New Literary Fiction

Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates.

After finding himself caught up in one of Louisiana’s oldest and bloodiest family rivalries, Detective Dave Robicheaux must battle the most terrifying adversary he has ever encountered: a time-traveling superhuman assassin.

An eastern mystic, a western psychic, and a broken man who falls in love with them both at a holy, magnetic mountain. More than an unusual love story, Jonas and the Mountain is a quest for the deepest truth, an excursion into the nature of reality. Jonas has been living a half-life since he lost his marriage, his college teaching position, and his best friend all at once. In his darkest moment, he hears a voice in his head, and strange poems start to come to him.

When Dave Robicheaux, learns that an old friend, Father Jimmie Dolan has been the victim of a particularly brutal assault, he returns to New Orleans to investigate, if only unofficially.

Detective Dave Robicheaux’s world isn’t filled with too many happy stories, but Desmond Cormier’s rags-to-riches tale is certainly one of them. Robicheaux first met Cormier on the streets of New Orleans, when the young, undersized boy had foolish dreams of becoming a Hollywood director. Twenty-five years later, when Robicheaux knocks on Cormier’s door, it's to ask about a young woman he found who’s been crucified. She disappeared near Cormier’s Cyrpemort Point estate, and Robicheaux, along with young Deputy Sean McClain, are looking for answers.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

After Emily Starr loses her dear father, the ten-year-old orphan is packed off to live with her starched relatives on Prince Edward Island. If only she could relate to them. Frankly, whip-smart, ambitious Emily can’t imagine ever feeling at home at New Moon Farm. Especially when her writerly dreams are routinely dashed by her autocratic aunt. Then Emily finds an outlet for her creative spirit with a group of friends every bit as passionate and gifted as she. With their help, New Moon could start to feel like home after all.

Everyone's favorite octogenarian is back, and together with his pals in the Old-But-Not-Dead Club, he is more determined than ever to wreak havoc and turn a twinkly eye on the brighter side of life. After a year spent mourning the death of his beloved friend Eefje, Hendrik may be older and a little more wobbly, but his youthful appetite for mischief hasn't diminished. When fears arise that the home is set for demolition, it's up to Hendrik and the Old-But-Not-Dead Club to intervene.

The Book of Strange New Things is a mind-blowing work that fearlessly tackles the search for meaning in an unfathomable universe. It concerns Peter and Beatrice, whose marriage is tested when Peter travels as a missionary, spreading the Gospel to a faraway land, and Beatrice is left to deal with troubles at home. In the most extraordinary and spellbinding ways, it deals with faith - religious faith, to be sure, but also faith in oneself, faith in salvation and faith in those we love.

When it comes to expressing the pleasure and pain of being just a touch too smart to be happy, Dorothy Parker is still the champion. Along with Robert Benchley, Alexander Woollcott, and the rest of the Algonquin Round Table, she dominated American popular literature in the 1920s and 1930s. This collection of more than 30 short stories and poems is essential for any Parker fan and an excellent way for new listeners to make the acquaintance of one of the 20th century's most quotable authors.

The Hour of the Star, Clarice Lispector's consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S. M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Colas, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved.

Before Stinkville, Alice didn't think albinism - or the blindness that goes with it - was a big deal. Sure, she uses a magnifier to read books. And a cane keeps her from bruising her hips on tables. Putting on sunscreen and always wearing a hat are just part of life. But life has always been like this for Alice. Until Stinkville.

Honora and Sexton are just settling into their new marriage, and have just bought their beloved New Hampshire house, when the economy crashes and everything in their world changes. Anita Shreve presents a "literary novel of the caliber and craft of Edith Wharton or Henry James," says the Baltimore Sun.

Somewhere in the United Kingdom, an eight year old boy is removed from his home in the middle of the night. He is a victim of an extraordinary experiment. In an attempt to reform society, the government has divided the population into four groups, each group representing a different personality type.

Bea’s five-year-old daughter, Agnes, is slowly wasting away, consumed by the smog and pollution of the overdeveloped metropolis that most of the population now calls home. If they stay in the city, Agnes will die. There is only one alternative: the Wilderness State, the last swath of untouched, protected land, where people have always been forbidden. Until now.

Asle is an aging painter and widower who lives alone on the west coast of Norway. His only friends are his neighbor, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers—two versions of the same person, two versions of the same life. Written in melodious and hypnotic "slow prose," A New Name is the final installment of Jon Fosse's Septology.

Inspired by a near-mythic event on the wild Florida frontier at the turn of the 20th century, Shadow Country re-imagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.

Darling is only 10 years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad. But Darling has a chance to escape: She has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few.

When Blue Bird and her grandmother leave their family's camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria's tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria's death and viewed as the masterpiece of her career, offers a captivating glimpse.

In one of the poorest parts of rural New Hampshire, teenage girls have been disappearing, snatched from back country roads, never to be seen alive again. For 17-year-old Marjorie Richards, the fear raised by these abductions is the backdrop to what she lives with in her own home, every day. Marjorie has been raised by parents so intentionally isolated from normal society that they have developed their own dialect, a kind of mountain hybrid of English that displays both their ignorance of and disdain for the wider world.