Muslim Women

After September 11, Ranya Idliby, an American Muslim of Palestinian descent, faced constant questions about Islam, God, and death from her children, the only Muslims in their classrooms. Inspired by a story about Muhammad, Ranya reached out to two other mothers to write an interfaith children's book that would highlight the connections between Judaism, Christianity, and Islam.

Imaginez un endroit où le simple fait de devenir chrétien vous condamnerait à mort, dénoncé par votre propre famille. Un endroit où les chrétiens étrangers qui s’aviseraient d’annoncer l’Évangile seraient immédiatement déportés s’ils étaient découverts.

Based on true events around the India-Pakistan partition in 1947, the book traces the life of a young English woman and her Muslim husband. From the husband's death in Pakistan, the story becomes her daughter Meena's recollection of the traumatic death and her own personal struggles and challenges in India and finally in Canada.

Evolutionary biologist Amina Abdul accepts a post-doc in Washington, DC, choosing her career studying hybrid zones over a faltering West Coast romance. Her brother and sister-in-law welcome her to the city, but their marriage is crumbling, and they soon rely on her to keep their son company. Omar, hungry to understand his cultural roots, fakes an Indian accent, invents a royal past, and peppers his aunt with questions about their cultural heritage. When he brings an ornamental knife to school, his expulsion triggers a downward spiral for his family.

Sahar Amer's evenhanded approach is anchored in sharp cultural insight and rich historical context. Addressing the significance of veiling in the religious, cultural, political, and social lives of Muslims, past and present, she examines the complex roles the practice has played in history, religion, conservative and progressive perspectives, politics and regionalism, society and economics, feminism, fashion, and art.