Native Art

In this last book of a three-volume series, William L. Shirer recounts his return to Berlin after the Third Reich’s defeat. Having fled Berlin and imminent arrest by the Gestapo in 1940, Shirer returned to Europe in October 1945 to verify the facts of the Fuhrer’s death, thus bringing to a close - or so he thought - his involvement with the Third Reich. He describes his return to his homeland and his ensuing careers as a broadcast journalist and author. He describes the McCarthy years and how the blacklist affected his own network, CBS.

It was one of the most reliable jokes in Charlie Hill’s stand-up routine: “My people are from Wisconsin. We used to be from New York. We had a little real estate problem.” In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form.

The author of 18 spellbinding detective novels set on the Navajo Nation, Tony Hillerman simultaneously transformed a traditional genre and unlocked the mysteries of the Navajo culture to an audience of millions. His best-selling novels added Navajo Tribal Police detectives Joe Leaphorn and Jim Chee to the pantheon of American fictional detectives.

A lot of healing practices and spiritual ceremonials that are being practiced nowadays by healing practitioners and metaphysical groups have been acquired from traditions that initiated from assorted Native American tribes. History suggests that every tribe would have one or more elders who were trained in the healing arts. These people would serve as herbalists, healers, and spirit communicators.

It was in Brooklyn, New York, in 1883 that William F. Cody - known across the land as Buffalo Bill - conceived of his Wild West show, an "equestrian extravaganza" featuring cowboys and Indians. The idea took off. For four months in 1885, the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration.

Whether you're preparing for a role on stage or screen, the ability to speak with a clear and authentic RP accent can be invaluable. But learning the ins and outs of this prestigious accent can be challenging, especially if you're not a native speaker. That's where our course comes in. With expert instruction and clear, concise lessons, we'll guide you through the basics of RP pronunciation and diction, helping you to develop a confident and authentic speaking style.

As a Bolton teenager with a paper round Clive Myrie read all the newspapers he delivered from cover to cover, and dreamed of becoming a journalist. Thirty years on, he's reported from more than ninety countries for the BBC. In this deeply personal memoir, he reflects on how being black has affected his perspective on the myriad issues he's encountered in reporting some of the biggest stories of our time. Clive's empathy for the individual caught up in large historical events is widely recognised.

Doty Meets Coyote is an audio tapestry of traditional and original Native American stories from the American West told by master storyteller Thomas Doty. It is Thomas Doty's work as a storyteller not only to perpetuate the Old Time myths with integrity but to add new stories to the collective basket of folklore, just as tellers before him have done for centuries. Storytelling is an ancient tradition as well as a living art.

During the early twentieth century, the American government’s standing expectation was that Native Americans should be adopting Western customs. In the face of that prospect, anthropologist and musicologist Frances Densmore sought to preserve Native American culture—particularly as it was expressed through music. In her extensive writings on Native American lifestyles, music, and history, Densmore opened a window onto American experiences that had been obscured by stereotypes, and encouraged a better appreciation of the varied traditions of tribes nationwide.

Born in 1925, Maria Tallchief spent part of her childhood on an Osage reservation in Oklahoma. With the support of her family and world-renowned choreographer George Balanchine, she rose to the top of her art form to become America's first prima ballerina.

At four years old, Ria Thundercloud was brought into the powwow circle, ready to dance in the special jingle dress her mother made for her. As she grew up, she danced with her brothers all over Indian country. Then Ria learned more styles—tap, jazz, ballet—but still loved the expressiveness of Indigenous dance. And despite feeling different as one of the only Native American kids in her school, she always knew she could turn to dance to cheer herself up.

Growing up on the Osage Indian reservation, Maria Tallchief was a gifted pianist and dancer. According to Osage tradition, women are not permitted to dance, but Maria's parents recognized her gifts and allowed her to break the rule. Then when Maria reached the age of twelve, her father told her it was time to choose between her two loves. Maria chose ballet. It was a decision that would change not only the course of her life, but the face of classical ballet in America. The fascinating story of Maria Tallchief's rise to become America's prima ballerina will captivate young listeners.

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