New Literary Fiction

It's 1941. In the chaos of wartime Marseille, American engineer - and occult disciple - Jack Parsons stumbles onto a clandestine anti-Nazi group, including surrealist theorist André Breton. In the strange games of the dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world forever.

Children of the New World introduces listeners to a near-future world of social media implants, memory manufacturers, dangerously immersive virtual reality games, and alarmingly intuitive robots. Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.

The protagonist of Orhan Pamuk's fiendishly engaging novel is launched into a world of hypnotic texts and (literally) Byzantine conspiracies that whirl across the steppes and forlorn frontier towns of Turkey. And with The New Life, Pamuk himself vaults from the forefront of his country's writers into the arena of world literature.

THE SIGN OF THE TOOTH: A BEAUTIFUL, YOUNG WOMAN ENTERS 221B BAKER STREET. HER FATHER, HIS CLOSEST FRIEND, AND A YOUNG MEDICAL STUDENT HAVE ALL DIED IN THE PAST TWO WEEKS Each body was found soon after death but with rigor mortis already set in. She believes they were murdered and seeks the help of Sherlock Holmes. The mystery that led to their deaths began fifteen hundred years ago when the sacred tooth of the Buddha was brought to Ceylon. Since then it has never left the Temple of the Tooth in Kandy where it has been guarded and worshiped.

It’s 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. Instead, they seek to maintain, and fortify, the community they cherish on their “side of the woods.” In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup’s longstanding status quo and could lead to the young couple’s expulsion—or worse—from the home they both hold dear.

Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack—the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the “particular language” of “grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody”—with economy and integrity. Whittled down with a singular artistry, Kick the Latch bangs out of the starting gate and carries the listener on a careening joyride around the inside track.

After the stunning historical novels The Clearing and The Missing, Tim Gautreaux now ranges freely through contemporary life with 12 new stories and eight from previous collections. Most are set in his beloved Louisiana, many hard by or on the Mississippi River, others in North Carolina, and even in midwinter Minnesota. But generally it's heat, humidity, and bugs that beset his people as they wrestle with affairs of the heart, matters of faith, and the pros and cons of tight-knit communities.

Eleanor Morse's Margreete’s Harbor begins with a fire: A fiercely-independent, thrice-widowed woman living on her own in a rambling house near the Maine coast forgets a hot pan on the stovetop, and nearly burns her place down. When Margreete Bright calls her daughter Liddie to confess, Liddie realizes that her mother can no longer live alone. She, her husband Harry, and their children Eva and Bernie move from a settled life in Michigan across the country to Margreete’s isolated home, and begin a new life.

Harriet is leaving her boyfriend Claude, "the French rat". That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge - or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why.

As a teenager, it was never Sam Pulsifer's intention to torch an American landmark, and he certainly never planned to kill two people in the blaze. To this day, he still wonders why that young couple was upstairs in bed in the Emily Dickinson House after hours. After serving 10 years in prison for his crime, Sam is determined to put the past behind him. His low-profile life is chugging along quite nicely until the past comes crashing through his front door.

I know nothing. I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself.... New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn.

An old mansion in Salem, moss-covered and gabled, broods over the destiny of a distinguished but troubled New England Family, the Pynchons. A haunting, centuries-old curse, a forceful probing of national and personal guilt, a romance between the young heroine and an attractive stranger all intertwine in this classic work by one of America's greatest novelists.

It’s a day in the life of three friends beefing with their own city, Tamaki Makaurau. With gentrification closing in and racial tensions sweltering, the girls must cling to their friendship like a life raft, determined not to let their neighbourhood drift out to sea.

Disfruta de este regalo navideño: Mis galletas crujientes de Nochevieja, una de las recetas de Días de Navidad, de Jeanette Winterson. Puedes escuchar su original punto de vista sobre el significado de Año Nuevo mientras cocinas.

There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).

It's not easy getting close to people. Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her: she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too. Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.

Late September 1957. Henry and Effie, very young newlyweds from Georgia, arrive in Cape May, New Jersey, for their honeymoon only to find the town is deserted. Feeling shy of each other and isolated, they decide to cut the trip short. But before they leave, they meet a glamorous set of people who sweep them up into their drama. The empty beach town becomes their playground, and as they sneak into abandoned summer homes, go sailing, walk naked under the stars, make love, and drink a great deal of gin, Henry and Effie slip from innocence into betrayal, with irrevocable consequences.

In one of the poorest parts of rural New Hampshire, teenage girls have been disappearing, snatched from back country roads, never to be seen alive again. For 17-year-old Marjorie Richards, the fear raised by these abductions is the backdrop to what she lives with in her own home, every day. Marjorie has been raised by parents so intentionally isolated from normal society that they have developed their own dialect, a kind of mountain hybrid of English that displays both their ignorance of and disdain for the wider world.

Roller-coastering from the mournful to the comical, Watson's work is both embedded in a literary heritage tied to place and at home in a universal literature of the absurd. His stories waltz with lovely and strange melancholy, infused with wit and astonishing beauty. There Is Happiness embodies the twisted hilarity and undeniable grace of an underrecognized literary genius.

Embark on a journey through 19th-century New England with 'A New England Nun' by Mary E. Wilkins Freeman. This annotated edition unveils the nuanced layers of societal expectations and women's autonomy. Explore the symbolism of wild grapes, the metaphorical imagery of an uncloistered nun, and Joe Daggett's poignant honesty.