Mystery England

Pastor-teacher John MacArthur helps listeners understand Jesus' parables and how they relate to the whole of his message. Jesus was a master storyteller, and the parables he told were ingeniously simple word pictures with profound spiritual lessons. Understanding the parables is a crucial matter for followers of Jesus. Jesus told parables so his people might comprehend his message about the kingdom of God clearly.

A hot summer on the Northumberland coast and Julie Armstrong arrives home from a night out to find her son strangled, laid out in a bath of water and covered with wild flowers. This stylized murder scene has captured Inspector Vera Stanhope’s attention. And then another body is discovered in a rock pool, the corpse again strewn with flowers. Vera must work quickly to find this killer who is making art out of death. As local residents are forced to share their deepest, darkest secrets, the killer watches, waits and plans to prepare another beautiful, watery grave.

With more than 10 million copies in print worldwide, New York Times best-selling author Diana Gabaldon's Outlander series is a global phenomenon. Lord John and the Private Matter, starring one of the most popular Outlander characters, captures all the adventure and magic of the series while delivering a fresh tale that is utterly captivating.

Something wicked is going on in the village of Ascension. A mother wasting away from cancer is suddenly up and about. A boy trampled by a milk cart walks away from the accident. A hanged man can still speak, broken neck and all. The dead are not dying. When Rabbit and Sadie Grace accompany their friend Rose to Ascension to help take care of her ailing cousin, they immediately notice that their new house, Bethany Hall, is occupied by dozens of ghosts. And something is waiting for them in the attic.

Lizzy Moon never wanted Moon Girl Farm. Eight years ago, she left the land that nine generations of gifted healers had tended, determined to distance herself from the whispers about her family’s strange legacy. But when her beloved grandmother Althea dies, Lizzy must return and face the tragedy still hanging over the farm’s withered lavender fields: the unsolved murders of two young girls, and the cruel accusations that followed Althea to her grave.

Still looking for answers to explain her uncanny ability to see her dead ancestors, Abby shifts her focus to spiritualists, seers, and psychics of all kinds. Meeting them with an open mind - and a healthy dose of skepticism - she wants to know if any of them genuinely share her strange experiences or if they're simply conning gullible people. When she ventures into a series of "readings" given by area psychics, she makes a startling connection that defies even her wildest expectations.

Life seems perfect in Valley Farm, a quiet community in Northumberland. Then a shocking discovery shatters the silence. The owners of a big country house have employed a house-sitter, a young ecologist named Patrick, to look after the place while they’re away. But Patrick is found dead by the side of the lane into the valley - a beautiful, lonely place to die.

Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost - she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.

Seventeen-year-old Audrey Rose Wadsworth was born a lord's daughter, with a life of wealth and privilege stretched out before her. But between the social teas and silk dress fittings, she leads a forbidden secret life. Against her stern father's wishes and society's expectations, Audrey often slips away to her uncle's laboratory to study the gruesome practice of forensic medicine. Audrey's work on a string of savagely killed corpses drags her into the investigation of a serial murderer.

Finn and Layla are young, in love, and on vacation. They’re driving along the highway when Finn decides to stop at a service station to use the restroom. He hops out of the car, locks the doors behind him, and goes inside. When he returns Layla is gone - never to be seen again. That is the story Finn told to the police. But it is not the whole story.

In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: Eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950 - and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.

On a rainy November evening, a young woman hurries through the crowd in London’s historic Russell Square. Out of the darkness, someone jostles her, then brushes past. A moment later, she stumbles, collapsing against a tree. When a young mother finds her body and alerts the police, Detective Superintendent Duncan Kincaid and his sergeant, Doug Cullen, are called to the scene. The victim, Sasha Johnson, is a trainee doctor at a nearby hospital, and she’s been stabbed.

As the mists roll over the fens and enigmatic lights twinkle in the distance, only the locals know their way along the hidden paths through the mysterious watery terrain of one of England's most beautiful and sometimes dangerous places. Detective Matt Ballard may have retired but there's still plenty going on in the fens to keep him busy. Someone trashes an old lady's garden and daubs her isolated cottage with hateful graffiti. Emilia Swain seems to be totally harmless, so why is she being targeted?

Lady Augusta Colebrook, “Gus,” is determinedly unmarried, bored by society life, and tired of being dismissed at the age of forty-two. She and her twin sister, Julia, who is grieving her dead betrothed, need a distraction. One soon presents itself: to rescue their friend’s goddaughter, Caroline, from her violent husband. The sisters set out to Caroline’s country estate with a plan, but their carriage is accosted by a highwayman. In the scuffle, Gus accidentally shoots and injures the ruffian, only to discover he is Lord Evan Belford, an acquaintance from their past.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.

Alice and Seth are a perfect love story: the handsome doctor and his beautiful fiancée. They’re wealthy, well liked and made for each other—the envy of all their friends. Alice can’t wait for the day of their dream wedding. But when she arrives at the altar, she doesn’t recognise the man waiting to marry her. When this stranger insists he’s Seth, her husband-to-be, the entire congregation seems to agree. Even her parents try to persuade Alice to go through with the wedding.

Spring, 1549. Two years after the death of Henry VIII, England is sliding into chaos...The king, Edward VI, is 11 years old. His uncle Edward Seymour, Duke of Somerset, rules as Protector. Radical Protestants are conducting all-out war on the old religion, stirring discontent among the people. The Protector's prolonged war with Scotland is proving a disastrous failure. Worst of all, the economy is in collapse, inflation rages, and rebellion is stirring among the peasantry.

The year is 1862 and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial "humanitarianism," which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself.

Wolcott Balestier, the representative of an American book publisher, arrived in London on a singular mission—to contract with English authors for their latest works. When Balestier disappears on the streets of London one day, his great friend - Rudyard Kipling—bursts into Enola's office looking for help in finding him. Brash and unwilling to hire a young woman, instead he turns to Sherlock Holmes. Convinced that evil has befallen Balestier, at the hands of rival American publishers who pirate the works of English authors, he sets the elder Holmes on the trail.