Your Soul is a labor of love from coach Rho. It offers sound guidance and practical tools from her years of experience in the entertainment industry and beyond. Every creative person can benefit from these insights, as well as anyone looking for solid support in their life’s journey. This book tackles important subjects that are vital to creatives’ ability to thrive. It covers exploring how to diversify, how to protect your work, overseeing the business of art, learning the key players in the industry, getting to grips with contracts, and more.

The Victorians invented mass entertainment. As the 19th century's growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created "palaces of pleasure".

Sonic Warrior is a collection of insane-but-true stories from the career of rock radio legend Lou Brutus. Each chapter is a separate tale that careens around his 40-plus years of covering concerts, interviewing music's biggest stars, and influencing generations of radio listeners. Starting with the first show he attended and continuing to the present day, stops along the way include Live Aid in Philadelphia, the Arctic, Live Earth in London, and the New Jersey Turnpike.

Someone is about to make a killing in the music industry. Why would songwriting legend Gideon Pike disappear just as his 30-year career turns a multimillion-dollar profit Music columnist Mick Sever goes looking for his missing friend Gideon in the gritty backrooms of Miami's nightclubs, dodging suicide speedboats and running from sniper fire. What surfaces is how the major players in the music industry are not making the headlines, but just pulling the strings that create them.

Cowboys and Indies is the definitive record-business bible, chronicling the pioneers who set the stylus on the most important labelsand musical discoveries of the last century. The narrative follows all the musical trends and developments from the phonograph to the Internet age as it delves behind the big business of corporate hit machines and the diligent industry of small, curated labels.

Em Como a música ficou grátis, o jornalista Stephen Witt investiga a fundo a história secreta da pirataria de músicas na internet, partindo dos engenheiros alemães criadores do mp3,, passando por uma fábrica de CDs na Carolina do Norte da qual um funcionário chamado Dell Glover vazou cerca de dois mil álbuns ao longo de uma década e também pelo centro de Manhattan, onde o executivo Doug Morris dominou o mercado mundial do rap, e finalmente mergulhando nos redutos mais obscuros da web até um site ilegal quatro vezes maior do que a loja do iTunes.

For the first time, Appetite for Self-Destruction recounts the story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world - and the advent of file sharing brought it to its knees.

Benjamin "BeBe" Winans always knew he was born to be a Gospel singer. Growing up watching his four older brothers perform fueled his dream to be on stage, and as teenagers, he and his younger sister CeCe were offered the opportunity to move from Detroit to North Carolina and join the Praise the Lord Singers for The PTL Club, hosted by the eccentric Jim and Tammy Faye Bakker.

Go behind the scenes of popular music festivals with the medical professionals who risk it all to keep everyone safe. From intoxicated teens to patients in porta-potties, discover the hidden, often hilarious, side of music festivals from the points of view of dedicated EMTs and paramedics. Written by lawyer-turned-paramedic Jim Bollenbacher, this lighthearted collection of stories provides an inside view of the world of music festival medicine.