New Civil Rights

Words With My Father offers a gripping audio portrait of the evolution of a young man's mental illness and how it manifested into a dramatic and often dangerous existence through the turbulence of the Civil Rights, Peace and Conservation movements.

We are in the middle of a historic swell of activism taking place throughout the world. Yet despite social engagement being at record highs, there is a divide between the activist community and the scientists—like Lisa Mueller, PhD—who study it. In The New Science of Social Change, Mueller highlights what really works when it comes to group advocacy, to place proven tools in the hands of activists on the ground—in the U.S. and abroad.

Bill Bradley believes that America is at a crossroads, a "teachable moment" in which we are compelled to reevaluate our political system and leadership. With clarity and urgency, Bradley outlines the story we are being told now about who we are and what is possible for our nation. He then offers a new story, including what changes need to be made, and suggests that the party that chooses to embrace this new story will be in power for a generation.

Reniqua Allen tells the stories of Black millennials searching for a better future in spite of racist policies that have closed off traditional versions of success. Many watched their parents and grandparents play by the rules, only to sink deeper and deeper into debt. They witnessed their elders fight to escape cycles of oppression for more promising prospects, largely to no avail. Today, in this post-Obama era, they face a critical turning point. Interweaving her own experience, Allen shares surprising stories of hope and ingenuity.

Adam Russell Taylor reimagines a contemporary version of the beloved community that will inspire and unite Americans across generations, geographic and class divides, racial and gender differences, faith traditions, and ideological leanings. In the beloved community, neither privilege nor punishment is tied to race, gender, religion, sexual orientation, or economic status, and everyone is able to realize their full potential and thrive.

Al apuntar a hombres negros por medio de la Guerra contra las Drogas y diezmando las comunidades de gente de color, el sistema de justicia criminal de Estados Unidos funciona como un sistema contemporaneo de control racial - al relegar a millones de personas a un estatus de segunda clase - incluso mientras este se adhiere al principio de ceguera para los colores.

In The Accident of Color, Daniel Brook journeys to 19th-century New Orleans and Charleston and introduces us to cosmopolitan residents who elude the racial categories the rest of America takes for granted. Before the Civil War, these free, openly mixed-race urbanites enjoyed some rights of citizenship and the privileges of wealth and social status. But after Emancipation, as former slaves move to assert their rights, the black-white binary that rules the rest of the nation begins to intrude.

Set against the burgeoning Civil Rights movement of the 1960s, and then just before the outbreak of the Civil War, The Freedom Maze explores both political and personal liberation, and how the two intertwine. In 1960, 13-year-old Sophie isn't happy about spending the summer at her grandmother's old house in the Bayou. But the house has a maze Sophie can't resist exploring once she finds it has a secretive and mischievious inhabitant.

What are the origins of the idea of human rights and universal human dignity? How can we most fully understand and realize these rights going into the future? Internationally renowned sociologist and social theorist Hans Joas tells a story that differs from conventional narratives by tracing the concept of human rights back to the Judeo-Christian tradition or, alternately, to the secular French Enlightenment. Joas sets out a new path, proposing an affirmative genealogy in which human rights are the result of a process of "sacralization" of every human being.

On a New Orleans morning in 1900, a young Black man named Robert Charles dared to fight back after an unprovoked assault by three white officers. The officers had first approached Charles on the grounds that he looked “suspicious” in a predominantly white neighborhood, and began to attack him after he stood up. After shots were fired, Charles fled on foot, and legal sanction was granted to anyone who sought to kill the “desperado” (as the white newspapers of the time quickly labeled him). In the days that followed, riotous mobs overtook New Orleans.